Ty Listens to New Music From LCD Soundsystem and Big Boi

Three song were recently released to the public, and I want to take my time today to talk about how much I personally enjoy all 3.

First off, LCD Soundsystem, a band that I love, released 2 of them. They were supposed to be released at midnight last Friday, but they got leaked early Thursday afternoon. I waited until this weekend before buying the 2 song EP on iTunes. I've got to tell you, both "Call the Police" and "American Dream" have me very, very anxious and excited to hear what their full length record will sound like when they finally finish it. These 2 songs are tremendous throwbacks to what I love most about this band. It was refreshing and comforting to hear them sound so tight and together as a full band. James Murphy's voice is still perfect for their sound, and the band, my gosh do they sound terrific.

"Call the Police" is a 7 minute synth/pop song that is just about perfect. It could have easily been on "Sounds of Silver". It has that feel. There are some great instrumentals to start out the song, and when Murphy comes in with the vocals, it is like I'm transported back to 7 and 8 years ago when I first discovered the band. It is a great, great tune. I wish it were 14 minutes long. I love the flow, the verses, the chorus and the bridge. Basically, I love the whole damn thing. I was so happy when I heard it the first time, I listened to it about 100 times more since because I cannot get enough of it.

As far as "American Dream" goes, it is a bit of a departure form their normal sound, but not by much. I also say that in a good way. Everyone knows that I like it when bands I listen to take newer and different chances on their particular style of music. LCD Soundsystem has always been a synth/punk/dance band. Those are genres I'm not that into, but for some reason, I like how they blend it all together. On "American Dream", it sounds about as poppy as they will ever get. This is a good thing. Sometimes it is nice to have a song that you can sing and dance along to. It is fun. I really enjoy the direction they took on this particular song. Yes, it is different, but if it is always the same, there is no growth. "American Dream" shows me that this band, during their time off, grew up, and now, they sound like they are having more fun than ever making music.

These 2 tracks have me fully ready to devour the new record when it comes out. I hope it gets released sooner than later. But, I will say that it is nice to kind of get a preview of what to expect on the new record with these 2 new, early released songs.

The other song I want to talk about is a totally different genre, rap, but it also comes from someone that hasn't put out new music in a long time. The person in question is Big Boi, of Outkast fame, and the song is called "Kill Jill", and it features Jeezy, and the always exceptional Killer Mike.

This song is dope as hell. I had seen a lot of stuff on social media about the song, but it wasn't until yesterday that I finally heard the song. I was driving home from a race, and I had my Run the Jewels station playing on Pandora. They played some RTJ, a few El-P and Killer Mike solo songs, and then this new Big Boi track came on. I was totally floored by how awesome it was. I'm an Andre 3000 fan when it comes to all things Outkast. I like Big Boi too, but I prefer the sound and style of Andre 3000. "The Love Below" is a million times better than "Speakerboxxx". But, Big Boi does have his moments as a solo artist. "The Son of Chico Dusty" is a really good record that doesn't get the credit it deserves. But, I'm always a little wary when Big Boi ventures out on his own. Well, not anymore after hearing "Kill Jill".

The song has a very quiet and slow beginning with an Asian lady singing something in her native tongue for about 20 seconds. After that, the beat sounds like an old Asian tune you'd hear in a Kung Fu movie, but really slowed down, and Killer Mike comes in with the first verse and absolutely crushes it. From there on out, Big Boi sounds incredible, Jeezy is awesome and Killer Mike is doing his thing. I think it is perfect for Big Boi to feature Killer Mike on a track since he pretty much gave him his start in music and help guide him in the beginning. And Jeezy, who I am not all that familiar with, sounds amazing on this song. It makes me want to check out his music to see if I would be into it.

Big Boi has done something magical with this song, and, just like with LCD Soundsystem, I'm excited to see if this one song brings about a new Big Boi solo record. I usually do not buy singles, but these are the exception. These 3 songs are tremendous and they run a wide variety of genres of music. I highly recommend people go and check these songs out. I'm glad I did, and I think you'd all enjoy them very much.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. He missed out on the gold old days when the head editor would go to his local Streetside Records and get a maxi-single cassette tape. 

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The Greatest American Band Debate: Run The Jewels

SeedSing is filled with music lovers. We can not agree on who is the best band from the States. The Greatest American Band Debate will be a regular feature where we discuss and compare bands who started in the good old USA. If you have any suggestions of bands we should debate Contact us seedsing.rdk@gmail.com

With the new year here and all of my best of lists done, I'm going to get back to my regular writing schedule. So that means, on Wednesdays, we will be getting back to our greatest American band debate here on SeedSing.

