The SeedSing (half) Year in Pop Culture: The Top Five Albums of 2015

These are the records to put on

Day two of my Best of 2015 countdown will be my top five albums of the year. I'm a huge music fan and there has been a decent amount of music put out this year. Bands and musicians like Sleater-Kinney, Earl Sweatshirt, Thundercat, Kurt Vile and Father John Misty all put out excellent records. I've also been introduced to some older bands and albums from years past this year. For example, I love both Run The Jewels albums. Shit, I was this close to putting them on this countdown because they're so good and I just recently started listening to them. I also recently got way into AC/DC. Their older stuff is excellent rock and roll music, but it wouldn't be fair to put them in this countdown. I picked five albums that were released this year. They are my five favorites and the ones I go back to the most. They're all fairly popular, but that doesn't make the music any less listenable. On with the countdown.

At number five I have a band that I was just introduced to five days ago, but I can't stop listening to their record. The band is Nathaniel Rateliff and the Night Sweats and the album is self titled. This album is great. It hearkens back to the good old days of early alternative soul music. I was introduced to this band while listening to the Sklar Brothers music podcast and the guy that was talking about them gave the perfect comparison. He said that Rateliff sounds like Van Morrison and the band is like the studio bands for soul music in the 60's and 70's. I couldn't agree more. This album is good from top to bottom. Rateliff has that Morrison/old soul gruff voice and the band is tight. The highlight of the record for me is the song, "Howling at Nothing". It has everything you could want in this style of music. Great vocals, great background music and a kick ass guitar solo. This record is excellent.

Coming in at number four I have what every other publication has at number one, Kendrick Lamar's "To Pimp a Butterfly". Oh my god, this album is so complex and so awesome. It's a total detour from his record last year, "good kid, M.A.A.D. city", but that's oaky. The funny thing about this record, I didn't care for it the first time I heard it, but on the second, third, fourth and so on and so forth listen, I grew to love this album. It's so god damn good. Lamar is a beast. He has taken over the throne as the best rapper out there right now. He is the best writer and his delivery is top notch. This is more an art piece than a rap album. Lamar pays tributes to the people that influenced him and the last track where he reads a letter to Tupac and has Tupac responding is chilling. I love this album. I'm a big rap fan and the things that Kendrick Lamar does on "TPABF" is light years ahead of any rapper out there right now. He's so much better than Drake or Kanye West, it's funny that they're mentioned in the same sentence as him. I cannot wait to see what he will do next.

My number three album is "Yours Dreamily" by The Arcs. I've heard some hipsters complain that this album is no good or complain that Dan Auerbach needs to stop doing side projects, but why not work with some good musicians and do some different, interesting things. Sure, it sounds a bit Black Keysish, but most stuff will if Auerbach is the lead singer. I think "Yours Dreamily" is better than any indie rock or alternative album that was put out this year, with one exception that I will get to at number two. The album spans many different genres of music and I like to hear what Auerbach can do with a full band. When I wrote about this album earlier this year, I said it was like a western movie soundtrack, but in the best way possible. Upon further listens, I still feel the same way, but I also think it's just a downright awesome rock album. Songs like "Velvet Ditch" or "Outta My Mind" are awesome rock/blues songs with Auerbach crushing on vocals and guitar. Auerbach can do no wrong musically. The best track on this album is "Stay in My Corner". There's a different singer, but the song is sweet, rock and roll and blues all mixed into one song. The vocals are great, the music is great and the chorus is memorable. This will be a wedding song for the hipsters that like this band for many years to come. "Yours Dreamily" is a great record, don't listen to the music snobs out there saying that it's not so good, they're wrong.

My number two record is the one alternative record I like more than "Yours Dreamily". That album is "Sound and Color" by the Alabama Shakes. I mean come on, how did they top their debut record, "Boys and Girls" so easily? "Boys and Girls" was a revelation to me, "Sound and Color" has the makings of a classic album. This is a record that I feel my kids will play for their kids. Alabama Shakes could've easily stayed in their little indie corner and make more swamp records and been very successful, but they took a huge chance by playing poppy prog rock and they hit a grand slam. This album is so different from their debut and I love that. "Sound and Color" proved that they were willing to take huge chances and showed a lot of diversity. This is the type of album you put on and listen all the way through without skipping one song. The highlights for me are "Sound and Color", "Future People" and "Dunes". "Sound and Color" is a super trippy, slow burning tune that works perfectly. You may have heard it on the most recent Apple Mac Air commercials. The marimba and Brittany Howards vocals are hauntingly beautiful. "Dunes" is another slow song with flat out awesome music in the back ground. Howard, once again, crushes the vocals as well. "Future People" is the high light of this phenomenal album. It's slow, it's heavy and it builds to be the perfect rock song. The guitar effect used during the chorus is one of the coolest things I've ever heard. "Sound and Color" is so good, Alabama Shakes is now one of the best and most talked about rock bands of the 21st century. Best alternative rock record of the year by far.

My number one album of 2015 is Leon Bridges "Coming Home". I've been on the Leon Bridges bandwagon for about nine months now. I've written about him twice on the website and my first blog on him was about a YouTube video I saw of him before he released his debut album. This album is so wonderful. It brings 60's soul and R&B into the 21st century. Bridges vocals are perfect for this style of music. His background band reminds me of the ladies that sang with guys like Rufus Thomas, Otis Redding and Isaac Hayes. The band plays and records on retro equipment. I mean, this is the coolest thing I've heard in quite some time. The fact that Bridges is only 25 years old makes this album all that more impressive. He is going to be a humongous star if he continues on this path. "Coming Home" is the best 30 minute album I've ever listened to. Songs like "Brown Skinned Girl" and "Better Man" sound like Stax Records re opened their doors and let him record there. Those songs are timeless. My favorite track on the record is "River". It's a quiet song that just builds and builds to a beautiful ending that has Bridges softly and smoothly singing the final lyrics. I love his voice and his band and everything about this album. "Coming Home" is far and away the best record I heard in all of 2015 and it was the first of my top five that I listened to. It's stayed with me all this time, that's how awesome it is.

So, there you have my top five albums of the year. Tell me why I'm right or wrong in the comment section and let me know what I left out. Come back tomorrow for my top five TV shows of the year.

Also, RIP Lemmy Kilmister, you were a guitar god and you will be greatly missed.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man podcast. Next year he is planning on getting into the BeeGees and Black Flag. Follow Ty on twitter @tykulik.

SeedSing's Advent Calendar of Awesome Holiday Music: Day 24 - Snoopy's Christmas

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we will present a new awesome holiday song for every day of Advent. This is the greatest music of the season. Enjoy.

Day 24: Snoopy's Christmas by The Royal Guardsman

Opened doors: One, Two, Three, Four, Five, Six, Seven, Eight, Nine, Ten,

 Eleven Twelve, Thirteen, Fourteen, Fifteen,Sixteen,Seventeen,Eighteen,

Nineteen, Twenty, Twenty One, Twenty Two, Twenty Three

The Christmas season can feel like a battle. There are large crowds and everyone seems to have their own agenda. People are constantly fighting each other for parking, space in line, and the hot holiday gift. We move through the malls and hardly acknowledge one another. On Christmas Eve, the holiday season reaches its peak while everyone rushes past one another to complete their individual goals. Christmas Eve is the final struggle we face on the battlefield of the holiday season.

"Snoopy's Christmas" is the 1967 follow up to The Royal Guardsman hit "Snoopy vs The Red Baron". The band made their name by incorporating in their songs the Peanuts character of Snoopy, and his exploits of aerial dog fighting against The Red Baron. "Snoopy's Christmas" reads like a classic tale from Charles Schultz's Peanuts comic strips. The Red Baron is terrorizing the skies, and Snoopy with his trusty Sopwith Camel (his doghouse) must engage in  battle high in the sky. While Snoopy valiantly tries to defeat the German ace, disaster strikes. The Red Baron shoots down the pup in German territory. Snoopy lands and believes that the end is here, then suddenly the bells ring out over the countryside marking the beginning of Christmas. Being inspired by the spirit of the season, the Red Baron offers Snoopy a drink and wishes him a Merry Christmas. The brotherhood of Christmas Day causes the foes to befriend, and they then go on their separate ways. Christmas Eve saw bloodshed, Christmas Day is about peace.

The exciting tale being told in "Snoopy's Christmas" is based on a true event, the 1914 Christmas Truce of World War I. British and German troops were shelling each other on December 24th, suddenly the firing stopped when both sides heard the bells from the countryside ring out for the beginning of Christmas Day. The Germans invited the British troops to cross no man's land and have a peaceful celebration. The enemies shared food and drink, showed pictures of their families, and even played games together. The magic of Christmas stopped sworn enemies from killing each other. The feeling of brotherhood trumps the anger of war. It is a magnificent piece of human history.

Christmas Eve can be a tough day. Many people are frantically trying to get that last must have gift. We have no time to be kind and courteous to our fellow man. If you are not relentless, you will lose the battle of the Christmas Season. Once midnight hits and the bells of the village rings out for Christmas Day, a new feeling takes hold. Our disagreements on religion, geopolitics, and philosophy take a day off. Christmas makes us one family. Enjoy your holiday, and thank you for your eyes this Advent Season. As the Red Baron would say, "Merry Christmas my Friend".

