Do You Want Your MTV?

mtv.com

On August 1st, 1981, American pop culture was forever changed. At 12:01 am people with cable tuned in to a new channel, saw a rocket launch and then heard the words "Ladies and Gentlemen, Rock and Roll", this was followed by the now iconic Buggles music video "Video Killed The Radio Star". Music Television, later branded MTV, was born.

The early days of MTV are now iconic. Music videos, cool hip Video Jockeys (VJs) guiding us through the day and night, and news just about the music of the day. As the years gave way to decades MTV changed. First a game show called "Remote Control" broke up the non-stop music videos, then more shows followed. The rise of reality television started on MTV with "The Real World" and the network executives at MTV pivoted hard towards unscripted shows and the music videos lost their time on the station. As cable expanded to more channels, MTV expanded to bring music videos back on other stations, but again those stations would bring on more unscripted television and the videos had to be sacrificed. On December 31st, 2025, MTV shut down all their music channels and retained just the original MTV for the showing of reality television. "The Real World" killed the Video Star.

Thanks to a coder that goes by the name FlexasaurusRex, you can have your classic MTV. MTV Rewind provides an easy-to-use archive of music videos. The site connects to YouTube playlists, giving users access to more than 40,000 music videos from the ’70s, ’80s, ’90s, and today. Ads do appear periodically, yet they are ads from the time of MTV's music video dominance such as ads for Ginsu Knives, the Flowbee haircut system, and the California Raisins to name a few. There is an option to donate to the site to keep it truly ad free.

MTV Rewind will appease to all music tastes The site is broken up into several collections, including “MTV 1st Day,” Decades starting in the 70's and going all the way to modern day. It even has genre playlists that harken back to the channel’s signature shows, 120 Minutes, Yo! MTV Raps, and Headbangers Balls. There's a channel of MTV's live broadcast of Live Aid in 1985, a VH1 Pop Up Video Channel, and one that hosts all the "MTV Unplugged" performances. If you can't decide, there’s a shuffle feature that will truly make it Your MTV.

While many of us who grew up with MTV lament it's downfall, there are still people like FlexasaurusRex out there that answer the call of "I Want My MTV". If you need to answer that call, and you have some Aqua Net on hand, then give MTV Rewind a look. At the very least it will help you answer the trivia question "What was the second video ever shown on MTV?".

RD Kulik

RD is the Head Editor for SeedSing.

My Vinyl Record Problem

I had been contemplating getting a record player for a while now, and on my birthday my buddy actually bought me one. This was very unexpected and very much appreciated. Believe me, I have thanked him many, many times to this point. Let’s discuss.

When I first got the record player my parents had given me three records that they didn't play anymore. They have given away most of their records because they no longer own a player. I played these three pretty immediately because I was psyched about my new gift. Then about a week later I went out with my dad and my buddy that bought me the player to go record shopping. This was great. I found three albums that I wanted to try out on the player, they weren't all that expensive, and when I got home all three got played. I also bought my wife a Fleetwood Mac album because that is probably her favorite band. Then I took a break from shopping for albums because the holidays were fast approaching. I got a few more albums for Xmas and ever since then my record buying has become a minor problem.

I was worried this was going to happen. Having a record player is wonderful because it means I have gotten back to listening to music daily. I was mainly listening to podcasts for a good long while. I still prefer podcasts when I run and when I do errands. But at home I have gotten back into strictly listening to albums when I do housework or any other chores that need to be done. This morning, after grocery shopping, I put on a record and did all my prep work for the week as far as food stuff goes. I chose to listen to "Good Kid M.A.A.D City", and having that playing in the background on my record player was amazing. When I play video games at home I have the record player going. My kids went with me to the record store over the weekend and each got to pick an album to have, and we have listened to them multiple times already, especially my daughter who was literally hugging her album, "Life of a Showgirl" after we brought it home. The record player was great simply because it has reopened my love for listening to music while hanging around the house.

But, the downside, as I mentioned a minute ago, the purchasing of records is going to become a problem. I can already tell. This was the main reason why I was so hesitant to get a record player. I was the last of my brothers to get one. All of my close friends have players in their homes. I would go to their houses and look and pour over each record they had and think to myself that it was time to get one. I just never went through with it. Now that I have one though, I'm fully back in on getting albums. As a teenager and early 20 year old I bought countless CD's. you can ask RD. He used to make fun of the size of my CD books, and those bad boys were totally filled up. I fear I may be doing that with records already. My wife got me a record holder for Xmas, and that is already half full. I mentioned my kids got records over the weekend, well, I bought three for myself on that same trip. I grabbed "Good Kid M.A.A.D City", "Midnight Marauders" and "Stop Making Sense". When we went to check out the total was much more than I had anticipated spending. I went to a local store about a week ago and easily blew about ninety dollars on three records.

I have been making lists of what I want to get next. My grand idea when I first started to collect was that I would only buy records I wanted for the album artwork. That was always a big selling point for me with CD's. I loved the artwork, especially the artwork in late 90's, early 2000's hip hop records. The more boisterous the better I thought. But now I'm simply buying albums because I just want to hear them on a record player. For example, "Stop Making Sense", the version I got, is just black and white with some writing on it. There's nothing too special about it. But I do like the simplicity of it. A few records I have, "Chromakopia" for example, have very cool artwork and cool inserts, but I truly love that album and wanted to hear it on a different player. "Igor" is very simplistic in its packaging. I try to tell myself that I'm going to buy the most basic record because I just want them for the music now, but even the most basic album costs anywhere from twenty two to fifty bucks. I got "Getting Killed" for twenty four dollars and I felt like I got an excellent deal. I need to pace myself because this will only get worse before it gets better.

Damn it I'm thrilled that I have a record player and I feel like a kid again when I go shopping for new albums. I'm not much of a looker when I go to stores. I want to be as efficient as possible. But if you put me in a record store, filled to the brim with music, I could shop for hours and be very, very happy. But I will also spend too much money and feel bad about it afterward. I hope this doesn't get too out of hand too fast, but at the rate I'm going right now that seems to be the case. Oh well, I guess the best thing to do now is buy more storage for the inevitable influx of new records coming my way. This is a good problem to have I suppose. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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SeedSing Classic: Advent Calendar of Awesome Holiday Music: Day 22 - Patton Oswalt talks about The Christmas Shoes

ed note: This article was originally published on December 22nd, 2015

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we are looking back at the great holiday music, movies, television episodes, and food of this great season. Enjoy.

Day 22: Patton Oswalt talks about The Christmas Shoes (language NSFW)

Opened doors: OneTwoThreeFourFiveSixSevenEightNineTen,

 Eleven Twelve, ThirteenFourteenFifteen,Sixteen,Seventeen,Eighteen,

NineteenTwenty, Twenty One

I really love Christmas music. This entire Advent Calendar project is a way to show the people who hate Christmas music that there are great tunes available to the uninitiated. My love for holiday music is directly related to the fact that while I was growing up my parents would regularly take me and my brothers to church. I was never super psyched to go to our little suburban catholic cathedral, except for one time of the year. The Christmas season was the only times of the year I was happy to go to mass, and it was the songs that created my excitement. Many of the best holiday songs come from the religious tunes the congregation would sing. Hope, light, the betterment of mankind. That is the true religious meaning of Christmas, and it sounds beautiful.

A couple of years back I heard the song "The Christmas Shoes" and I was left dumbfounded. I first thought that this "christian" song was some kind of SNL parody. It was atrocious. The basic plot centered on the story of a poor kid who wants to buy shoes for his mom on Christmas. These shoes are very important because the kid's mom is dying, and he wants her to look pretty if she meets Jesus. That plot is dumb enough, but what puts "The Christmas Shoes" into the stratosphere of appalling is that the song is from the point of view of some grumpy dude in line behind the kid. The narrator thinks that "God" sent this kid, and his dying mom, to be in this man's life so he will feel the Christmas spirit. It is a truly disgusting message.