Today I have a newer group, but I feel like they are on their way to superstardom. It's another hip hop group, so get used to me writing about hip hop because it's one of my favorite styles of music and I've been listening to a ton of it lately. The band that I'm going to nominate today has only put out two albums, one in 2013 and the other in 2014, but they are currently working on their third record as we speak. This is a "super group", but it only consists of two rappers. The band I'm speaking of is Run The Jewels.

This group is rad. The members are Killer Mike and EL-P. Killer Mike is part of the dirty south rap movement. I first came to know him from his guest appearances on older Outkast records and the Dungeon Family stuff he did. I was always a fan of his style. He is gruff, disturbing and phenomenal. His rapping is so fast yet so clear, I'm amazed at what he can do with a mic. He is a wizard with words. He has become bigger over the years, stepping away from the Dungeon Family and the Outkast stuff, doing his own solo thing, and that has benefitted him very much. He found his own voice and had crushed on several solo albums, most notably "R.A.P. Music". Killer Mike is a beast. EL-P is a new discovery for me. I had heard his name as a producer when I was in my early twenties, but I had no idea he was a rapper too. The person that introduced me to him rapping was my brother Seth, who's made an appearance on our podcast. He is a great rapper as well. He has a slower delivery, but with his New York accent, it works like a charm. He has a smooth voice and since he's a producer and a beat maker, he has a great ear for making great rap songs. He is a legendary producer, but with Run The Jewels, he can become a legendary rapper. Basically, he's a better version of what Kanye West is doing, but since he isn't married to a reality star, he doesn't get the love he deserves. He gets it from the indie hip hop community, but he needs to be known nationally. EL-P is a great rapper.

The two of these guys got together a couple of years ago and immediately connected. They both like the same style of music and they both have unique styles that, when put together, makes some fantastic music. They couldn't be more different in their deliveries, but it works so well together. In 2013 they released "Run The Jewels". This record is a must have for hip hop fans. It's so good. They open with the title track, "Run The Jewels" and it's a beast of a song. EL-P has the first verse and he crushes. He has that smooth delivery going over a very hypnotic, yet oddly loud beat that works so well. Killer Mike comes in, and even when talking about shooting a poodle, I can't help but nod my head to his lyrics and the beat. This is a great entry way into the world of Run The Jewels. You get both rappers styles and the beats are top notch. The very next track has Killer Mike teaming up with Big Boi, from Outkast, on a song called "Banana Clipper". The great thing about his song, Big Boi only has one verse and it's at the very end. Usually, when you have a guest, they get about half the song. That's not the case on "Banana Clipper". Killer Mike has the first verse, he crushes, EL-P has the second, it's excellent and Big Boi closes the song out with one of his best verses since early Outkast. This is an awesome song. And props to Big Boi for letting EL-P and Killer Mike shine, most big time rappers would want the spotlight, but Big Boi takes a back seat. I like that. They actually close out "Run The Jewels" with a "Christmas" song called, "A Christmas F&^%*&g Miracle". Now, this is by no means "Jingle Bells" or "Have Yourself a Merry Little Christmas", and it's not meant to be. This is a jokey holiday song that is made awesome by these two kick ass rappers. They even made an ugly sweater that goes along with this song and the sweater is very ugly and very cool.

In 2014 they followed up "Run The Jewels" with "Run The Jewels Volume 2". This is another thing I like about these guys. No pomp and circumstance, no weird album titles with weird album art, just give me the title and the same art and I know exactly what I'm getting. I like that they get straight to the point. This album is just as good as their debut. On "Close Your Eyes(And Count to F&%k)", they are exceptional and it's made better by the reappearance of Zach de la Rocha. Everyone that reads my stuff knows that I'm a Rage Against the Machine fan and I love de la Rocha, he's a legend. He actually does the chorus which is also the beat by saying "run them jewels fast, run them jewels fast, run them, run them, run them f&%k the slow mo" and I was instantly on board when I heard this. This is a lot like "Banana Clipper", with EL-P and Killer Mike getting the first and second verses and de la Rocha closing it out, and it's equally as good, but better in my personal opinion. EL-P and Killer Mike do their thing and de la Rocha absolutely destroys the final verse. It is so good to hear his voice and hear that he is still one of the best rappers/singers/activists out there. He's a monster and I wish he did more music. "Close Your Eyes" is my favorite Run The Jewels song, and it's the one I always listen to first when I put their albums on my iPod. "Jeopardy" is another great tune on the album that lets both guys do what they do best. Killer Mike is there with his super fast, super awesome flow and EL-P produces an excellent beat and gives us that smooth style that we have grown accustomed to.