RD Kulik

RD is the Head Editor for SeedSing and the other host of the X Millennial Man podcast. No matter who you are, or what you believe, the bells at midnight will make you the editor's new friend. Join our circle of joy by liking SeedSing on Facebook.  

SeedSing's Advent Calendar of Awesome Holiday Music: Day 23 - Christmas in Hollis

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we will present a new awesome holiday song for every day of Advent. This is the greatest music of the season. Enjoy.

Day 23: Christmas in Hollis by Run DMC

Opened doors: One, Two, Three, Four, Five, Six, Seven, Eight, Nine, Ten,

 Eleven Twelve, Thirteen, Fourteen, Fifteen,Sixteen,Seventeen,Eighteen,

Nineteen, Twenty, Twenty One, Twenty Two

For SeedSing's Advent Calendar of Awesome Holiday music, I'm going to talk about the phenomenal "Christmas Time in Hollis" by the great RUN DMC. This song is one of the greatest holiday songs of all time. I've mentioned many times before that I don't care for holiday music, but this tune and "Christmas Time at My House" are the two exceptions.

"Christmas Time In Hollis" is a rap song about the holiday. This could only be done by RUN DMC. They're the only straight forward rap group that could pull off a holiday song. Do you think Eminem or Wu Tang Clan or Tribe Called Quest could really pull off a holiday song? I love all those people, but no way. This was one of the first holiday songs I heard that I wanted to hear over and over again. The beat is classic RUN DMC. It's repetitive and thumping and just downright awesome.

I love the way it starts out. The opening lyrics give you the date and the place, then they say, "When I see a man chillin with his dog in the dark". So, they think they just see an old haggard man walking a dog, but then, "I approached them very slowly with my heart full of fear. Looked at his dog, oh my god, a illin reindeer". It may sound corny, but when they rap these words, I'm in. They've grabbed my attention and I'm fully on board for what RUN DMC is going to tell me throughout the entirety of the song. They go on to say, "But then I was chillin because the man had a beard and a bag full of cookies, 12 o'clock had neared". They realize that it's Santa. This is not only a perfect song for rap enthusiasts, but for kids too because they keep the myth alive that Santa is a real person. I love it. Then they turn their heads and Santa is gone, off to do his work since it was midnight, making it Christmas day technically. I also love that they check out his wallet, because he dropped it, and they find a million dollars in it. I didn't know Santa rolled like that. He's a baller. Being the good people that they are, RUN DMC doesn't steal the money from Santa, they mail it back to him that night. What a bunch of saints. But when they get home, they realize the wallet and the money was a present for them from Santa, he left it there purposefully. The boys were bummed, but they'd soldier on.

Then the greatest chorus in holiday music history is spoken, "It's Christmas time in Hollis Queens, mama's cooking chicken and collard greens. Rice and stuffing, macaroni and cheese and Santa putting gifts under Christmas trees". Poetic. This is the coolest chorus in, not only holiday, but all of music history. I love the rhyming structure and the ferocity that they deliver it with. This chorus has been in my life so long, when playing one of the first iterations of Madden on PlayStation One, the Jaguars had a kicker named Mike Hollis and my brother and I would sing the chorus after every extra point and kick off. I still hum this chorus in my head all year long. I absolutely love it.

In the second verse, they talk about decorating the tree and the house with the excellent line, "snow's on the ground, snow white snow bright". RUN DMC are lyrical geniuses. It seems simple, but it's complex and fantastic. Then they say, "The rhymes you hear are the rhymes of Darryl's, but each and every year, we bust Christmas carols". I love that they don't have to be hard core, or gangster. They are rappers that like holiday music, how cool is that. They almost make me like holiday music. If only every holiday song could be like "Christmas Time in Hollis". I like how upbeat they are throughout the song. Lines like, "Jack Frost chillin, the hawk is out and that's what Christmas is all about", or, "The time is now, the place is here and the whole wide world is filled with cheer". It's so great. They're the happiest rappers in the world. They work clean too, so, like I said before, I can listen to this song with my three year old and not worry about any swear words.

They close out the song with some of the best lyrics in rap history. The final verse goes as follows, "My name's DMC with the mic in my hand and I'm chillin and coolin just like a snowman. So open your eyes, lend us an ear, we want to Merry Christmas and a happy new year!". It's so upbeat! I can't get enough of it. I love this song, but the chorus is the greatest part by far. As I said before, I still hum it year round and my son even gets involved now. RUN DMC can do no wrong, so no wonder I enjoy their one and only holiday song. This song is great and everyone should go listen to it now and enjoy all the merriment. It's not only a great holiday song, it's just a great song.

Ty 

Ty is the Pop Culture Editor for SeedSing and the other host of the X Millennial Man podcast. It is not Christmas in his house until he gets a nice helping of chicken and collard greens. Wish Ty a merry Christmas by following him on twitter @tykulik

SeedSing's Advent Calendar of Awesome Holiday Music: Day 22 - Patton Oswalt talks about The Christmas Shoes

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we will present a new awesome holiday song for every day of Advent. This is the greatest music of the season. Enjoy.

Day 22: Patton Oswalt talks about The Christmas Shoes (language NSFW)

Opened doors: One, Two, Three, Four, Five, Six, Seven, Eight, Nine, Ten,

 Eleven Twelve, Thirteen, Fourteen, Fifteen,Sixteen,Seventeen,Eighteen,

Nineteen, Twenty, Twenty One

I really love Christmas music. This entire Advent Calendar project is a way to show the people who hate Christmas music that there are great tunes available to the uninitiated. My love for holiday music is directly related to the fact that while I was growing up my parents would regularly take me and my brothers to church. I was never super psyched to go to our little suburban catholic cathedral, except for one time of the year. The Christmas season was the only times of the year I was happy to go to mass, and it was the songs that created my excitement. Many of the best holiday songs come from the religious tunes the congregation would sing. Hope, light, the betterment of mankind. That is the true religious meaning of Christmas, and it sounds beautiful.

A couple of years back I heard the song "The Christmas Shoes" and I was left dumbfounded. I first thought that this "christian" song was some kind of SNL parody. It was atrocious. The basic plot centered on the story of a poor kid who wants to buy shoes for his mom on Christmas. These shoes are very important because the kid's mom is dying, and he wants her to look pretty if she meets Jesus. That plot is dumb enough, but what puts "The Christmas Shoes" into the stratosphere of appalling is that the song is from the point of view of some grumpy dude in line behind the kid. The narrator thinks that "God" sent this kid, and his dying mom, to be in this man's life so he will feel the Christmas spirit. It is a truly disgusting message.

In 2009 comedian Patton Oswalt dedicated part of his stand up set discussing "The Christmas Shoes" Everything he says is spot on. Oswalt talks about how manipulative and downright sinister the message behind "The Christmas Shoes" is. He also imagines a world with a God being pissed about people being grumpy on Christmas and a Jesus who is bitchy about a person's fashion sense. What Patton Oswalt does in the YouTube video attached to this article is take one of the worst Christmas songs ever, and give it a new hilarious life. You can skip the song and get a dose of the Christmas spirit by hearing Patton Oswalt tear this piece of trash apart. His thoughts on "The Christmas Shoes" makes the song listenable, because I hear Patton Oswalt's words behind every horrid verse.

A few weeks back my son was being rude to the checkout person at a store. When we were heading home, my wife and I were scolding him about his behavior. At one point I told him that Christmas is about being nice to your fellow person. My son was not listening and being quite defiant. As I was getting more angry and frustrated I heard the opening notes of "The Christmas Shoes". My wife and I stared at each other and smiled. My son was forgiven. The rest of the car ride was filled with joy and laughter. Patton Oswalt has made "The Christmas Shoes" a holiday tradition. Not the song, it is awful, but his thoughts about the tune's idiotic message is what Christmas means to me. Mr. Oswalt, I owe you a pair of some great Christmas shoes.

RD Kulik

RD is the Head Editor for SeedSing and the host of The X Millennial Man podcast. Every year he tries to buy his wife some ugly shoes for Christmas, but he never has quite enough pennies. Help him buy those shoes by supporting SeedSing.

SeedSing's Advent Calendar of Awesome Holiday Music: Day 11 - Mamacita, Donde Esta Santa Claus?

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we will present a new awesome holiday song for every day of Advent. This is the greatest music of the season. Enjoy.

Day 11: Mamacita, Donde Esta Santa Claus? by Guster

Opened Doors: One, Two, Three, Four, Five, Six, Seven, Eight, Nine, Ten

I never questioned the science behind Santa Claus. How did he get to every house in a few hours? How did he really know what each person individually wanted? Why did other reindeer not fly? These were not the questions on my mind. Santa was a magical being, that was all the explanation I needed. Every Christmas Eve I never questioned how the big man did his job, the only question on my mind late into the night is where is Santa Claus.

In 1959 "Mamacita, Donde Esta Santa Claus" first hit the airwaves. Twelve year old Augie Rios was the original artist to sing the part Spanish and part English Christmas tune. Waiting up to see Santa is captured with childlike joy on the song. The singer is excited because today is Christmas Eve, and he wants his mother to answer the question, where is Santa. The excitement is keeping the little boy up, he just wants to get a peek at Santa, his sleigh, and the mix of traditional and Latin reindeer (Pancho and Pedro should be included in all reindeer related tunes).