In 2009 comedian Patton Oswalt dedicated part of his stand up set discussing "The Christmas Shoes" Everything he says is spot on. Oswalt talks about how manipulative and downright sinister the message behind "The Christmas Shoes" is. He also imagines a world with a God being pissed about people being grumpy on Christmas and a Jesus who is bitchy about a person's fashion sense. What Patton Oswalt does in the YouTube video attached to this article is take one of the worst Christmas songs ever, and give it a new hilarious life. You can skip the song and get a dose of the Christmas spirit by hearing Patton Oswalt tear this piece of trash apart. His thoughts on "The Christmas Shoes" makes the song listenable, because I hear Patton Oswalt's words behind every horrid verse.

A few weeks back my son was being rude to the checkout person at a store. When we were heading home, my wife and I were scolding him about his behavior. At one point I told him that Christmas is about being nice to your fellow person. My son was not listening and being quite defiant. As I was getting more angry and frustrated I heard the opening notes of "The Christmas Shoes". My wife and I stared at each other and smiled. My son was forgiven. The rest of the car ride was filled with joy and laughter. Patton Oswalt has made "The Christmas Shoes" a holiday tradition. Not the song, it is awful, but his thoughts about the tune's idiotic message is what Christmas means to me. Mr. Oswalt, I owe you a pair of some great Christmas shoes.

RD Kulik

RD is the Head Editor for SeedSing and the host of The X Millennial Man podcast. Every year he tries to buy his wife some ugly shoes for Christmas, but he never has quite enough pennies. Help him buy those shoes by supporting SeedSing.

Best of 2025 - Music

Today I am going to give you all my top five albums of 2025. I have gotten back to listening to more music lately. I still do podcasts for running and some house cleaning, but music is coming back in my life in a big way and I'm here for it. This is also the first year in a couple where I have five albums from this year. This isn't about experiencing old music for the first time or discovering some band or solo artist that came out recently. I have five albums from five separate acts that all came out this year.

Before I get into the list, I do want to shout out Taylor Swift's "Life of a Showgirl". It didn't make my top five but it was close. This is a very good pop album. Taylor Swift is doing a lot of great things, and this record shows she is a pop superstar, if she wasn't already. I really enjoy listening to this record and my daughter, who is the big Swiftie in our home, seems to really like it too. I just wanted to give her a little shine. Now onto the list.

At number 5 I have "Getting Killed" by Geese. A few years back I saw Geese open for King Gizzard and the Lizard Wizard and they intrigued me. I'm not always a big fan of openers, but Geese stuck with me. I went home after the show and listened to some of their work and I was in. I didn't know that they had a new record until my buddy let me know. I listened to it that night and have been playing it a ton since. I like the sound, I like how each song blends into the next one, I enjoy the lead singer's voice and the guitar playing is top notch. Geese are a bunch of young kids too, so this feels like just the start. I am so excited to see where they go from here and I will be listening all along the way.

At number 4 I have "Cover the Mirrors" by Ben Kweller. This record is so good and so heartbreaking. For those that may not know, Kweller and his partner's son died in a car crash a few years back. This record is how Kweller has been dealing with that heartbreak. Kweller is such a good writer. He conveys all his feelings to a T. I also like how some of the songs are upbeat musically, but when you listen to the words they will crush your soul. He gets some help on the record from Waxahatchee, and the song they do together, "Dollar Store", is amazing. I have been a Kweller fan for about 20 years now and this record may be his best to date. Again, it is very sad, but damn is it good too.

At number 3 I have "Thee Black Boltz" by Tunde Adebimpe. Adebimpe is the lead singer of one of my favorite bands, TV on the Radio, but he decided to venture out and do a solo record. This album is upbeat and fun. It has a bit of a TV on the Radio feel, but this is all about Adebimpe. I like that he beatboxes on a song. I have always loved his voice as well. That was what first drew me to TV on the Radio, and that is what I truly dig about this solo record. The songs range from upbeat to pretty to almost hip hop. I like that he can do a bunch of different genres in one album and do them all pretty spot on. I don't know who is in the band that plays on the record but they do some solid work as well. I wish more people would go seek this record out because it is one of the better solo records i've heard in quite some time.

At number 2 I have "Don't Tap the Glass" by Tyler, the Creator. This album came from nowhere. I was looking at one of the streaming services I use and all of the sudden they kept talking about a new record from Tyler, the Creator. I couldn't believe it because he had just put out "Chromakpoia" about 6 months ago. And now we were going to get some brand new music after one of his best records of all time. "Don't Tap the Glass" is a throwback to the hip hop I listened to when I was a teenager, except Tyler, the Creator does it way better than most artists back then could ever dream of doing. This record comes and goes in less than half an hour, but damn does it pack a punch. Tyler, the Creator comes in hot and never stops, and I love that about his music and this record. I am loving all the content he is giving us and he is on the ride of a lifetime right now. He's one of the best in the business at the moment.

And at number 1 I have "Let God Sort Em Out" by Clipse. I love that Clipse is back and they seem better than ever. I was first aware of them when they released "Grindin" back in 01-02. That song was so awesome and made it on every mix cd I would make. They kind of disappeared after that. But Pusha T reappeared on the scene and he instantly became one of my favorite emcees. There was some news that he was going to get back with his cousin Malice and make a new record. I was hyped at this news. The two of them kept showing up at random things and it seemed like they were actually working on music. But it wasn't until I saw them do a tiny desk show on NPR that it all became real. This record and that performance were amazing. I was floored at this. It felt like "Grindin", but they had grown up and gotten better. This record is so great that they have done some amazing shows in places that people have never performed live. Pusha T has been at the forefront letting people know that Clipse is back and here to stay. They got so many excellent features on the record, but no one outshines the two of them. They clearly had written some excellent songs during their break and that shows tenfold on this new album. I hope they make another new record soon. But, for the time being, we have "Let God Sort Em Out" and I'm very, very happy about that.

That's it for albums. Come back tomorrow for my top five movies of 2025. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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R.I.P. Jimmy Cliff

Jimmy Cliff has passed away at 81 years old. I saw the news this morning and it bummed me out. At first I had hoped it was one of those hoax announcements and it would be revealed later that he was still here. Unfortunately though, Cliff did pass.

I first knew of Jimmy Cliff when I was a young kid. I used to love the movie "Cool Runnings" growing up. I must have watched that movie a billion times when I was younger. I tried to get my teachers to show it when they would put on movies in class. I memorized most of the lines, and when I rewatched it as an adult, all the quotes were still there. I bring up "Cool Runnings" because the song that played over the end credits was Cliff's version of "I Can See Clearly Now". I knew this song as well as quotes from the movie. I would walk around the house singing it when I was a kid. That didn't stop as I continued to get older. That song is so easy to sing along with, and it may be the very first "reggae" song that I ever heard. Of course I found my way to Bob Marley and other reggae greats, but Jimmy Cliff was most likely my first time listening to reggae.

When I eventually stopped watching "Cool Runnings", I forgot about Jimmy Cliff. As I got older I focused the majority of my reggae listening around Bob Marley. I heard other artists in the genre, but I was all Marley pretty much all the time. One day when I was about 16 I was visiting my oldest brother in Columbia and he knew of my love for Bob Marley. He asked me if I had ever listened to or seen "The Harder They Come". I had no idea what he was talking about. He then showed me the movie and it was an eye opener. First off, the movie is really good. It is an underrated gem. It is a hard, hard Jamaican movie about falling into the world of crime. The accents are so thick that, when I have watched it every time since my first viewing, I have to put the subtitles on. That's no bother when the movie is as good as this one was. I was all in from the first viewing, and that was when my brother told me that Jimmy Cliff played one of the main characters in the movie. I was shocked because he was just the guy that sang over the end credits of "Cool Runnings". I had no idea he had acted in the past, but more importantly to me, that he was an icon in the world of reggae music. He did a bunch of the songs on that album. He did four of the songs, writing and singing them, and they are all bonafide hits in reggae music. He opens the soundtrack with "You Can Get it if You Really Want", which is this fun and bouncy tune. It is all about going out there and trying to get the things you want by any means, but the way the song is arranged and sung, it sounds fun. He then performs "Many Rivers to Cross" which is one of the most beautiful songs ever put to vinyl. It is such a beautifully sung song. I love this one so very much. It is one of my favorite songs ever recorded. I truly adore this song. He also does the title track, "The Harder They Come", which is a true hit. It mixes pop instruments of the time with electric reggae vocals. And he closes the soundtrack with an almost five minute version of "Sitting in Limbo" which is just haunting in all the right ways. This is a song that I truly feel like everyone should listen to at least once in their lifetime. It is an achievement and one of the best songs ever written.