In my personal opinion, I think they are a better "super group" than Odd Future, and I love Odd Future. They are the best "super group" since the Wu Tang Clan. They only have two guys also, how crazy is that. I've heard that their live shows are phenomenal, and if they come to, or close to Saint Louis, you better believe I'm going to see them. I cannot wait to see what they do for this third album. I know it will be awesome, and hopefully even better than their first two. I know it's hard to put a band in this conversation that has only released two records, but damn it, those records are incredible and these guys belong in our conversation. The future is bright for Run The Jewels.

These guys can become legends.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man podcast. He is currently try to form a supergroup of bad rapping rec center basketball stars. Join his team by following Ty on twitter @tykulik.

The Greatest American Band Debate: The Not So Greatest Bands of Today

For the Greatest American Band debate, I'm not nominating anyone today, I'm going to tell you why I think a lot of the bands out there today, that are played on the radio will not be in this conversation.

These bands don't have the staying power that a lot of the bands myself, RD and Tina have written about. I know I wrote Sugarhill Gang and how they are a one hit wonder, but they invented a genre of music. These bands today aren't inventing anything, they are strictly one hit wonders, or bubble gum pop. Now, I do like some current bands a lot. I've written about the Black Keys for this very debate. I'm a huge fan of TV on the Radio and I will be writing about them in the near future for this debate. I'm a huge Odd Future fan. I think they're the new Wu Tang Clan. The problem is, these bands don't get much, if any, radio play. Their music isn't catchy enough, or it's too weird for the masses. I've had a problem with pop music, I've written about the current state of radio on this site before, pretty much my whole life. When I was in high school, while I was listening to Outkast and Ben Harper and the Innocent Criminals, my friends and girlfriends were listening to shit like N'Sync, Backstreet Boys and Britney Spears. These people and "bands" will never be mentioned in any debate involving good music ever. They are ear worms. They're a hazard to people who listen to them, and the fans are some of the most annoying people in the world. They act like crazed religious people when talking about this music. It's not sufficient enough for them when I say I don't like this music. They have to not only berate me for not liking the music, but tell me why I'm wrong. And before you say it, I'm not telling you that you have to listen to the bands I like or have mentioned, I'm just telling you why pop music isn't sustainable, especially what they play on the radio. Do any of you millennials really think that Backstreet Boys or N'Sync is going to be Rock and Roll Hall of Fame inductees?

I didn't think so.

I have this same feeling for current pop "stars' like Taylor Swift, Miley Cyrus and George Ezra. You read that and said, "those are all solo artists, they don't count", okay, here's some current bands that will never be in this conversation, Imagine Dragons, OneRepublic and EchoSmith. As far as the solo artists go, Taylor Swift is annoying. I don't know if she's a country musician, or a pop musician. It's pop, right? She's a terrible role model as well. She may not want to be a role model, but she is. Her music all sounds the same, especially the garbage she's currently putting out. Miley Cyrus is terrible in every way. She's an abysmal singer, a terrible dancer, a bad actor and a shitty person. She's the worst. George Ezra was cool when he first came out, but he's doomed to be a one hit wonder. His sound is too weird, and the fact that "Budapest" became a hit is completely shocking to me. People will only remember him for that one song. The "rock" bands that they play on the radio today are just as bad. Imagine Dragons are America's version of Nickelback. They might not be as terrible as Nickelback, but it's pretty close. They are more worried about their image than their music. They are a band of haircuts that play absolutely unlistenable music. First of all, their songs do literally all sound the same. They are all horrible rock songs. They want to sound like The Black Keys mixed with pop music, but it doesn't work for them at all. When they were on SNL last year, first of all, they sounded bad and when they brought Kendrick Lamar on to perform their second song, even he couldn't save how terrible it was. I love Kendrick Lamar, and when he can't make you song mildly enjoyable, you have a problem. OneRepublic sounds like the crappiest version of a Christian rock band, and Christian rock music is terrible. Their song, "Counting Stars" is so bad, that when it's on the radio, I'd rather listen to the band Train, and I hate Train. They are also a bunch of dudes that seem more interested in their look rather than their music. If these bands put a quarter the effort into their music that they do their look, they might be decent, probably not, but maybe. OneRepublic is a hazard to your ears. Avoid listening to them at all costs. EchoSmith is a brother sister combo, I believe, but their music sounds like love songs to each other. It's creepy. I don't like the way they sing to each other. It's like Donny and Marie Osmond. Go back and watch the old SNL skit where Julia Louis Dreyfuss and some male cast member, I don't remember who (ed note: it was Gary Kroeger), play the Osmonds, and they're singing so sweetly to each other, they start to make out. That's what I fear with EchoSmith.