Many people have covered "Mamacita, Donde Esta Santa Claus", but the artists who tackle the song have always been trying to mimic the annoying high pitch sound of the original. It was a tune of great words, not great singing. Finally in 2003 the indie band Guster recorded an awesome low key version of the song for the collection of Christmas music on Maybe This Christmas Too? The band took the grating sound of the original, and dialed it way down. There is still a Latin musical influence in Gusters version, highlighted by some awesome steel drums. The easy going, laid back version of "Mamacita, Donde Esta Santa Claus" by Guster took the great words of the original, and made it a great Christmas tune.

On Christmas Eve I will be filled with anticipation. Where is the big red sleigh being piloted by the bearded fat man? Is Pedro still flying next to Donner? Did Santa pack his castanets? All these questions will be in my head, and to calm down I will let Guster ask the same questions. We do not question the science of the man, we just want to know donde esta Santa Claus.

RD Kulik

RD is the Head Editor for SeedSing. He hopes Santa packs some new writers in his sleigh. If he did, make sure you come on over and write for us.

The Greatest American Band Debate: The Up-and-Comers

For the greatest American band debate, today I'm going to write about some current bands that I think are on the verge of belonging in the conversation. These particular bands aren't quite at the level of some of the other bands I've written about, but they could be if they continue on their current paths. Some of these bands have only put out one, two or three albums, but the albums they've released have put quite an impression on not only me, but the masses as well.

The first band I want to talk about is Alabama Shakes. I have written about them already on the website, reviewing their most recent album "Sound and Color". As my review stated, I love this album. It's a wonderful array of different genres of rock music. They use cool effects and bring in new instruments to mess around with. Their first album, "Boys and Girls" was an out of nowhere phenomena to me. I had a friend tell me about the record, I bought it not having heard anything from it, and was immediately hooked. It's a throwback to swamp rock. It's funkier than any Creedance album I've heard, and Brittany Howard is a powerhouse. If Alabama Shakes continues to get better and experiment like they have on their first two records, there will be no denying the fact that they belong in the conversation. They are bringing swamp rock to the masses and taking chances that make their music sound that much better. Alabama Shakes are a very good band.

Another band that is on the verge is Ratatat. I've written about their record and concert on the website. They are bringing electronic music to the masses. Their newest album, "Magnifique", was one of the best reviewed records of the year. Ratatat is the newer, better version of a band like YES or ELO. Their electronic music appeals to the masses because it's guitar driven. It's not jump computers and repetitive beats used over and over again. It's actual music that has a beginning, middle and end. There are no words, but you get the gist while listening. You can also tell when the bridge comes in. They are weirdos making some of the best electronic music I've ever heard. They have released more albums than the other bands I will mention today, but they don't have the mass appeal that some of the other bands do. That has begun to change with "Magnifique", and if my father is into an electronic band, they have to be good because he doesn't like electronic music at all. Ratatat is a great band that is finally getting noticed.

Black Joe Lewis has a chance to be huge. On their first two records the band went by Black Joe Lewis and the Honeybears. They played some of the funkiest rock and roll I'd ever heard. Black Joe Lewis almost sounds like a modern day James Brown, scream singing lyrics, and the rest of the band is dynamite. The horn section is absolutely phenomenal. The drums and guitars are totally on point. After the release of their first two albums, they changed their name to Black Joe Lewis. They've released one album under this name and while it's not as funky, it's one of the best rock and roll albums I've heard in a long time. The band uses very heavily distorted guitars and they almost have a metal sound. But, just when you think it's going to be Black Sabbath esque, Black Joe Lewis comes in with his awesome, gruff voice and gives you what you are used to out of the band. The horns even make an appearance on more than half the album. Black Joe Lewis is great. They are one of the best rock bands out there now. They should be playing arenas, but they may like playing the smaller venues more. Black Joe Lewis is incredible. Go out and listen to them now.

The Arcs, another band I've written about before, put out one of the coolest albums I've heard all year. "Yours Dreamily" is a Western movie soundtrack with fantastic musicians playing the music. It's not corny like most Western movie music, it's rock and roll mixed with funk, blues and even a little R&B. It's not literally a Western movie soundtrack, that's just what it sounds like to me. The Arcs are one of Dan Auerbach's side projects. He has many other interests outside of the Black Keys, but The Arcs has been my personal favorite. It doesn't hurt that Richard Swift is the co founder of this band. He's an awesome solo artist, and he's been playing bass with the Black Keys on their most recent tour. Dan Auerbach has a chance to be in this conversation at least twice. He's a musical genius and I'd take him any day over the extremely overrated Jack White. If The Arcs continue to make more and more records, I'd be hard pressed to not write about them for the greatest American band debate.

The last band I want to talk about today is St. Paul and the Broken Bones. They've only released one album so far, but it's dynamite. "Half the City" is 50's and 60's R&B come to life in the 21st century. The band plays excellent, funky music in the background and the lead singer has one of the best voices I've heard in a long while. He can hit very high notes. He reminds me of a modern, better Rufus Thomas. The band is incredible, as I stated before, and they play perfect funk/R&B music. Not too many people know St. Paul and the Broken Bones, but I have a feeling that will change very soon. They have a radio friendly sound and they will start to become more and more popular within the next few years, especially if their future albums are as good as their debut. There are many other bands I'm leaving out of the discussion today, but these five have the best chance to end up in the greatest American band debate in the future. As long as they all continue to do what they're doing, and get better and better, they will all be as famous and popular as the bands I've written about for this debate previous to today.

Go out and listen to these bands if you don't already. You'll thank me later.

Ty

Ty is the Pop Culture Editor for SeedSing and the other host of the X Millennial Man podcast. He will be travelling a lot this Thanksgiving and plans on listen to these bands multiple times. Follow Ty on twitter @tykulik.

Guitars are Great and the Gibson SG is the Greatest Guitar of All

Ty's first life partner

In lieu of writing about a band for the greatest American band debate on SeedSing, I'm going to write about an instrument today.

It's an instrument that I play, I'm very average, but I love. This instrument is the guitar. Now, I know, that's a very open ended thing to write about. To make it more interesting though, I'm going to specifically talk about a brand of guitar, that I and a lot of pros prefer. I'm a big fan of Gibson guitars.

A Gibson SG was the first real electric guitar that I bought. This guitar was my baby before I had real babies. The sound was so clean and smooth. Even when I put distortion on heavy on my pedal board, it still sounded clean. The feel of my SG was phenomenal. It was heavy, but not too heavy. It felt good when I rested it on my lap. I liked the feel when I stood and played it. The colors are beautiful. There's hints of dark brown, black, white and even soft red colors. It looks like it was cut from a humongous redwood tree. I was, and still am, a bit obsessed with this guitar. It was the first thing I bought when I got my first paycheck from my first real adult job. I had been at the dental lab I first worked in, waited two weeks, got my paycheck, cashed it in and went straight to Guitar Center. I brought my dad and two of my brothers with me. I had tested this particular SG prior to this day, but I wanted to weigh all of my options. I tried Squires, Epiphones, Alvarez and Fenders, just to name a few. They all sounded decent and were within my price range, but I kept going back to the SG. I even tried different styles. I tried semi and full hollow bodies, 12 string, electric/acoustic combo guitars, but none of them sounded and felt the same as the SG. After about two hours, my dad and brothers agreed that it was time for me to just pick a guitar already. I went with the SG because I could not shake it. I thought about it the whole week leading up to the purchase, and kept saying about the other guitars I tried, "it sounds fine, but that SG, that's a great sounding guitar".

So, I bought the SG, on sale, with cash. That's how much I wanted this guitar. I brought it home that night and played it for what seemed to be 10 hours. I just couldn't put it down, it was the coolest thing I ever owned, and it was truly mine because I bought it with my own hard earned money. I had an acoustic, and I still have it, prior to this purchase. It's a Washburn that my folks bought me for the holidays about 12 years ago. It's a fantastic guitar and still sounds excellent, but it's not my SG. I have a dobro that I play slide and rhythm guitar on, but it's not my SG. I have a lap steel that I strictly use for slide guitar, but it's not my SG.

Do you see what I'm getting at? My SG is a wonderful and beautiful guitar. I know this sounds like a love letter to a guitar. It sounds like that because it is a love letter to my guitar. This is the best inanimate object that I own. I have a full size Michigan football helmet, I have a signed Charles Woodson football, I have a lot of Michigan memorabilia, and as much as I love these things, they don't compare to my SG. I've heard people, mostly older people, tell me that Gibson is inferior to Fender, but I vehemently disagree. They all tell me that when I'm older, I'll understand, but my love for Gibson guitars will not waver. I'm 32 now, been playing guitar since I was 20, and I still prefer Gibson over Fender. I'll take Gibson 10 out of 10 times if you ask me.