After seeing the movie and devouring the soundtrack I became a pretty big fan of Jimmy Cliff's. I wanted to listen to more and more of his music. I went back and listened to more of his older stuff because the stuff from the 90's and 2000's had more of the "I Can See Clearly Now" sound, which while good, that's not the reggae I tend to gravitate towards. The older stuff was more raw and heartfelt in my opinion. It is more barebones which i like. You can hear his voice over the music, which is a plus because Cliff had such a great voice for reggae music. That being said, I'm glad he was still making new music all the way up until 2022.

Jimmy Cliff is a musical icon. Even if you may not be familiar with the name, I bet you have heard him sing before. His music seems to end up in movies or tv shows, and I appreciate that fact. I am going to miss Jimmy Cliff, but I'm glad I have an older brother who knew that I liked reggae music and went out of his way to show me how great of an artist he was. Rest in Peace Jimmy Cliff. I hope you are singing wherever you may be right now. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

Come and support Ty and the podcast on Patreon.

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SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.

A Dirty Take on a Classic Halloween Song

A few years back I wrote about my love for the song "Monster Mash". That hasn't changed. As far as "Halloween" music goes, "Monster Mash" is one of the few good songs that people should all listen to during this holiday. Most of the other music played this time of year is nonsensical to me. Everyone tries to put some spooky sounds or add spooky words and it makes the song even worse in my opinion. But "Monster Mash" is a solid hit, a bop as my son would say. But there is one other Halloween song that I want to shout out today, and it is kind of perfect because it is almost exactly the same as "Monster Mash".

I'm an avid podcast fan as you all know, and you all know about my love for "Comedy Bang! Bang!". It is still my favorite podcast of all time. During Halloween they used to do episodes entitled "Hell House". These were some of my favorites. I'm not much on Halloween, especially when I stopped trick or treating. I don't like to dress up, I don't like being scared, I would rather run around than walk and stop at house to house and I have never been much of a partier. That has changed a little since my kids were born. I like to walk around with my daughter and her friends and I like that my teenager is doing teenager things for Halloween. And the music, as you all know, is not for me. But at least I had these hilarious episodes of "CBB" to listen to during Halloween.

From time to time, Nick Wiger would show up near the end of these episodes. I'm a big time Nick Wiger fan. He is one of the funniest dudes in the podcast and writing world. He knows how to make jokes and how to present them so they work. I love his main podcast "Doughboys" as well. So whenever I saw his name pop up as a guest on the "Hell House" episodes I would get stoked. Wiger's presence meant that he was going to be playing Leo Karpatze. Karpatze is an old timey singer/songwriter. He usually has one of his daughter's perform with him. And before he goes into his song we get to hear his backstory. And it always cracks me up. This all inevitably leads to Wiger as Karpatze talking about how he is the original writer of "Monster Mash". He claims to have done all the work, but Bobby "Boris" Pickett made it famous. He also claims that Pickett changed the whole idea of the song. Karpatze says that the song still revolved around monsters in his vision, but they were not at a mash, or a party. These monsters were much more lascivious and adult. I will not put any curse words in this blog moving ahead, but you all have to know that Wiger as Karpatze doing his version is incredibly filthy. Karpatze's version is actually called "The Monster F%^&", and it is about all of these monsters having what equates to an all out orgy. The song is vile and descriptive. Wiger puts in great detail what each monster is doing to one another. He paints a very vivid picture of what is going on. He did film a video for this song years ago, and that brought the whole thing to life. But what makes this song so amazing and fun for Halloween is Wiger's performance on each appearance of the "Hell House" episodes. He is so locked in and focused. He growls the song at times. He is intent on finishing without breaking, all the while he is trying to have every other person crack up while he sings. The many actors that have played his various daughters do a wonderful job of playing along. This song is filthy. It is downright disgusting. And yet I love to listen to it year round, but especially during the month of October. My wife and I will walk around the house when just the two of us are home and sing random lyrics. I have listened to it multiple times already leading up to this Halloween. I still prefer "Monster Mash", but "Monster F%^&" is a very, very close second.

I implore everyone to give it a listen, but just know going in that the song is very, very not safe for work. Now if you'll excuse me I think I'm going to give it a listen before the kiddos get home and I have to take them out to trick or treat. Happy Halloween everyone.  

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

Come and support Ty and the podcast on Patreon.

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SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.

Ty Listens to Idles

A couple days ago I wrote about my newfound love for new wave music. I mentioned in that blog that I was going back and listening to older music to see what I missed. I am still doing that, but I will say, all thanks to my brother, I have found a new band, new to me, that I have started listening to for a little over a week now, and I have been a big fan of what I have been hearing.

A couple weeks back my brother, myself, my dad and a buddy of mine were all out for coffee. During these coffee runs we talk about a ton of stuff, but the conversation usually ends up with some discussion about music. We all like music, like everyone else, and we all have our personal tastes. I do go to my brother a lot with music recommendations, and he has delivered time and again. During this particular talk the topic found itself on punk music. Kirk is a big fan, my brother seems to like some and my dad and I have never listened to punk all that much. This particular day my brother Seth told us about a band he liked called Idles. I had never heard of them before. I don't think Kirk had either. We talked about them, Seth told us what he liked about them and we all left for home.

To be honest, I had kind of forgotten about them until I saw a headline on the internet that said, "Watch the Sweatiest Tiny Desk Concert", and it was featuring Idles. I watched a little bit of the tiny desk show and I found myself intrigued. Idles was crushing this particular tiny desk show. They were amped up, playing kick ass songs and they seemed to be having a hell of a time. And sure enough, the lead singer was dripping with sweat a few songs in.

After a bit of this show I watched I went and streamed some of their music. The first couple songs I heard were classic punk rock, but the lead singer had a voice that I could not get out of my head. It was raspy and he could do slower songs, but he excelled when doing punk music. This led me to checking out some of their records. I listened to a few tracks off "Brutalism" first. The stuff I heard I really liked. It was fast and heavy. They were actually singing about real life issues and their feelings. It was different from most punk rock for me. Next was a track or two off of "Joy as an Act of Resistance". Again, they were singing about real life things, but they went even heavier on this one. The tracks I heard reminded me of what I consider real punk rock. But the singer's voice was standing out above everything else. Listening to a few tracks off these records, and then getting into a run of LCD Soundsystem, led me to their most recent record, "Tangk". LCD Soundsystem is featured on a song with them on this record, so I went and checked that one out first. It was a cool blend of punk rock and LCD Soundsystem's version of electronic. I then just let that record play in my car this morning and it is rad. It isn't just punk rock either. They do a bunch of different stuff on this album and I have been enjoying the hell out of it. This record has slower songs. It has ambient songs. It has straight up rock songs. And it has punk songs. And I like all of them.

Idles are great. I see why they're having a moment right now. These dudes are talented and they look like they're having a good time when they're playing. If you're looking for new music, and want something a little heavier, check out Idles. And if I could do it all over again, I'd start right back where I did, with their tiny desk performance. That is the best jumping off point for this kick ass band. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

Come and support Ty and the podcast on Patreon.

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SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.