I'm just fed up with today's music I suppose. But, these bands will never be remembered for making great music, or even decent music. They will become trivia questions at companies trivia nights. Their sound has no staying power. They will never, ever be mentioned in the Greatest American Band Debate, except for today, and I'm trashing them. In ten to fifteen years from now, I won't come back to this topic and talk about any of these bands. So, what does this say about American music and radio right now? I guess, if I had to give an answer I'd say, that we are in a bad place right now with "pop" music. We don't have any CCR's or Talking Heads or Sugarhill Gang's to listen to and that's a shame. Step your game up pop bands and start making better music.

Please.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man podcast. Every morning he turns on his radio and has hope. Within in 5 minutes his hope is replaced with dread. Follow Ty on twitter @tykulik.

The Greatest American Band Debate: Outkast

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For the Greatest American Band debate today, I'm nominating Outkast.

Outkast is probably my second favorite rap group, behind A Tribe Called Quest. For those of you out there complaining that two people don't make a group, two or more is the definition of a group. You need at least two people to form a group, and Outkast found two of the coolest, most innovative rappers and musicians. Outkast started in 1992 in Atlanta, Georgia. Andre 3000 and Big Boi met each other at a mall, and their connection was immediate. They both like the same kind of music, and had grown up in the same type of households. Little did they, or any of us for that matter, know that their music would cross generations, have tons of hits, win a shitload of awards and become classic. They were just two young dudes that liked to rap.

As I said before, they formed Outkast in 1992, but they didn't put out their first album until 1994. In 1994 they put out "Southernplayalisticaddilacmuzik". Say that three times fast. This is a phenomenal debut. The songs on this record allowed both Andre 3000 and Big Boi to shine. You could hear, early on, that they both had very unique, almost unheard of styles of rapping. Take a song like "Players Ball" off this album. In this song, you can hear Andre 3000's love for funk come through not only in his rapping, but also in the music put to the verses. "Players Ball" also gave us the hard, almost gangster style of rap from Big Boi. He had a much gruffer flow, but paired together with Andre 3000's smooth delivery, it was perfect. Another great song on this album is the self titled "Southernplayalisticadillacmuzik". This song is an homage to funky, dirty rap music. The chorus is awesome and both members are outstanding rapping on this song. "Southernplayalisticadilacmuzik" is the gateway to how groovy, funky and nasty, in a good way, that Outkast would eventually become. The song "Hootie Hoo" off this record is Big Boi at his absolute best. This is a straight forward rap song, none of the funkiness is needed from Andre 3000, and Big Boi demolishes this song. I feel that Big Boi was at his absolute best on this album. That's not to take anything away from him on subsequent records, he's great all the way through, but he's best on "Southernplayalisticadillacmuzik".

In 1996 Outkast released their second album, "ATLiens" to critical acclaim. The fans love this album too. One of their biggest hits is on this album, "Elevators (Me and You)". This song is absolutely incredible. Big Boi and Andre 3000 each do their own thing to perfection, and the chorus "me and you, your momma and your cousin too, rolling down the strip on fours, coming back with the Cadillac doors" is so cool and so memorable. This song was my jam in middle school. You also get "Jazzy Belles" and "Wheelz of Steel" on this record. "Jazzy Belles" is when Andre 3000 kind of took a step forward and became the "leader" of Outkast. This song is all him, written and mostly performed by only him and it's fantastic. "Wheelz of Steel" is more in Big Boi's wheelhouse. It's another straight ahead rap song that Big Boi crushed. You could see early on that each had their own style, but they knew how to blend together really well.