I know that a lot of the older blues musicians, blues is my favorite style of music, play Fenders, but nothing compares to Gibson guitars, and most importantly, their SG brand. I mean, look at some of the famous musicians that played Gibson brand guitars throughout their entire career. First of all, the man who invented Gibson, Les Paul. He was a genius guitar player and created the whole Gibson brand. He is one of, if not the, greatest guitar players that ever lived. Go back and listen to him playing guitar, it's masterful, and he did it all on his Les Paul brand Gibson guitar. Slash, from Guns and Roses and many other side projects, plays Gibson guitars. I may not like the genre of music he plays, but he is an incredible guitar player that only plays Gibson guitars. No way he gets that same sound out of a Fender, not in a million years. Jimmy Page, maybe the second greatest guitar player, behind Les Paul, plays primarily Gibson guitars. He is the master of blues/rock and it sounds so fantastic coming from his enormous collection of Gibson's. Do you think that "Stairway to Heaven" or "Whole Lotta Love" would've sounded the same if he played on any other brand of guitar? No way. Randy Rhoades has played only Gibson's his entire career. You may not know who he is, so I'll tell you. He's been Ozzy Osbourne's lead guitar player his entire career. He played on songs like "Crazy Train" and "War Pigs". Both songs, Gibson guitars. Zakk Wylde, widely considered one of the best heavy metal guitarist of all time, has played all those dizzyingly fast riffs on only Gibson guitars. Ace Freehly, KISS leading guitarist, has played only Gibson Les Paul's his whole career. I don't like KISS, but Freehly is a pretty damn good guitar player. Duane Allman, probably the greatest rock and roll slide player of all time played all of those hits from the Allman Brothers on Gibson guitars. Eric Clapton, arguably considered the best guitar player of all time, played every hit song and every fantastic solo on Gibson guitars. When he was with Cream, Gibson guitars, with Traffic, Gibson guitars, the lead on "While My Guitar Gently Weeps", Gibson. Enough said. Bob Marley, the king of reggae music, played Gibson guitars. That steady beat and groove that almost everyone has come to love was played and made famous on Gibson guitars. I'll get crushed by my brother Seth if I don't mention that Jerry Garcia played a Gibson, an SG at that. I don't like his music, but it's hard to ignore their influence on music, and he was playing a Gibson. Even newer musicians, like Dan Auerbach of The Black Keys, plays pretty much only Gibson guitars. Gibson's are the best.

I think I made that point pretty clear today. But, tell me why I'm wrong or why Fenders are better, or any other brand for that matter, than Gibson in the comment section. Anyone who's played a guitar, or still plays guitar has a favorite brand and mine are Gibson guitars. Specifically, a Gibson SG.

They're the greatest.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man podcast. He neglected to tell us that all great wannabe guitarists play Gibson, it was the original Guitar Hero controller. Follow Ty on twitter @tykulik.

The Greatest American Band Debate: Digable Planets

I'm going to get back to music that I enjoy today for my nomination to the greatest American band debate. Last week, I nominated the Beach Boys, but I made it abundantly clear that I loathe the Beach Boys. Today, I'm getting back to mid 90's rap music and I'm nominating Digable Planets.

I know a lot of people may not know who Digable Planets are, they only released three albums, but everyone knows one of their songs. I'll get to that song in a bit. Also, of their three albums, I only like one of them. But, the one I like is classic and way ahead of it's time. Much like my Sugarhill Gang blog, I nominated them based on one song, Digable Planets get the nod simply based on one classic album. The album that I'm speaking of is called "Reachin (A Refutation of Time and Space)". This album came out in 1993 and it was totally different from anything I'd ever heard. I hadn't yet discovered A Tribe Called Quest, so the jazz influence that Digable Planets used on this album was completely new to me. The way each of the members rhymes on each of the songs is very much their own unique style. The three members are named after insects, they went for a whole vibe of being insects from another planet on this album, very weird but very cool. Their names are Butterfly, the leader, Doodlebug, the city boy and Ladybug Mecca, the fierce feminine voice of the group. Butterfly has a very cool, hip way to how he raps. He sounds so confident and comfortable doing what he does. He is one of the most underrated and best rappers I've ever heard. Butterfly brings the "street" to the group. He's got a gruffer voice, but he also reads poetry on this album and speaks truth on political beliefs of the band. Ladybug Mecca is awesome. She's a strong female and she can rap with the best of them. Some of her verses on some of the songs are incredible. She is/was a true genius of a rapper. They use jazz as the driving force in their sampling on this album. Now, I don't care for jazz music, but put a beat to it and some good rapping, I'm totally on board.

As I said before, Digable Planets came to me before Tribe, so without them, I would've never found Tribe. A Tribe Called Quest is one of my all time favorite groups and you can read why I like them so much on the site involved within this very same debate. "Reachin" came to me as a pre teen. My brother Seth, who's been on the podcast before, introduced to them. I was listening to Ma$e and Puff Daddy and Seth gave me this record and told me to "enjoy some real hip hop". He was right on the mark, and I listened to this tape, that's right, I remember when there were tapes, so much, I wore it out and my folks had to buy it on CD for me. I love everything about this album. I used to listen to it on my Walkman while playing basketball with my friends. I was, and still am, totally obsessed with this album.

It opens with "It's Good to Be Here". This is a great song. They talk about their love for music and the fact that they're just happy to be performing together. This song proved to me that all bands don't hate each other, some really do enjoy the other band mates company. After that song, it's great song after great song, in my opinion. Songs like "Pacifics", "Where I'm From" and "What Cool Breezes Do" are classics. "Pacifics" is a groovy, jazzy rap song. It's a great early 90's rap tune. "Where I'm From" shows the band giving love to their hometowns. It's a great song for anyone from either Philadelphia or New York. "What Cool Breezes Do" is almost a full on jazz song. There's rapping on it, but this song is more about the instrumentation. "Time and Space (A New Refutation Of)", has Doodlebug reading poetry and the rest of the band doing straight forward rap. It's pretty great. The song I spoke of earlier that I thought most people would know is "Rebirth of Slick (Cool Like Dat)". This song was played pretty heavily on the radio in the 90's and I still hear it in commercials from time to time. The chorus is the most memorable part. simple lyrics, "I'm cool like dat, I'm cool like dat, I'm cool like that, I'm cool" and they switch it up a little with, "I'm cool like dat, I'm fly like dat, I'm hip like dat, I'm down like dat". I guarantee most of you know this song when you hear it. Later in the album they have great songs like "Jimmi Diggin Cats", "La Femme Fetal", "Nickel Bags" and "Swoon Units". "Jimmi Diggin Cats" has the band expunging the fact that, if Jimi Hendrix was still alive, he'd be a Digable Planets fan, and it's hard to argue with them listening to the song. "La Femme Fetal" is a song that's way ahead of it's time. The lyrics call out people that oppose places like Planned Parenthood and talk about how insane right wing Christian nut jobs truly are. Had this song been released now, it would be all over social media. Back then, it was kind of overlooked and that's a shame. The song is about a young couple who decide to abort a pregnancy because they live in squalor and don't have the means to take care of a child. It has a great message and for the pro choice people out there, me included, this is a great statement song. I love this song so much. "Nickel Bags" is about exactly what you thin it's about. Each member takes a turn talking about how much they like weed and why it's so good. This is a love song to marijuana. Also, this was ahead of it's time too. Release it today, it would be a mega hit. "Nickel Bags" would put Afroman's "Because I Got High" to shame. "Swoon Units", the second to last song on the record is a straight ahead rap song. Each rapper is rapping fast yet smooth and the beat is very bass heavy. It's a good song. This album is a rap masterpiece and I love every minute of it.

It's kind of a shame because they peaked so early, but "Reachin" is a great high point to have in their short career. I love this album and I love Digable Planets. I hope this piece brings new listeners to the group and you discover this great album.

Digable Planets, you get my nomination for the discussion of greatest American band today.

Ty

Ty is the Pop Culture Editor for SeedSing and the other host of the X Millennial Man podcast. He is still washing the Beach Boys stink off his mind and needs some great hip hop to clear his thoughts. Follow Ty on twitter @tykulik.

The Greatest American Band Debate: The Beach Boys

It is frustrating when a lot of people like something you may despise. 

If we at SeedSing are going to be a competent and commendable website, we need to give recognition to things that we may not like, or even hate in this case, but other people adore. We kind of did this on the podcast when I had my brother Seth on and he talked about his love for the Grateful Dead. I'm clearly not a fan of theirs, but Seth loves them and we gave him yet another platform to opine on why he loves them. I'm going to tackle a band that I truly despise for the greatest American band debate, but a ton of other people, easily in the millions, loves and adores. Today, I'm going to talk about, not really make the case for them, just talk about the Beach Boys.