A New Fan of New Wave Music

The older I get the more I have found myself going back to music I used to listen to, or flat out trying music that I never gave a chance in the past. During the pandemic I finally started listening to Talking Heads and now they're one of my favorite bands. I have recently gone back to Black Rebel Motorcycle Club. I forgot how much I love their album "Howl". I have listened to more Prince lately. I found that, since I like The Beatles, why not give The Zombies and The Kinks a shot, and they both rule.

With this newfound trait to give different music a try, I have found that I have been leaning a bit more on New Wave music. I almost always passed New Wave up because it seemed akin to disco to me, a genre that I'm not all that into. I would see my brothers listening to Depeche Mode and Joy Division and just pass it off as "their" music. I was too busy listening to bad hip hop at that time of my life. But, after seeing that some Talking Heads songs are considered, hell they must be, new wave, I decided to jump in. And I have loved what I have been hearing.

I went online and found a new wave playlist and streamed it. I am really digging the sound. I have heard songs from Blondie, Talking Heads, The Smiths and Depeche Mode. These are songs I already knew, but never really gave a real listen to before. I have really enjoyed what I have heard from these artists. I love the music in the background of "Heart Of Glass". It sounds like a precursor to a ton of music I listen to now. It has a cool blend of pop and hip hop. I adore the song "Just Can't Get Enough". It is groovy and fun to dance and sing along to in the car. The Smiths can be a little preachy, but I do like the guitar in most of their stuff. I have also been introduced to some bands that I had heard of before, but never listened to. I'm glad I'm giving these bands a real chance. I heard The Cars today. I had no idea they sang "Just What I Needed". That song rules and is fun as hell. I also finally listened to XTC today and they are rad. I love their sound. It is a great blend of rock and synth music. The The is another band I was introduced to today and they are cool as hell. They have more of that new wave feel, and I'm here for it. And The Psychedelic Furs seems like the members may be pretentious, but damn do they make some good music.

As I was sitting back and thinking about new wave music today, it dawned on me why I like it so much. New wave is just rock music, maybe a little pop, and then the bands added a synth player. And the synth does some fine work in the songs. It adds a whole new layer to the music. It makes it funkier and easier to dance to while bopping along in my car. I fully understand that new wave may be more of the look of the bands and their lifelong fans, but for me it is all about that synth. It is so cool and it is one of my newfound favorite instruments.

I'm going to go full bore into the world of new wave at this point, so if anyone has any recommendations, please let me know who to listen to. I greatly appreciate it. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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"No Rain No Flowers" Shows that The Black Keys are Losing Their Style

I've been a Black Keys fan since 2002. I saw them way back then on MTV2 doing a live performance for new and upcoming bands people liked and wanted the viewer to know about. I instantly fell in love. They had a unique sound to me and I wanted to know more. They played blues rock, but it was grimy and gritty. The amps sounded dirty and distorted. I was all in from that moment.

After that performance I went out and bought every album I could. "The Big Come Up" was amazing to me. The sound they were able to achieve with just two guys blew me away. Auerbach's guitar and singing, and Carney's drumming were incredible. I then went out and found their record "Thickfreakness". To this day that album ranks among my favorites. It is some of the best distorted dirty blues you will ever hear in your life. I go back to that album multiple times a year just to be amazed at the sound. I was on a roll with these first two albums, but I wanted more. And The Black Keys did not disappoint. "Rubber Factory" is one of the better records I've ever listened to. The sound they achieved on that album blew away anything The White Stripes have ever made. "Chulahoma" is a wonderful tribute to Junior Kimborough and introduced to that whole world of blues. "Magic Potion" is an underrated gem, and those songs sounded so much better live. "Attack and Release" was a deviation from their usual sound, but in a great way. This was also the record they made with Danger Mouse, who is awesome. "Brothers" was their "pop" record, and they won awards with it. It achieved its goal. "El Camino" was a return to old school form with more band members. And "Turn Blue" was their psychedelic album, which is pretty cool. Then it gets a little stale for me personally, even though I do like some of the newer stuff. "Let's Rock" is okay on its own, but it felt like a rushed rock record. I figured The Black Keys could do better. I think "Delta Kream" is incredible and it brings them back to their blues roots. "Dropout Boogie" is a decent funk rock record. And "Ohio Players" is an okay pop album.

That brings us to their newest album, "No Rain No Flowers". This was very unexpected for me as a fan. They usually take a good amount of time off between records, but this one was less than a year wait. I also didn't listen to any singles because I wanted to go in fresh. I understood they had to cancel and replan their stadium tour due to lower than expected ticket sales, and with the free time I'm sure they wanted to make some new music. I will say, my expectations were not high going into my first listen of "No Rain No Flowers". I don't know what it is for me, but the shine and allure that they had for me in 2002 is all but gone. And that's totally on me as a fan. I neglected their more recent stuff too long. So, I feel like it is okay for me to say that I am not a fan of "No Rain No Flowers".

It is the first Black Keys album that I don't really enjoy listening to. It feels rushed, overproduced and almost like they are trying to tell fans that they can make pop music. That's not what I want when I'm listening to The Black Keys. I want the griminess that made me first fall in love. I want the lo fi sound that they had on earlier records. I want it to be just Dan and Patrick. This album feels like they have a big band backing them. The vocals don't sound like Auerbach on most of the songs. It is hard to hear Carney's drumming sometimes. I'm sure having to cancel a tour messes with your mind, but to put out an album like this, from these two stars, that really bums me out. I don't get what they're going for on this record. Maybe they want more Grammy's or something, but if that's the case, that bums me out too. I am all for artists doing whatever they want to do, especially when they've reached the heights that The Black Keys have. But this album is such a departure from what they do best and it just doesn't work for me.

I've listened to it all the way through twice now and I just cannot find things I like about it. It's unfortunate for me, but not all albums can be winners in my book, and "No Rain No Flowers" is a big, big miss for me. I want them to go back to what made them best. They need to tamp down the band members and the producers. I'd love for their next record to be just Dan and Patrick. Time will tell, but I hope the next album is better than this one. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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Ty Listens to "Don't Tap the Glass"

In some stunning news to me, Tyler, the Creator put out a new album this past Monday, “Don’t Tap the Glass”. I knew very little about it, obviously. But I wanted to give it a few listens before I wrote about it.

Spoiler alert, it’s a great record. I have read, and agree with, people saying this is his ode to late 90’s, early 2000’s hip hop. That is what I grew up on. I do prefer 80’s and early 90’s, but my taste grew as grew and grew in 99-2000. I should have known by the cover that this was the case. He has big arms like Ludacris used to wear. He has a big gold chain like 50 Cent used to wear. He’s rocking a mustache. And he’s clearly in his bag. The record is 10 songs, clocking in a a neat and tidy 28 minutes. He comes out hard and fast. I read that he had a listening party the night before it was released. It had a 5 dollar cover charge and no phones were allowed. He wanted people to listen and dance and have fun with no worries of ending up on the internet the next day. He has some rules for the record when it starts. You need to dance, listen loudly and you’re not to tap the glass. I don’t know why, but I like these directions. It puts me in the mood to have a good time. And this album fully delivers on that front. The beats are heavy, loud and made to nod your head to. Tyler rips the lyrics in each song. He has become a better rapper with each new record. His talent continues to grow as he gets older. He also gives the listener something new with each album. He’s at the point where he cannot be pigeonholed. He’s too good and too multi talented. My brother said this record felt like a grown up version of “Bastard”, and I fully agree. And while it’s not as vicious lyrically as “Bastard”, “Don’t Tap the Glass” is through and through hip hop. I love the videos he has now put out. I also love reading all the theories and thoughts about this version of Tyler, the Creator. Tyler is in a groove for me where he is damn near unstoppable. My son asked me if I now like him more than Kendrick Lamar, and I think I do. I love them both, but the sheer magnitude and hit rate of Tyler right now feels unmatched.