In 1998 we got, what I consider, to be the first truly great Outkast album, "Aquemini". The songs are great on this record, but I want to take a second to talk about the album artwork. This is one of the coolest covers to an album that I've ever seen. It's like they painted a picture of the two of them in the gaudiest, most ridiculous outfits, but only a band like Outkast could've pulled it off. Andre 3000 is shirtless, wearing a turban on his head, and Big Boi is literally dressed like a pimp, in a green three piece suit, top offed with a feather in his hat. Now the songs. On "Aquemini", we got the classic, "Rosa Parks". This song is so awesome. The video was cuckoo bananas, but the song is great and the chorus is wonderful. Say what you will about Outkast, those guys can write a catchy hook. You all know it, "ah nah, hush that fuss, everybody move to the back of the bus". It's so, so cool on so many levels. Rosa Parks was so offended by the language in this song that she sued Outkast, but they settled out of court because they explained to her that the song was an homage to her courage. We also got a song more in Big Boi's tone with "Skew It on the Bar B". It's another run of the mill rap song made ten thousand times better by Outkast. This song also has another great chorus. The song "Spottieopiedopealicious" off this record is where my love for Outkast became real to me. This is the funkiest rap song I've ever heard. It's got great, funky backing music and it's a story, not a song. This song showed me a completely new style of rap that I didn't think existed. I love this song and any time it comes on my iPod, I turn the radio up.

Outkast next album is the greatest album of their illustrious career. In 2000 they put out "Stankonia". This was my jam in high school. When this record came out, it was all I listened to on my way to and from school for almost a year straight. Every song on this record is a classic. We all know the hits, "So Fresh, So Clean", "B.O.B" and "Ms. Jackson". These songs are great. "So Fresh, So Clean" became the anthem for me and the entire football team. Another great chorus, that I still sing to this day, and both Big Boi and Andre 3000 do their thing on this track. The guy that sings the chorus sounds like a 21st century Barry White. This song is incredible. "B.O.B" is like a great rock song. There's heavy guitar and both members are rapping so fast, I had to look up what they were saying. This is a great song to listen to while working out, or if you need to be pumped up for something. "Ms. Jackson" may be Outkast's most recognizable single. Everybody knows the chorus and when Andre says, "wooooooo, I AM FOR REAL", everyone sings along with him. This song has their best chorus of any song they've ever written. While all three of these are classics, I really enjoy the first track on the album, "Gasoline". This is another rap song that has the heavy guitar and faster rapping on it. It's like a rock and roll song, but better because of the way Outkast performs it. "Stankonia" is on the Mount Rushmore of albums for me.

With rumors swirling after the release of "Stankonia" that the band was breaking up, they put out a double album in 2003 that allowed the two of them to put out solo records, but release it under the name Outkast. "Speakerboxxx/The Love Below" was an excellent experiment by Outkast. I will admit, I've only listened to "Speakerboxxx", Big Boi's "solo" album, maybe three times all the way through. It isn't that good in my opinion, and I feel like Big Boi only did it as a favor to Andre 3000. But, "The Love Below" is an absolute masterpiece. Songs like "Prototype", "Vibrate", "Roses" and the mega hit, "Hey Ya" are classics. "Prototype" has Andre 3000 playing an electric guitar and singing a love song. "Vibrate" is an experimental hip hop song that I guarantee inspired Flying Lotus to do music. "Roses" is a collaboration with Andre and Big Boi. Very good chorus and very good vocals. The video for this song is cool too. And of course we got "Hey Ya" off this record. If you don't know this song, you've been living under a rock for the past decade. "The Love Below" proved to me and the rest of the world that Andre 3000 was the genius that Big Boi needed when Outkast started and that Andre 3000 is extremely talented.

After this record, each member went their own way. Big Boi acted a bit, but he has kept to himself for the most part. Andre 3000 is a bona fide star now. They did make another album, the soundtrack to their movie "Idlewild". This soundtrack is fine, but it's nothing compared to their previous work. The movie is okay as well, but not great. Outkast has won several grammys and many, many other awards. They each are able to do their own things now and do them successfully. They had a great run as a band and released some of the best rap music to date. For these and many other reasons, Outkast belongs in this conversation. I will be forever indebted to them for introducing me to funky rap music and "dirty south" rap music. I love Outkast and I hope the rumors of a reunion tour are true. They got back together in 2014 and performed some shows, but I want then to do a new album and tour the country. One can only hope.

Thanks Outkast, thank you for all the great music.

Ty

Ty is the Pop Culture editor for SeedSing and the othert host of the X Millennial Man podcast. He has many other rap artists to nominate, but is curious about your Greatest American Band. Join the debate, then follow Ty on twitter @tykulik.