Let's get this straight right out of the gate, I really, really, really hate the Beach Boys. They're bubble gum pop music in my opinion, and I think Brian Wilson is one of the most overrated musicians of all time. Had he not had a nervous breakdown, he wouldn't be the "icon" that he is today. There'd be no movies or books about him, he'd just be another run of the mill musician. He's not genius, not even close. So, have I laid out the fact that I really dislike the Beach Boys enough yet? I think so, but my hatred will bubble up throughout this post today. Let's get to why a lot of people, not me, think they're not only the greatest American band, but the greatest band of all time. First of all, they introduced, or some even say, invented the California surf rock sound. This sound was very popular in the 60's, and is kind of making a resurgence nowadays. People like to say that they have the best vocal harmonies of any band ever. I don't hear it, but fans seem to think they're the greatest. That's high praise to be told that you have the best harmonies of all time. That's a huge accomplishment in music. Brian Wilson is the unquestioned leader of the band, and he wrote and orchestrated pretty much all of their music. This is music to fans ears, but not that impressive to me because I don't like their music at all. Their music sounds simplistic, but fans adore this. He wrote their biggest hit "Good Vibrations". This song epitomizes California rock. It's poppy with an easy guitar riff and the vocals couldn't be anymore "beachy". That's what I like to refer to their harmonies as, "beachy". That means, to me, that they sound like they're singing on the beach, in every song. Kind of a happy go lucky vibe to their music, also known as "pop" music. Everybody knows the song "Good Vibrations", so, for all intents and purposes, that makes them one of the greats. That sentence just hurt my brain. God, I hate the Beach Boys. "Good Vibrations" came after their most critically acclaimed album, "Pet Sounds". I've tried with this record, and I just don't get it, but critics and musicians and fans adore it. It is the essential California rock record. People will tell you that they brought psychedelia to the masses with this album, but I'll take any Pink Floyd or Jimi Hendrix or even any YES album over "Pet Sounds" for my psychedelic music. "Pet Sounds" opens with another humongous hit, "Wouldn't It Be Nice". This song is not psychedelic, it's pop. The Beach Boys thrive with songs like these. "Good Vibrations and "Wouldn't It Be Nice" are in their wheel house and songs like these were massive hits because this is what the masses liked and still like. It's poppy and fun and while they may be sad lyrically, they sound happy, so fans like them and think they're happy songs. "Good Vibrations" and "Wouldn't It Be Nice" are no different than current songs like "Honey I'm Good" by Andy Grammar or "I'm Yours" by Jason Mraz. They're all bubble gum garbage, but the masses love it. They called the album "Pet Sounds" because they literally use pet sounds. This is like the stupid stuff Phish does, using vacuums as instruments, that people seem to think is innovative. It's not psychedelic, it's stupid. But, most critics heaped praise on the Beach Boys for doing this. They thought it was ingenious, and only a musical "genius" like Brian Wilson could pull this off. 

Soon after "Pet Sounds", Brian Wilson started to lose his mind. This wasn't like Syd Barrett from Pink Floyd, who literally did lose his mind, I feel like this was, what some today would call, a media ploy. I feel like the Beach Boys wanted to be even more famous, so they made Brian Wilson go nuts. I'm sure he has a problem, but he's still alive and making music, so he couldn't have been that nuts. The Beach Boys, and more famously, Brian Wilson did gain even more notoriety after this. The band broke up after "Pet Sounds", but some iteration of the Beach Boys still made albums up to 2012, and they're still touring. What they may be most famous for, post Brian Wilson, is the fact that they recorded "Kokomo", but even bigger than that, they play live with John Stamos. This makes them very lame, in my opinion, but when "Full House" was a massive hit, being on the show multiple times, as the Beach Boys were, they were remembered and gained even more fame. Older fans would see this and think, hey they're still doing it. And younger fans, they loved them some "Full House" and teenage, and even a lot of adult women, loved them some John Stamos. They regained their old fans, and brought a whole new generation of fans by being on "Full House".

In 2004, Brian Wilson released the album "Smile" to huge critical acclaim. I believe the editor of this website, RD himself, bought this album when we lived together (ed note: yes I did). He would put it on, and I'd think, Jesus, this is crap. I think even RD hated it too (ed note: yes I did), but he would listen to it and try to like it. I don't get the love, but fans loved it. The love for the Beach Boys is very weird to me. They've won tons of Grammys and other music awards. Some magazine named them the most influential American rock band(bull shit) and they're still beloved to this day. I've said it many times, I HATE the Beach Boys, but if we are taking this debate seriously, they need to be mentioned. I know a lot of people will read this and call me a hater, and I definitely am a hater of the Beach Boys, but at least I took time today to put them in this discussion. I also know that I left out huge chunks of their career, but I don't care enough to mention any of it. I feel I covered what is best known and what made the Beach Boys famous. 

This post was very hard for me because I'm a music snob and the Beach Boys boil my blood. But, I did it, I made the "case" for the Beach Boys as the greatest American band. I know this will read very different from my other greatest American band posts, but you have to put bands in this discussion, even if you dislike them. Go ahead Beach Boys fans and skewer me in the comment section, I know it's coming and I'm ready for it. 

Bring it.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man podcast. While writing this piece, Ty was humming along the Blue Jean Committee's hit song "Catalina Breeze". Follow Ty on twitter @tykulik.

The Greatest American Band Debate: Wu Tang Clan

Today for the greatest American band debate, I'm nominating the Wu Tang Clan.

I love Wu Tang. They're one of, if not the best rap group of all time. People will throw out Grandmaster Flash and the Furious Five or Eric B and Rakim, both I will be writing about on a later date, but Wu Tang is far superior. They have great, very memorable songs, but they get my nomination simply based on the fact that almost every single member of the band is still performing rap music and some are doing great things in acting. The fact that these guys not only have hit record after hit record while with Wu Tang, but most of them have had hit records as solo artists. That doesn't happen too often, but some of the members are more known for their solo stuff than their Wu Tang stuff.

I do want to mention some of their famous songs still, and I'll do that right now. Songs like "C.R.E.A.M.", "Wu Tang Clan Ain't Nothing to F$&k With",  "Protect Ya Neck", "Bring Da Ruckus" and "Killer Beez". "C.R.E.A.M." Is an awesome, classic rap song with a great, great chorus. It's an acronym for cash rules everything around me and that's the epitome of a classic rap lyric. I love it so much. "Wu Tang Clan Ain't Nothing to F$&k With" is such a cool, dirty, hard core rap song. They put themselves at the front of greatest rap group with this song. They let it be known that they were the best, and anyone coming to get the crown, step off because you don't mess with Wu Tang. "Protect Ya Neck" is grimy rap at its best. This song is filthy in all the right ways and it gave each member a chance to shine. "Bring Da Ruckus" is a cool rap song about bringing the noise to rap. It's a joyous song about the beauty that is rap. "Killer Beez", while not one of their best songs, has the coolest music video ever. Each member kind of morphs into a bee while rapping and it was very, very cool. Check it out if you haven't seen it.

But, as I said earlier, they're getting my nomination because of the members of this group. This is a murderers row of all time great rappers. Let's list them off right now, RZA, GZA, Method Man, Ghostface Killah, Ol Dirty Bastard, Raekwon, Inspectah Deck, Cappadonna, Masta Killa and U God. See, some of the best of all time. U God is still making solo albums, but he's probably the least famous. Masta Killa hasn't made an album since 2012, but he's still active with Wu Tang and he still performs live with the band. Cappadonna was in the first iterations of Wu Tang and he still performs with Theodore Unit, another hip hop group with Ghostface Killah. Inspectah Deck was a performer and producer for Wu Tang and received critical praise for his lyricism and way he rapped. He did some solo work, but now he's a top of the line producer, mainly doing things for Wu Tang. Raekwon is awesome. He's made a great career for himself as a solo artist, and he was an integral part of Wu Tang at their height. He's credited with creating "Mafiosi" rap. He's got one of the coolest styles of rapping that I've ever heard. We all know about Ol Dirty Bastard. He was one of the grossest, yet coolest rappers I've ever heard. His style was all his own and it will never be duplicated. His most famous lyric, "ooh baby I likes it raw", is disgusting and glorious. I loved ODB and I still miss him. Rest in peace. Ghostface Killah is my favorite member of Wu Tang. I love his style of rap, and his solo albums are the best of the bunch. His style is grimy and gritty and politically conscious. He's achieved critical acclaim for his work with Wu Tang and his solo stuff. Ghostface Killah is one of the all time greats in the world of rap music. Method Man has gained more notoriety for his acting than he ever did with his music. Now, that's not to say that he's not a great rapper, he is. Just listen to the Wu Tang song "Method Man". It's about him and he's the star on the track. But, he's taken to acting like a pro. He's been a star, a role player and a cameo guy and he always crushes. Just look at his role on "The Wire". He played "Cheese" and he was excellent as a thuggish drug dealer and, spoiler alert, when he got shot in the face, I was stunned. GZA is a genius. He wrote the majority of Wu Tang's songs and is the founding member of the band. He always seems like the most level headed guy in the room. He deserves way more praise than he gets. Without him, we never would've gotten Wu Tang. He has maintained a successful solo career as well. I love everything the GZA does. The final member, RZA has the most critical acclaim in music and acting. He's right up there with the GZA. Where the GZA started Wu Tang, the RZA produces everything they do. He's also, for most people, the first name you think of when talking about Wu Tang. He's made a ton of solo albums, he's appeared as a guest on a ton of albums and he's, hands down, one of the greatest rappers of all time. He's highly in demand. As far as the acting, not only has he done as much, if not more, than Method Man, but he's also written and directed movies. He's appeared in movies like "Ghost Dog", "Funny People" and "Coffee and Cigarettes" (ed note: Plus he was the Blind Master in the G.I. Joe: Retaliation - awesome movie). In these bit parts, he all but steals the show. He's a great actor. He's also written and directed and starred in "Man With the Iron Fists", both one and two. While these aren't the best movies, they're campy throwbacks to old school Kung Fu movies and he wrote them. That's impressive. He's right up there, influentially, with the GZA.