This record is great. It’s a perfect follow up to “Chromakopia”. It gives us classic Tyler with a 90’s bend and I’m here for it.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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R.I.P. Ozzy Osbourne

Ozzy Osbourne passed away a few days ago at the age of 76. This felt young to me, but I did see some clips from the final show that Black Sabbath just did, and it was not surprising. I guess he put everything he had left into that final show. I do want to say, I think it is awesome that he was able to do that before passing away. He gave his fans one last thing to remember him by, and from what I saw, he sounded pretty good for 76. He sounded a hell of a lot better than Bob Dyaln does now, and I adore Bob Dylan. But, for him to be able to put on this show with the remaining, and still alive, members of Black Sabbath, what a way to go out. I feel like it is almost fitting for him, but still tragic since he is now gone.

For me Ozzy got on my radar with his family's reality show, "The Osbournes". I knew a very little bit about him prior to the show, but the show put him on the map for me. He was always good for a great one liner or a zinger. I liked how he would say something kind or heartfelt to a family member and then tell them to "f off", except he used the full word. I will never forget when he helped his kids trash their neighbor's house, or yard or whatever, and he threw a rotten ham over the fence. He chucked that piece of meat, and when he ran off you could hear him cackling. He was the funniest one on that show, and that first season of the show was a big, big hit.

Through that show my dad and brothers started to tell me about his music career. When they first played "Crazy Train" for me I knew it right away because it was always played at sporting events. Hell, I bet it is still being played today. But his solo stuff never hit for me. Then my brother Seth introduced me to Black Sabbath. This changed my whole perspective on Ozzy. I instantly fell in love with Sabbath's music, and it was mainly due to Ozzy's voice. I loved their hits. "War Pigs", "Sweet Leaf" and "Changes" were the first ones I really loved. "Paranoid" hit me like a ton of bricks. I always assumed Sabbath was hard rock or metal, but my brother quickly showed me the error of my ways. I would play "War Pigs" over and over again. I loved that song, especially the message they were getting out there. The people who start wars never seem to fight them, instead leaving it to the poor. That is exactly what they were saying in that song. "Sweet Leaf" started with that loud cough, and then it became this excellent banger. I like that song as a pro marijuana song more than most psychedelic songs about weed. "Paranoid" has one of the best guitar riffs ever, and Ozzy's voice talent is undeniable when you hear him sing that song. But "Changes" has been my favorite of theirs ever since the first time I heard it. This is their ballad, their slow song, some may even call it a love song. I adore whatever they are trying to get out of the song. The lyrics are timeless and beautiful. This was the song that made me do a double take when I heard Ozzy sing because it is like nothing else in their catalog. It is such a pretty, sweet and tender song. Charles Bradley did it great justice when he covered it before passing. "Changes" is probably one of my favorite songs of all time.

Ozzy had a memorable and crazy life. He has left us with wonderful music and a hit tv show to keep his memory out there. And we can all go watch the final Black Sabbath show on the internet. Rest In Peace Ozzy Osbourne. I hope you're rocking out wherever you may be now. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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Why is This AI Judging My Music Taste?

I'm coming to you all with another one of my "champagne problems". Maybe that could be the title of a series moving forward. Time will tell.

Anyway, a lot of us have devices that we use to listen to music in our cars. From what I know, a CD player, tape decks and eight tracks have gone the way of the dodo. These don't seem to exist in any model of a car made after 2020. I have heard people talk about the lack of this, but we have moved into this bluetooth hookup world while we drive now. That's all well and good with me. I prefer to have the least amount of stuff I can carry when I'm driving around my neighborhood anyway. The less I have to bring the better. So, if all I need is keys, my wallet and a phone, I'm here for it.

The issue I keep running into lately while listening to music in my car, all streaming from Spotify on my phone, is the attitude I tend to get from my AI generated DJ's, or commercial after commercial after commercial. I used to use Pandora and Jango for music, but have since moved on from those. The reason why, I was sick of having a skip limit, or after skipping two or three songs in a row, I'd get what seemed like a five minute ad break. This frustrated me. I'm fickle when it comes to music. I've actually gotten a little more fickle the older I've gotten. I like the music I like and I go through phases of wanting to hear certain songs time and time again. So, when Pandora or Jango would play something different, I was quick to skip. But then the commercials happened. I almost felt like I was being punished for not wanting to listen to what they were recommending, or playing a very deep cut from an artist I had shown affection for at the time. I don't need to be criticized by computers for not liking what they suggest. In fact, a lot of the stuff they suggest is not for me. I'm not into whatever the hippest new pop song is at the moment. I don't like modern country music. I don't want to hear mumble rap. So, if I go on a binge of listening to Ben Kweller or Johnny Cash or NAS, I don't want to hear what Pandora or Jango's bots think I'll like. They have a very, very low success rate.

Moving on from those services was easy because my wife got us all subscriptions to Spotify awhile back. That was cool. I could hear similar stuff as much as I wanted, and check out new records from the artists I like without having to buy a physical copy. That being said, I have been thinking a lot about getting a record player and getting into vinyl, but that is a different story for another day. And when Spotify introduced this AI generated DJ, I thought it was a good idea. I know this may sound contradictory to what I'm saying today, but I've never been much of a playlist person. As I said before, I tire of the songs and move on to a different artist in a different genre. I also feel obligated to listen to a full playlist at any given moment, but that's due to OCD. Playlists just aren't my thing. But this AI DJ intrigued me. So, I use it and I use it a lot. I like how it starts out by playing artists that I'm currently listening to at that time. And when they go into their second part, they play music from different eras that I tend to check out. The problem for me is when they play stuff they think I'll like. Sometimes it works. I've found a few artists that I genuinely listen to now based on the DJ's suggestions. But, when I find artists I don't like, or heaven forbid I skip a few songs in a row, the DJ chastises me. I was doing this very thing the other day and the DJ came on and gave me the third degree. They told me that I could just skip right away or press some button on my phone to immediately get to what I want to hear. Look, I'm all for trying to find new music, but if the picks by the AI DJ aren't working, don't yell at me about it. They messed up. They gave me poor recommendations. I don't need to be yelled at by a robot, of which I'm paying monthly subscription to by the way. That seems like a bit too much. I just want to freely skip songs that I may not want to hear at that time and I don't appreciate being judged for it.

I know it may sound silly to some, me complaining about this, but hey, it happened the other day and it has been a thorn in my side. I just want the streaming services to allow me to consume music how I want. Is that so much to ask? 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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R.I.P. Sly Stone

After what appeared to be a long battle with COPD, Sly Stone passed away yesterday.

This is not a shock, but a bummer to me. I recently wrote about the fantastic documentary "Sly Lives", and it seemed like his music was getting a big bump on streaming after the release. But, I do want to point out that in the coda of that movie, they got some recent interviews with Stone and he looked not so great. But, whenever a legend like this leaves this plane, it bums me out.

Sly Stone's music has been a big part of my life. Ever since I started to kind of form my own musical tastes, Sly and the Family Stone was a big jumping off point for me. I was instantly into the music. It was groovy and funky, then it could switch to dancy and then close out with some very introspective and important lyrical stuff. Sly and the Family Stone never really allowed themselves to ever be put into one genre of music, and this made their reach go to many, many different people. For me, a white kid from the suburbs, I instantly connected with the more funky stuff.

When I first learned of the band I was pretty heavily into Parliament Funkadelic and solo George Clinto stuff. A friend of mine mentioned Sly and the Family Stone, and I remembered my dad used to listen to them. I was familiar with the name, but not the music. Again, from the jump the music was perfect for me. I decided to listen at the perfect time in my life, and they have stuck with me all the way through to now. In fact, when I said something to my wife about Stone's passing, my son, who's 13, said that he knew who he was too. I asked him how, and he said that he has heard me listen to his stuff over and over in my car. I guess I'm doing what my dad did for me without even realizing it. And I'm very much okay with this. I like that my son knows of his music because he is a hip hop fan, and a bunch of hip hop artists either sight Sly Stone or have sampled a bunch of his stuff in their music. It is great for the both of us because we can relate to each other while listening to the music we like.

Outside of his band, and his many issues with drugs and alcohol, Stone was a wonderful radio DJ and producer. He was one of the best songwriters in the world in his heyday. Even after the band broke up, and he struggled with his solo stuff, I still find things I like about that era. Sly Stone could have, and would have made it in any era. With his talent and work ethic, he was destined to do something memorable and boy was his career and music memorable. I also appreciate that he was able to reunite with his family and kids later in his life. I have to imagine that helped him last longer than maybe he would have if he didn't reconcile with everyone.

This one stings. While it isn't on the level with Prince passing and RD's fandom, Sly Stone was my version of Prince. I listened to him before diving into Prince's catalog. Rest in Peace Sly Stone. I hope that wherever you are right now you are laying down some funky riffs and writing some extraterrestrial lyrics. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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Olivia Rodrigo and David Byrne Team Up to Bring Some Light Into the World

With all the craziness that is happening in our world, and it seems to get worse every single day, I have been trying to find stuff, when I go online, that makes me smile. Last night, after reading about the terror happening in LA, I found myself watching concert videos on Instagram. Music makes me happy, especially live music. Throughout my thirty or so minutes of viewing, I happened upon the Governors Ball shows going on right now.

This is a big time festival type thing, with all of the most popular artists in music, past to present. I watched a good chunk of Tyler, the Creator's performance and loved it. And then I happened to stumble upon Olivia Rodrigo. I am a fan of hers. It is a joke in our house that I tell my wife I'm on Team Olivia because she enjoys Sabrina Carpenter more. She likes both artists, she just tends to listen to Carpenter more. I do genuinely prefer Rodrigo. I like her writing more and her music is a bit heavier and more guitar driven, which hits my ears best.

While watching her perform, and she was doing a great show it seemed, I happened to notice her band playing a tune very familiar to me. It sounded like "Burning Down the House". A few more seconds in, that was the song she was about to perform for sure. Then this older gentleman walked on stage with red overalls on. I thought that person looked a whole lot like David Bryne. I let my mind wander even more, thinking that it would be rad if she invited him to do this classic song with her and her band.  Sure enough, it was David Bryne and he was about to sing and dance on the same stage as Olivia Rodrigo. And it was awesome.

I must have rewatched that performance three or four times last night. It was so good. I loved hearing these two sing, with wildly different voices, singing one of the better songs that have ever been released. And, to give Bryne credit, he kind of held his own dancing alongside Rodrigo. It made my heart sing watching these two titans of their industry having a good time sharing the stage and giving one hell of a live performance.

After I watched it for the last time last night, I went to bed. Then I found myself thinking about it this morning, finally deciding that I wanted to write about it. I've already told you all why I liked the performance, but there is another thing I want to point out. I absolutely adore it when young pop/rock stars pay homage to the greats that came before them. What Rodrigo did last night, or whenever this show was, introduced a whole new generation to Talking Heads. There had to be young kids who had zero idea who David Bryne is, and now they have searched his music and are probably listening to his stuff right now. I love it that Talking Heads and Bryne's solo stuff is going to see a big, big bump in streaming and record sales simply because Rodrigo is a, most likely, big fan and had an opportunity to perform with Bryne. I think it is so cool that there are some younger kids who are professional musicians that understand the importance of a person like David Bryne. She is given him another moment to shine and show younger generations that their folks listen to some cool music. My kids are not the biggest fans of Talking Heads, but I bet if an artist they like used one of their songs or performed live with them they'd be more willing to take a second look.

I didn't really need a reason to like Olivia Rodrigo any more than I currently do, and then she invited a living legend to perform live on stage with her. This is so cool and I wish more and more current music stars would do more of the same. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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Ty Listens to Ben Kweller's "Cover the Mirrors"

Ben Kweller released his latest album last Friday. I have been a fan of his since back when RD and I lived in a townhouse together. This was the early 2000's. He showed up on MTV2 one day, when they showed videos, and it blew me away. He played this power pop mixed with rock and even some folk that sang to me from the first moment I heard his voice. His band is great too, but there's something about Kweller's music that I really, really enjoy.

I have been listening and following his music ever since, even getting to see him live a few times, and he puts on a great live show. But, during the pandemic, he stopped making music for a bit. I had no idea what was going on. He went totally silent on social media and, in around 2023, the music just stopped. When I went and researched it a little more, I read some tragic news about him and his family. Their child was killed in an automobile accident. I cannot even fathom how upsetting and brutal that is for the surviving parents. It all made sense why he had stopped doing pretty much anything. I wouldn't have been shocked if he stopped right then and there. But he didn't. His new record, "Cover the Mirrors" is as tragic as it is awesome.

The record, from my three full listens to this point, is about dealing with the grief and anxiety and depression and everything that comes with losing a very close loved one. The record is heartbreaking. With each song it just seems to get sadder and sadder. But, in only a way that Ben Kweller can do, he finds ways to make some of the songs sound chipper and poppy. For example, "Optymistic" has a hard rocking vibe to the music. It's only when you listen to the lyrics you realize how sad the song truly is. "Oh Dorian" is about as heartbreaking as it gets, that was his kids' name, but it has this old school country/bluegrass vibe. It sounds like something he could have recorded on his wildly underrated "Changing Horses" album. But damn if that song doesn't choke me up every single time I hear it. Even a song like "Depression", which should tell you what exactly the song is about, has this groovy vibe throughout the whole song. And then we have the songs that are straight up sad through and through. "Going Insane" is a piano ballad that lets you know the vibe right off the bat, as it leads off the record. "Dollar Store" is tragic when you find out what he is saying in the song.

Look, this record is good because Ben Kweller is one of the best songwriters in the game right now. He knows how to write, how to put it to music and how to make it all sound so good in the final cut. He has always been one of the best writers out there. He also has a voice that works so well with how he writes and plays. But this record is truly, truly tragic. It is rough when you really break it down and read what each song is about. But I don't know what else you'd expect when you know how horrific his family's situation is at the moment. To Kweller's credit, he has gone on tour and been very open about everything. If anything, this record just solidifies how great of a musician Kweller is through and through. Yes, the record is sad, but I highly recommend it to everyone. Ben Kweller is one of the best. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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Ty Listens to Lola Young

Since my kids are on summer break now it is a little harder for me to listen to podcasts. I like to have the podcasts I listen to for myself. I usually listen while I am road running or driving in my car. But, with my kids in the car with me now, I just don't play them. They're exclusively being listened to on my runs now, and that's fine with me.

With the kids in the car, we are back to music, and that has its very own very special place in my heart. I love music. I always have and always will. Lately, Spotify is our streaming music platform of choice, I have been using the DJ function. I like this on Spotify because it takes me back to the days of listening to radio on a long car drive. The DJ also plays good stuff and gives me facts about my listening habits, which I find very interesting. Another feature on the DJ function that I enjoy, they will play stuff that it thinks I might like based on what I usually listen to. I'm sure other streaming platforms do the same, but I only know of Spotify because that's what I listen to. The hit rate with the DJ, for me, is probably about 70 percent. I usually like the stuff they recommend, but I also have kids who tend to skew some of my normal music. That's all well and good, but I'm not going to pick much John Williams music, he's a wonderful composer, when I'm driving around the neighborhood. Instrumental string music can get long and tired, for me, pretty quickly. But, one artist has been popping up on my DJ so much lately that I just decided I was going to check out their page.