Wu Tang Clan is an all time great. This blog was easy for me to write because these guys are so famous and so influential to rappers today. Look at a group like Odd Future and tell me they're not striving to be the next Wu Tang. Wu Tang is awesome and they absolutely, 100 percent deserve to be in this discussion. These above reasons are why.

And remember, Wu Tang Clan ain't nothing to mess with.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man podcast. He yearns for a Wu Tang Christmas sweater. Follow Ty on twitter @tykulik.

When Bad Pop Culture Happens to Hopeful People

This is what happens when you mix hope and awfulness

Piggybacking on our podcast from Saturday and RD's piece about sports heartbreak, I'm going to talk about a different type of heartbreak.

Today, I'm going to talk about two movies and two albums that left me heartbroken. There's things in your life that you look forward to and, even though movies and music are very low on the list, things as small as that can leave you heartbroken. You look forward to something coming out, you're already a fan and the first, or everything prior in the catalog, is great, and then a movie or an album comes out, and it's just a dud, and that makes me upset. All the build up and it's just a pile of garbage. That's what I'm going to talk about today.

First, let's talk about two albums that left me heartbroken. I was a huge fan of the band Rocco Deluca and the Burden. Their first album, "I Trust You To Kill Me" was phenomenal. Rocco Deluca is a fantastic slide guitar player, playing my favorite type of guitar, a dobro. He had a way with the slide and how he used chord progressions and effects that was pretty astounding. "I Trust You To Kill Me" had everything on it. There was blues, rock, love songs and everything I liked. I tried to teach myself songs off the album. I only do that with records that I really like. It was a great album. I saw the band perform at the Duck Room in Saint Louis, and the concert was excellent. He played all the songs off the record, played old blues standards, and blew me away. I was fully on board with whatever was coming next from Rocco Deluca and the Burden. In 2009, the band released their second album, "Mercy". Of course I bought it on the day it was released. I listened to it immediately, and this is where the heartbreak seeps in. This album wasn't the same. It was more emo and sad. I didn't know that the band was going through stuff, and they did break up after this album, but what they put on record was, quite frankly, garbage. There was no distorted slide guitar. There was no fire and passion coming from Deluca's vocals. The band seemed disinterested and the album was a complete downer. Being OCD, I gave this album many, many chances. I swear, I've listened to it from start to finish at least ten times. I still have the album downloaded on my iPod, but I don't listen to it. It is a bad record. This really bummed me out. I also heard that in interviews, Deluca kind of said that if you don't like this album, you're not a real fan of his. He's portrayed himself as kind of an asshole before this album was released, and this interview further proved the point. That also made me upset, because, I was a fan. I really liked what they did on their first record, but to act like this after you put out a dud of an album is really upsetting. I recommend listeningto "I Trust You To Kill Me", but give "Mercy" a hard pass. It's not good.

Another musician and band that I adore, not so much anymore, Ben Harper and the Innocent Criminals, put out six great, different albums and then their seventh record ruined all the good vibes I had. I was a huge fan of Ben Harper's in high school. The second show I ever saw, the first under my own accord, was Ben Harper at the American Theater in Saint Louis. I was a junior in high school and me and a friend of mine showed up about six hours early so we could be front row. I spoke about this show on one of our early podcasts. It was great. I was hooked and loved everything Ben Harper was doing. He was my introduction to slide guitar. His music introduced me to a lot of the blues that I still listen to. He has a really good voice. The band can do everything from rock to reggae. They're very versatile. And, like I said earlier, their first six albums are very good. But, in 2006 a double disc was released called, "Both Sides of the Gun". I was a bit older by this time, and my love was wavering just a bit. I really enjoyed his previous album, "There Will Be a Light", but that was more a Blind Boys of Alabama record than a Ben Harper record. "Both Sides of the Gun" was supposed to be Ben Harper getting back to what made me like him so much. He was supposed to put the acoustic guitar down, which he apparently fell in love with, and get back to the slide guitar. He does on "Both Sides of the Gun", but barely. That's what left me heart broken. He was supposed to have a return to form, but he only did on about four songs on a 18 song double record. It wasn't a return to form at all, it was all a lie, at least in my mind. I listened to this record a bunch too, trying to like it, but I just couldn't. It was too poppy. Ben Harper, inexplicably, started to yell sing on songs. The band didn't sound very good. It was a huge disappointment. I even went to see the band tour this album, and it was a pretty dreadful show. They didn't sound good live anymore, and that made me even more heartbroken. They kind of redeemed themselves with the album "Lifeline", but "Both Sides of the Gun" left a bad enough taste in my mouth, that I haven't purchased a Ben Harper record since.

Now, to the movies that bummed me out. In 2012, I saw previews for a movie entitled "Abraham Lincoln: Vampire Hunter". This preview had my favorite president, Lincoln, and mashed it up with him being a badass vampire hunter. I was on board. I couldn't wait to see this movie. Opening day couldn't come fast enough. I dragged my wife and her friend along with me because they had to enjoy how awesome this movie was going to be with me. I thought it would be selfish of me to go see it alone. I wanted to share it with the people closest to me. So, not only did the three of us see it on opening day, but we saw it in 3D. I don't like 3D movies, but this movie was going to be so awesome, why not see it in 3D. The first hint I should've taken that this was going to be terrible, the theater was basically empty for a rush hour show on an opening Friday. But, I thought, people were going to miss out on the greatness that is "Abraham Lincoln: Vampire Hunter". Then, the movie started. I was excited, but, that excitement was drained almost immediately. This movie was so awful. The acting was bad, the action was terrible, the fights were poorly performed and the 3D gave me a headache. This was not the movie I expected. This was supposed to be the movie of the summer in 2012. What the hell happened? I should've realized that a lot of movies released in early summer are released then because they're so bad. This was heartbreaking. I so wanted to love this movie, but I couldn't even like it in a way that people like bad movies. It wasn't fun bad, it was just bad bad. How could a movie that looked so cool be so terrible? Previews, that's how. The only good thing that came out of this awful, awful movie was, I don't take previews that serious anymore, going so far as to not watch trailers for movies that I'm excited to see. Don't watch "Abraham Lincoln: Vampire Hunter". It's very, very bad and will only disappoint you.

Another movie that broke my heart was Tim Burton's "Charlie and the Chocolate Factory". I adore "Willy Wonka and the Chocolate Factory", and I figured that Tim Burton would do a good job with a remake. Casting Johnny Depp as Willy Wonka seemed like a home run in my mind. That was not the case. First of all, Depp as Wonka was god awful. Instead of playing it with the whimsy and humor that Gene Wilder does in the original, Depp plays the role like a creep. He seems like a guy that shouldn't hang around children, and definitely shouldn't own a chocolate factory. He was dreadful in this role. But, he wasn't the only problem. This movie was an absolute train wreck from start to finish. The kids cast in the iconic roles played them way too over the top. They're supposed to be snotty kids, but these actors took that way too literally. Freddie Highmore, who I think is a pretty good actor, doesn't do such a good job as Charlie. He was too boring. I wanted this movie to be as good as the original, but it was so bad. Tim Burton tried to put his weird vibes on this movie, but this movie doesn't need his touch. This is supposed to be a whimsical movie, but Tim Burton tried to make it dark. That doesn't work here, and it broke my heart. Tim Burton needs to stick to his darker stuff and not ruin another classic movie. I looked forward to this movie, but it was so bad, it just made me upset.

So, there you have it. There's a lot of other stuff besides sports that have left me heartbroken, but these four particular things left me the most heartbroken as far as pop culture goes. Tell me some things that have left you heartbroken in pop culture in the comment section, or tell me why I'm wrong about the stuff I mentioned today. And avoid the things I mentioned today at all costs.

You'll thank me later.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. He wants to give all these things in big kiss while at a party in Cuba and tell them how they broke his heart. Follow Ty on twitter @tykulik

The Greatest American Band Debate: TV on the Radio

Getting back to the Greatest American Band debate, today I'm going to nominate a band that's only been around for a little less than 10 years, but I feel like they're on the verge of becoming one of, not only the greatest American bands, but just one of the greatest bands of all time.

I found out about this band in 2006, and since then, I've been a huge, huge fan. Their debut album, "Desperate Youth, Blood Thirsty Babes" had me on the name alone, but after listening to it over and over again, I was immediately hooked. I'm of course speaking of TV on the Radio. I know that they're fairly newish, they've been around for almost a decade like I said earlier, but they're so innovative, and just really, really good musicians. TV on the Radio formed in New York, Brooklyn to be exact, but they didn't release the aforementioned "Desperate Youth, Blood Thirsty Babes" until 2004. They had released one EP before, entitled "Young Liars", and it's awesome, but it doesn't even begin to show you how great of a band they are. "Desperate Youth, Blood Thirsty Babes" was like nothing I'd ever heard before. I heard one of the songs on MTV2, when they still played music videos, "Staring at the Sun", and it was everything I wanted it to be. It was emo, alternative, bluesy and very rock and roll. I love "Staring at the Sun", it was my gateway to TVOTR. What made this album so unique was all the different genres they showcased. Songs like "Ambulance", with Tunde Adebimpe singing acapella and the band giving him an almost doo wop background was incredible. "Poppy" is a 7 minute epic that builds and builds and builds to an epic awesome rock and roll ending. "Bomb Yourself" and "Wear You Out" are two great ending songs to this album. Both songs are like the band King Crimson came back together, found the fountain of youth and played their songs a bit more listener friendly. The guitars are distorted and funky, but not as hazardous to your ears as some King Crimson tunes are. This album came out of nowhere and I still love it as much today as I did in 2004.