The artist is Lola Young, and I'm kind of obsessed with what I have heard to this point. Young's voice is powerful. She can sing a bunch of different music it seems too. I have heard, to this point, a pop song, her voice in a rap song, some punk riffs and some straight forward rock. Her voice works with every single genre that I just listed. She gets in whatever the groove of the song is and totally nails the vocals. I like when she goes a little gruffer and raspy with her voice. That is when her music moves me the most when I listen. I also really enjoy the music in the background as she sings. There was one song earlier today that I heard that had a very cool piano riff that played throughout and it perfectly blended hip hop and rock, in a good way. This song was in no way akin to Limp Bizkit or Korn, any of that crummy 90's rap/rock. This was an actual good song that was rad to listen to as I was driving in my car. I also heard the punk stuff during what appeared to be a pop song, and then it took this turn that was unexpected, but pretty damn good. I looked her up just a bit and read that she does have some mental health stuff that has forced her to cancel shows. That bums me out, and I hope she is getting the help she needs because I want to hear more and more from her. I have been totally blown away by what I have heard to this point.

I am usually pretty tough on artists that I don't know anything about, but Lola Young has caught my attention and I will be listening to her a lot more in the near future. She rules, I love her voice and I cannot wait to dig deeper and deeper into her catalog. This was a great recommendation and you should check her out too. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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X Millennial Man Classic: The Greatest American Band Debate: Outkast

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In honor of Outkast rightfully being selected for The Rock and Roll Hall of Fame we present this article originally posted on September 30th, 2015.

For the Greatest American Band debate today, I'm nominating Outkast.

Outkast is probably my second favorite rap group, behind A Tribe Called Quest. For those of you out there complaining that two people don't make a group, two or more is the definition of a group. You need at least two people to form a group, and Outkast found two of the coolest, most innovative rappers and musicians. Outkast started in 1992 in Atlanta, Georgia. Andre 3000 and Big Boi met each other at a mall, and their connection was immediate. They both like the same kind of music, and had grown up in the same type of households. Little did they, or any of us for that matter, know that their music would cross generations, have tons of hits, win a shitload of awards and become classic. They were just two young dudes that liked to rap.

As I said before, they formed Outkast in 1992, but they didn't put out their first album until 1994. In 1994 they put out "Southernplayalisticaddilacmuzik". Say that three times fast. This is a phenomenal debut. The songs on this record allowed both Andre 3000 and Big Boi to shine. You could hear, early on, that they both had very unique, almost unheard of styles of rapping. Take a song like "Players Ball" off this album. In this song, you can hear Andre 3000's love for funk come through not only in his rapping, but also in the music put to the verses. "Players Ball" also gave us the hard, almost gangster style of rap from Big Boi. He had a much gruffer flow, but paired together with Andre 3000's smooth delivery, it was perfect. Another great song on this album is the self titled "Southernplayalisticadillacmuzik". This song is an homage to funky, dirty rap music. The chorus is awesome and both members are outstanding rapping on this song. "Southernplayalisticadilacmuzik" is the gateway to how groovy, funky and nasty, in a good way, that Outkast would eventually become. The song "Hootie Hoo" off this record is Big Boi at his absolute best. This is a straight forward rap song, none of the funkiness is needed from Andre 3000, and Big Boi demolishes this song. I feel that Big Boi was at his absolute best on this album. That's not to take anything away from him on subsequent records, he's great all the way through, but he's best on "Southernplayalisticadillacmuzik".

In 1996 Outkast released their second album, "ATLiens" to critical acclaim. The fans love this album too. One of their biggest hits is on this album, "Elevators (Me and You)". This song is absolutely incredible. Big Boi and Andre 3000 each do their own thing to perfection, and the chorus "me and you, your momma and your cousin too, rolling down the strip on fours, coming back with the Cadillac doors" is so cool and so memorable. This song was my jam in middle school. You also get "Jazzy Belles" and "Wheelz of Steel" on this record. "Jazzy Belles" is when Andre 3000 kind of took a step forward and became the "leader" of Outkast. This song is all him, written and mostly performed by only him and it's fantastic. "Wheelz of Steel" is more in Big Boi's wheelhouse. It's another straight ahead rap song that Big Boi crushed. You could see early on that each had their own style, but they knew how to blend together really well.

In 1998 we got, what I consider, to be the first truly great Outkast album, "Aquemini". The songs are great on this record, but I want to take a second to talk about the album artwork. This is one of the coolest covers to an album that I've ever seen. It's like they painted a picture of the two of them in the gaudiest, most ridiculous outfits, but only a band like Outkast could've pulled it off. Andre 3000 is shirtless, wearing a turban on his head, and Big Boi is literally dressed like a pimp, in a green three piece suit, top offed with a feather in his hat. Now the songs. On "Aquemini", we got the classic, "Rosa Parks". This song is so awesome. The video was cuckoo bananas, but the song is great and the chorus is wonderful. Say what you will about Outkast, those guys can write a catchy hook. You all know it, "ah nah, hush that fuss, everybody move to the back of the bus". It's so, so cool on so many levels. Rosa Parks was so offended by the language in this song that she sued Outkast, but they settled out of court because they explained to her that the song was an homage to her courage. We also got a song more in Big Boi's tone with "Skew It on the Bar B". It's another run of the mill rap song made ten thousand times better by Outkast. This song also has another great chorus. The song "Spottieopiedopealicious" off this record is where my love for Outkast became real to me. This is the funkiest rap song I've ever heard. It's got great, funky backing music and it's a story, not a song. This song showed me a completely new style of rap that I didn't think existed. I love this song and any time it comes on my iPod, I turn the radio up.

Outkast next album is the greatest album of their illustrious career. In 2000 they put out "Stankonia". This was my jam in high school. When this record came out, it was all I listened to on my way to and from school for almost a year straight. Every song on this record is a classic. We all know the hits, "So Fresh, So Clean", "B.O.B" and "Ms. Jackson". These songs are great. "So Fresh, So Clean" became the anthem for me and the entire football team. Another great chorus, that I still sing to this day, and both Big Boi and Andre 3000 do their thing on this track. The guy that sings the chorus sounds like a 21st century Barry White. This song is incredible. "B.O.B" is like a great rock song. There's heavy guitar and both members are rapping so fast, I had to look up what they were saying. This is a great song to listen to while working out, or if you need to be pumped up for something. "Ms. Jackson" may be Outkast's most recognizable single. Everybody knows the chorus and when Andre says, "wooooooo, I AM FOR REAL", everyone sings along with him. This song has their best chorus of any song they've ever written. While all three of these are classics, I really enjoy the first track on the album, "Gasoline". This is another rap song that has the heavy guitar and faster rapping on it. It's like a rock and roll song, but better because of the way Outkast performs it. "Stankonia" is on the Mount Rushmore of albums for me.

With rumors swirling after the release of "Stankonia" that the band was breaking up, they put out a double album in 2003 that allowed the two of them to put out solo records, but release it under the name Outkast. "Speakerboxxx/The Love Below" was an excellent experiment by Outkast. I will admit, I've only listened to "Speakerboxxx", Big Boi's "solo" album, maybe three times all the way through. It isn't that good in my opinion, and I feel like Big Boi only did it as a favor to Andre 3000. But, "The Love Below" is an absolute masterpiece. Songs like "Prototype", "Vibrate", "Roses" and the mega hit, "Hey Ya" are classics. "Prototype" has Andre 3000 playing an electric guitar and singing a love song. "Vibrate" is an experimental hip hop song that I guarantee inspired Flying Lotus to do music. "Roses" is a collaboration with Andre and Big Boi. Very good chorus and very good vocals. The video for this song is cool too. And of course we got "Hey Ya" off this record. If you don't know this song, you've been living under a rock for the past decade. "The Love Below" proved to me and the rest of the world that Andre 3000 was the genius that Big Boi needed when Outkast started and that Andre 3000 is extremely talented.

After this record, each member went their own way. Big Boi acted a bit, but he has kept to himself for the most part. Andre 3000 is a bona fide star now. They did make another album, the soundtrack to their movie "Idlewild". This soundtrack is fine, but it's nothing compared to their previous work. The movie is okay as well, but not great. Outkast has won several grammys and many, many other awards. They each are able to do their own things now and do them successfully. They had a great run as a band and released some of the best rap music to date. For these and many other reasons, Outkast belongs in this conversation. I will be forever indebted to them for introducing me to funky rap music and "dirty south" rap music. I love Outkast and I hope the rumors of a reunion tour are true. They got back together in 2014 and performed some shows, but I want then to do a new album and tour the country. One can only hope.

Thanks Outkast, thank you for all the great music.

Ty

Ty is the Pop Culture editor for SeedSing and the othert host of the X Millennial Man podcast. He has many other rap artists to nominate, but is curious about your Greatest American Band. Join the debate, then follow Ty on twitter @tykulik.

Ty Listens to "Thee Black Boltz"

I'm a TV on the Radio fan. I remember the first time I heard "Desperate Youth, Bloodthirsty Babes", and it totally blew me away. I followed every aspect of their career after that. One of the best live shows I've ever seen was watching them in Kansas City in a smaller venue. They brought the house down. I was floored. I was so grateful to my brothers for inviting me to this show. I still think about it regularly.

But, they haven't made any music as of late. I know that life gets in the way, but I miss TV on the Radio. I have read rumors that they are going to do some shows with LCD Soundsystem this summer, one of which is in the STL, and I have tickets to that show. I hope this is true because that would be epic.

I was scrolling the internet the other day and I saw that Tunde Adebimpe had put out a solo record. I guess it slipped my mind or my feed until then because this was news to me. I listened to the record almost instantly after reading about its release.

This record is rad. I have been really enjoying it. I have listened all the way through at least half a dozen times now and it still feels fresh and new to me. That's a big deal when I first listen to new music. I find myself still bopping along to the songs, I find stuff I have missed on previous listens and I am quickly learning the words. This sounds like classic TVOTR to me. The band is made up of different musicians, and I do miss Kyp Malone's distinct guitar sound. But, with Tunde lending lead vocals, I get "Dear Science" and "Nine Types of Light" vibes from this album. While not as good as "Dear Science", that record is a stone cold classic", this new Tunde record, "Thee Black Boltz" is really, really good.

The record kind of goes in many different directions, but it all melds together very nicely. I like how the record starts with Tunde making a simple statement and then goes into some good dance/pop/electro/rock music. I love the keyboards and synthesizers sprinkled throughout the record. The drums are groovy and fun. The guitar is quite serviceable. But this record is all about Tunde lending his beautiful voice. I forgot how much I missed his singing. He can go into different tones and different genres better than most. He seems to have fun singing and it comes off on this record. He seems very much into the material he is performing and has written. I have since gone back and listened to TVOTR and compared the two. There isn't much of a difference, and for me, that's a very good thing. I liken it to when Dan Auerbach would make a solo record or record with a different band. When he would break away from Pat Carney for a bit, it was good, but it still sounded like Black Keys. That is what Tunde has done here. While he has a new lineup, "Thee Black Boltz" still sounds very much like a classic TVOTR record, and again, that's a good thing.

I recommend this record to any TVOTR fans or fans of music that is genre-less. I have been really liking this record and I will be listening to it many more times. I suggest you do the same.

Ty 
Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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R.I.P. David Johansen

I don't know how it passed me up on my social media timeline stuff, but I just saw that David Johansen passed away a few days ago. Let’s discuss.

Some people may not know who Johansen was, but I sure do. The people that do remember him probably know him from his band The New York Dolls. I never listened to his band. I think they were punk or maybe glam rock or something like that based on what they wore on stage. I will probably go check out some of the music now that Johansen is gone though. Other people may know him as an actor. Johansen was in a ton of stuff during his acting career. I saw him in a documentary about his solo music career very recently. I only saw the very end, but it was fascinating from what I saw. I will say though, he did look pretty sickly in the doc, and the movie finished filming right before COVID. But he was in plenty of things. He had a three episode arc on "Oz". He filmed a lot of stuff as his alter ego, Buster Poindexter. He appeared in a good amount of corny 90's comedies. And he played the bartender in "A Very Murray Christmas" on Netflix. But what I know him from best is as the Ghost of Christmas Past in my favorite holiday movie "Scrooged".

Johansen was so memorable in his small role to me. I have his face burned into my memory. He was the cab driver that was always smoking a big fat cigar. But he also made the most of his lines in the movie. The way he spoke was so memorable for me too. He was gruff and grimy. He had a brash New York accent. He had a raspy voice that always stuck with me. Of all the ghosts that Murray was visited by in the movie, Johnasen's was my favorite part. He made the gloomy parts gloomier in a good way. He showed Murray's character how bad his life was in the past, and that was essential to the plot of this movie. He took the limited screen time he had and ran with it. From that point on, anytime I saw David Johnasen in anything else I pigeonholed him as his character from "Scrooged". That's on me doing that, but I don't necessarily think that is such a bad thing. Johnasen left such an indelible impression on me with that one role that it has stuck with me even to this day. I adore his performance in that movie and will always adore that performance.

It was kind of nice to see a bunch of people, when I caught up on social media, paying tribute to Johnasen. He clearly left a mark on a ton of people in both the musical and acting world. He also seemed to have a ton of friends all over the world. A musician I really like, Black Joe Lewis, even paid a very nice tribute to him on his Instagram page. David Johansen seemed like a guy who lived his life to the fullest. It seemed like he tried to do as much as he could while he was on Earth. I appreciate that.

Rest in Peace David Johansen/Buster Poindexter/The Ghost of Christmas Past. I hope you're having fun wherever you may be right now. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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Ty Listens to "The Villager's Companion"

Califone, a band I very recently was introduced to, released a new record about a week ago. My buddy Kirk was the first to tell me about Califone. He told me about a special show they were doing in Saint Louis and asked if I wanted to go. I told him I didn't know who they were. He said, give them a listen and let him know soon, as there were limited tickets. I heard one song, "Funeral Singers", and I was all in. Kirk bought the tickets, we went to the show, it was awesome and Califone earned a fan for life. I have been listening to a bunch of their music, and other projects, a ton lately, and I really, really like their music. So, when Kirk let me know over a month ago that a new record was coming out, I was stoked.

I have, to this point, listened to "The Villager's Companion" all the way through twice, and kind of pick and choose songs from the record to listen to while driving. I enjoy this record a lot. The first track, "every amnesia movie", was also the first single. I like this song a ton. It is classic Califone. The guitar is very cool and folksy, the lyrics paint an excellent picture and it was the best way to kick the album off. That song is followed by "burn the sheets. bleach the books" is similar in tone. These two tracks are the perfect way to start a new record for a relative new fan such as myself. The band then takes a bit of a detour from their classic sound with the next couple songs. "a blood red corduroy 3 piece suit" is an epic. The song is nearly seven minutes long. It starts slowly, has a nice middle section I really like, then adds on a somber note, of which I have come to adore with this band. "jaco pastorious" is a bit more upbeat with electric instruments. It is also a very well written tune. That is what sets Califone apart from other bands for me right now, they can write a damn good song. "gas station roller doggs" is bluesy and accompanied by a wonderful slide guitar. This is their most Bob Dylan-like song on the record in my opinion. "antenna mountain death blanket" is spacey, in a good way. The band does some cool stuff with some different instruments here. It is also a total change of pace from what they usually do, and it works for me. "the bullet b4 the sound" gets you back in the classic Califone mood. The song sounds like something that would have been on some of their earliest records. "Family Swan" is sad and pretty and kind of blends the new stuff they're doing with the older stuff. It is a great mesh of their styles and this one comes in over seven minutes, but it never feels too long. The final track on the record, "Crazy as a Loon", is my favorite. It has everything I like in the folk/blues music Califone makes. From the slide guitar, to the story being told, to the backing band doing their thing, this song is an absolute homerun for me. I love everything about it. I find myself listening to this one more than any other track from the album. It's awesome. So is the whole album for that matter. I like that we get a blend of genres from the band in nine songs clocking in at 40 minutes. It's a ride I really enjoy taking with the music I listen to.

"The Villager's Companion" is a very good album. This will only further my fandom for Califone. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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