They followed "Desperate Youth, Blood Thirsty Babes" up with the fantastic "Return to Cookie Mountain". This album couldn't be more different than their debut, but that's a good thing because, it showed that they had range. They could play more than alt rock music. Take a tune like, "Wolf Like Me". Sure, it's got heavy guitars on it, but it's almost played like a radio song. It's got a great chorus, and Tunde's vocals are absolutely incredible. The opener, "I Was A Lover", features lead guitarist, Kyp Malone, providing lead vocals, and he's just as good a singer as Tunde, he's just different. There's also a really cool, really odd drum beat as well. On "A Method" and "Dirtywhirl", we get a glimpse of what they will sound like on future records with their big booming guitars and their really cool instrumentation. Tunde sings both of these songs and his vocals are perfection, especially on "Dirtywhirl". Another song sung by Kyp Malone, "Blues From Down Here", is really, really good. It starts out with Malone singing solo, no instruments and then pow, it hits you with fuzzy guitars and loud drums. The chorus is really catchy and memorable. It's an awesome song.

In 2008, TVOTR came out with their most critically acclaimed album yet. They released "Dear Science" and in 2008, Rolling Stone named it Album of the Year. This record is a masterpiece. TVOTR is crushing it on every level on this album. "Halfway Home", the opener is an awesome rock and roll song. Great distorted guitars, a really nice drum beat and great vocals from Tunde. "Dancing Choose", their "single" from this record is a really good song. It has elements of rock, alternative and even a little bit of jazziness to it. "Golden Age" is a phenomenal song that lets TVOTR do what they do best and mix genres of music. "Love Dog" is a really cool rock song. It starts out with a faint piano and drums, and just keeps building, gets louder and is met at the bridge by a crescendo of sounds that all come together perfectly. It closes as quietly as it starts, and everything in between is sublime. "Lover's Day" is a neat little song to close out the album. It's kind of poppy, but in a TVOTR type of way. "Dear Science" is a perfect album from start to finish. If someone were to ask me where to start with TVOTR, this would be the album I'd give them first.

They followed "Dear Science" up with the very underrated and under appreciated "Nine Types of Light" in 2011. It's hard to follow up a great album, but I feel like TVOTR did just that with "Nine Types of Light". This album is a bit more radio friendly and poppy, but TVOTR makes it work to their advantage. My gateway to this record was them releasing the song "Will Do" a couple of months prior to the release of the album. "Will Do" is a great radio rock song and the music video is really cool and trippy. Check it out if you haven't seen it. There are some other really great songs on this album. "Second Song" is a really cool blues/rock song that opens this album. "Keep Your Heart" is a sad song, and Malone's singing and lyrics make it even sadder. "Killer Crane" is a really unique slow song with some cool use of different instruments. "New Cannonball Blues" is Malone doing his best Howlin Wolf impression. This song is awesome. It's like Zeppelin, but Malone sings it as if he's channeling Howlin Wolf. "Caffeinated Consciousness" closes out the album and it's the best three chord rock song I've ever heard. Malone's guitar and Tunde's singing are so good on this song. This was the last album that featured original bassist Gerard Smith, who died of lung cancer nine days after the record was released. The song "Killer Crane" is almost a hymn for him, with the video being mostly still shots of the band, with the majority of them featuring Smith. "Nine Types of Light" was also released as a movie. It's more music videos for each song than a movie, but it moves like a movie. I highly recommend listening to the record and then watch the movie. This was a really good idea by TVOTR and it totally works with their persona.

Last year, they released "Seeds". They took time off due to the death of Smith, and "Seeds" was the result of their off time. This is a really good record and it kind of gave TVOTR the little bit of fame they have always deserved. Songs like "Careful You", "Test Pilot" and "Loved Stained" are all slow burners with very cool and innovative music accompaniment. "Careful You" has one of the coolest guitar effects I've ever heard. Other tracks like "Winter", "Lazzeray" and "Happy Idiot" are straight up rock and roll songs with TVOTR's distinct sound. My favorite song on the album, "Seeds", is love song esque, with great lyrics and simple yet sophisticated instrumentation. "Seeds" seems cathartic for the band and it's a fitting tribute to Smith.

As I said earlier, I know that TVOTR is still semi new, but they belong in this conversation for all of these and many more reasons. They will continue to keep making cool, interesting new music and I'm very excited for what their future holds.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man podcast. He wants to know what American music makes you rock. Come write for SeedSing, then follow Ty on twitter @tykulik.

The Greatest American Band Debate: The Monkees

They were a big influence on the Beatles.

RD Kulik

RD Kulik is the creator of SeedSing and enjoys the early film collaborations of Jim Carrey and Jeff Daniels. He wants you to write for SeedSing.

The Greatest American Band Debate: The Not So Greatest Bands of Today

For the Greatest American Band debate, I'm not nominating anyone today, I'm going to tell you why I think a lot of the bands out there today, that are played on the radio will not be in this conversation.

These bands don't have the staying power that a lot of the bands myself, RD and Tina have written about. I know I wrote Sugarhill Gang and how they are a one hit wonder, but they invented a genre of music. These bands today aren't inventing anything, they are strictly one hit wonders, or bubble gum pop. Now, I do like some current bands a lot. I've written about the Black Keys for this very debate. I'm a huge fan of TV on the Radio and I will be writing about them in the near future for this debate. I'm a huge Odd Future fan. I think they're the new Wu Tang Clan. The problem is, these bands don't get much, if any, radio play. Their music isn't catchy enough, or it's too weird for the masses. I've had a problem with pop music, I've written about the current state of radio on this site before, pretty much my whole life. When I was in high school, while I was listening to Outkast and Ben Harper and the Innocent Criminals, my friends and girlfriends were listening to shit like N'Sync, Backstreet Boys and Britney Spears. These people and "bands" will never be mentioned in any debate involving good music ever. They are ear worms. They're a hazard to people who listen to them, and the fans are some of the most annoying people in the world. They act like crazed religious people when talking about this music. It's not sufficient enough for them when I say I don't like this music. They have to not only berate me for not liking the music, but tell me why I'm wrong. And before you say it, I'm not telling you that you have to listen to the bands I like or have mentioned, I'm just telling you why pop music isn't sustainable, especially what they play on the radio. Do any of you millennials really think that Backstreet Boys or N'Sync is going to be Rock and Roll Hall of Fame inductees?

I didn't think so.

I have this same feeling for current pop "stars' like Taylor Swift, Miley Cyrus and George Ezra. You read that and said, "those are all solo artists, they don't count", okay, here's some current bands that will never be in this conversation, Imagine Dragons, OneRepublic and EchoSmith. As far as the solo artists go, Taylor Swift is annoying. I don't know if she's a country musician, or a pop musician. It's pop, right? She's a terrible role model as well. She may not want to be a role model, but she is. Her music all sounds the same, especially the garbage she's currently putting out. Miley Cyrus is terrible in every way. She's an abysmal singer, a terrible dancer, a bad actor and a shitty person. She's the worst. George Ezra was cool when he first came out, but he's doomed to be a one hit wonder. His sound is too weird, and the fact that "Budapest" became a hit is completely shocking to me. People will only remember him for that one song. The "rock" bands that they play on the radio today are just as bad. Imagine Dragons are America's version of Nickelback. They might not be as terrible as Nickelback, but it's pretty close. They are more worried about their image than their music. They are a band of haircuts that play absolutely unlistenable music. First of all, their songs do literally all sound the same. They are all horrible rock songs. They want to sound like The Black Keys mixed with pop music, but it doesn't work for them at all. When they were on SNL last year, first of all, they sounded bad and when they brought Kendrick Lamar on to perform their second song, even he couldn't save how terrible it was. I love Kendrick Lamar, and when he can't make you song mildly enjoyable, you have a problem. OneRepublic sounds like the crappiest version of a Christian rock band, and Christian rock music is terrible. Their song, "Counting Stars" is so bad, that when it's on the radio, I'd rather listen to the band Train, and I hate Train. They are also a bunch of dudes that seem more interested in their look rather than their music. If these bands put a quarter the effort into their music that they do their look, they might be decent, probably not, but maybe. OneRepublic is a hazard to your ears. Avoid listening to them at all costs. EchoSmith is a brother sister combo, I believe, but their music sounds like love songs to each other. It's creepy. I don't like the way they sing to each other. It's like Donny and Marie Osmond. Go back and watch the old SNL skit where Julia Louis Dreyfuss and some male cast member, I don't remember who (ed note: it was Gary Kroeger), play the Osmonds, and they're singing so sweetly to each other, they start to make out. That's what I fear with EchoSmith.

I'm just fed up with today's music I suppose. But, these bands will never be remembered for making great music, or even decent music. They will become trivia questions at companies trivia nights. Their sound has no staying power. They will never, ever be mentioned in the Greatest American Band Debate, except for today, and I'm trashing them. In ten to fifteen years from now, I won't come back to this topic and talk about any of these bands. So, what does this say about American music and radio right now? I guess, if I had to give an answer I'd say, that we are in a bad place right now with "pop" music. We don't have any CCR's or Talking Heads or Sugarhill Gang's to listen to and that's a shame. Step your game up pop bands and start making better music.

Please.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man podcast. Every morning he turns on his radio and has hope. Within in 5 minutes his hope is replaced with dread. Follow Ty on twitter @tykulik.

The Greatest American Band Debate: Outkast

For the Greatest American Band debate today, I'm nominating Outkast.

Outkast is probably my second favorite rap group, behind A Tribe Called Quest. For those of you out there complaining that two people don't make a group, two or more is the definition of a group. You need at least two people to form a group, and Outkast found two of the coolest, most innovative rappers and musicians. Outkast started in 1992 in Atlanta, Georgia. Andre 3000 and Big Boi met each other at a mall, and their connection was immediate. They both like the same kind of music, and had grown up in the same type of households. Little did they, or any of us for that matter, know that their music would cross generations, have tons of hits, win a shitload of awards and become classic. They were just two young dudes that liked to rap.

As I said before, they formed Outkast in 1992, but they didn't put out their first album until 1994. In 1994 they put out "Southernplayalisticaddilacmuzik". Say that three times fast. This is a phenomenal debut. The songs on this record allowed both Andre 3000 and Big Boi to shine. You could hear, early on, that they both had very unique, almost unheard of styles of rapping. Take a song like "Players Ball" off this album. In this song, you can hear Andre 3000's love for funk come through not only in his rapping, but also in the music put to the verses. "Players Ball" also gave us the hard, almost gangster style of rap from Big Boi. He had a much gruffer flow, but paired together with Andre 3000's smooth delivery, it was perfect. Another great song on this album is the self titled "Southernplayalisticadillacmuzik". This song is an homage to funky, dirty rap music. The chorus is awesome and both members are outstanding rapping on this song. "Southernplayalisticadilacmuzik" is the gateway to how groovy, funky and nasty, in a good way, that Outkast would eventually become. The song "Hootie Hoo" off this record is Big Boi at his absolute best. This is a straight forward rap song, none of the funkiness is needed from Andre 3000, and Big Boi demolishes this song. I feel that Big Boi was at his absolute best on this album. That's not to take anything away from him on subsequent records, he's great all the way through, but he's best on "Southernplayalisticadillacmuzik".

In 1996 Outkast released their second album, "ATLiens" to critical acclaim. The fans love this album too. One of their biggest hits is on this album, "Elevators (Me and You)". This song is absolutely incredible. Big Boi and Andre 3000 each do their own thing to perfection, and the chorus "me and you, your momma and your cousin too, rolling down the strip on fours, coming back with the Cadillac doors" is so cool and so memorable. This song was my jam in middle school. You also get "Jazzy Belles" and "Wheelz of Steel" on this record. "Jazzy Belles" is when Andre 3000 kind of took a step forward and became the "leader" of Outkast. This song is all him, written and mostly performed by only him and it's fantastic. "Wheelz of Steel" is more in Big Boi's wheelhouse. It's another straight ahead rap song that Big Boi crushed. You could see early on that each had their own style, but they knew how to blend together really well.

In 1998 we got, what I consider, to be the first truly great Outkast album, "Aquemini". The songs are great on this record, but I want to take a second to talk about the album artwork. This is one of the coolest covers to an album that I've ever seen. It's like they painted a picture of the two of them in the gaudiest, most ridiculous outfits, but only a band like Outkast could've pulled it off. Andre 3000 is shirtless, wearing a turban on his head, and Big Boi is literally dressed like a pimp, in a green three piece suit, top offed with a feather in his hat. Now the songs. On "Aquemini", we got the classic, "Rosa Parks". This song is so awesome. The video was cuckoo bananas, but the song is great and the chorus is wonderful. Say what you will about Outkast, those guys can write a catchy hook. You all know it, "ah nah, hush that fuss, everybody move to the back of the bus". It's so, so cool on so many levels. Rosa Parks was so offended by the language in this song that she sued Outkast, but they settled out of court because they explained to her that the song was an homage to her courage. We also got a song more in Big Boi's tone with "Skew It on the Bar B". It's another run of the mill rap song made ten thousand times better by Outkast. This song also has another great chorus. The song "Spottieopiedopealicious" off this record is where my love for Outkast became real to me. This is the funkiest rap song I've ever heard. It's got great, funky backing music and it's a story, not a song. This song showed me a completely new style of rap that I didn't think existed. I love this song and any time it comes on my iPod, I turn the radio up.

Outkast next album is the greatest album of their illustrious career. In 2000 they put out "Stankonia". This was my jam in high school. When this record came out, it was all I listened to on my way to and from school for almost a year straight. Every song on this record is a classic. We all know the hits, "So Fresh, So Clean", "B.O.B" and "Ms. Jackson". These songs are great. "So Fresh, So Clean" became the anthem for me and the entire football team. Another great chorus, that I still sing to this day, and both Big Boi and Andre 3000 do their thing on this track. The guy that sings the chorus sounds like a 21st century Barry White. This song is incredible. "B.O.B" is like a great rock song. There's heavy guitar and both members are rapping so fast, I had to look up what they were saying. This is a great song to listen to while working out, or if you need to be pumped up for something. "Ms. Jackson" may be Outkast's most recognizable single. Everybody knows the chorus and when Andre says, "wooooooo, I AM FOR REAL", everyone sings along with him. This song has their best chorus of any song they've ever written. While all three of these are classics, I really enjoy the first track on the album, "Gasoline". This is another rap song that has the heavy guitar and faster rapping on it. It's like a rock and roll song, but better because of the way Outkast performs it. "Stankonia" is on the Mount Rushmore of albums for me.

With rumors swirling after the release of "Stankonia" that the band was breaking up, they put out a double album in 2003 that allowed the two of them to put out solo records, but release it under the name Outkast. "Speakerboxxx/The Love Below" was an excellent experiment by Outkast. I will admit, I've only listened to "Speakerboxxx", Big Boi's "solo" album, maybe three times all the way through. It isn't that good in my opinion, and I feel like Big Boi only did it as a favor to Andre 3000. But, "The Love Below" is an absolute masterpiece. Songs like "Prototype", "Vibrate", "Roses" and the mega hit, "Hey Ya" are classics. "Prototype" has Andre 3000 playing an electric guitar and singing a love song. "Vibrate" is an experimental hip hop song that I guarantee inspired Flying Lotus to do music. "Roses" is a collaboration with Andre and Big Boi. Very good chorus and very good vocals. The video for this song is cool too. And of course we got "Hey Ya" off this record. If you don't know this song, you've been living under a rock for the past decade. "The Love Below" proved to me and the rest of the world that Andre 3000 was the genius that Big Boi needed when Outkast started and that Andre 3000 is extremely talented.

After this record, each member went their own way. Big Boi acted a bit, but he has kept to himself for the most part. Andre 3000 is a bona fide star now. They did make another album, the soundtrack to their movie "Idlewild". This soundtrack is fine, but it's nothing compared to their previous work. The movie is okay as well, but not great. Outkast has won several grammys and many, many other awards. They each are able to do their own things now and do them successfully. They had a great run as a band and released some of the best rap music to date. For these and many other reasons, Outkast belongs in this conversation. I will be forever indebted to them for introducing me to funky rap music and "dirty south" rap music. I love Outkast and I hope the rumors of a reunion tour are true. They got back together in 2014 and performed some shows, but I want then to do a new album and tour the country. One can only hope.

Thanks Outkast, thank you for all the great music.

Ty

Ty is the Pop Culture editor for SeedSing and the othert host of the X Millennial Man podcast. He has many other rap artists to nominate, but is curious about your Greatest American Band. Join the debate, then follow Ty on twitter @tykulik.

The Greatest American Band Debate: The Sugarhill Gang

SeedSing is filled with music lovers. We can not agree on who is the best band from the States. The Greatest American Band Debate will be a regular feature where we discuss and compare bands who started in the good old USA. If you have any suggestions of bands we should debate Contact us seedsing.rdk@gmail.com

For Seedsing's Greatest American Band debate, I'm going to nominate a group based solely on one song.

That may sound weird, or even unfair, but this one song started a revolution of great, great music that, had these guys not put this song out, we may have never had. The band that I'm going to nominate today is Sugarhill Gang. We all know their famous song, "Rapper's Delight". This is the one song that I'm speaking of and will be the basis of my blog today. In 1979 three guys, Master Gee, Wonder Mike and the now deceased, Big Bank Hank, started a rap group in New Jersey. All three of them had their own rapping style, but combined, they made one of the most influential and greatest rap songs of all time. Without these three, and their producers and business people that were around them, we never would have gotten rap music. Some may argue with me and claim that Blondie's "Rapture" was the first rap song, but it's not. "Rapture" came out in the early eighties and "Rapper's Delight" came out in 1979. Blondie was not a rap group as well. Blondie was a rock group that happened to have Debra Harry "rap" on one song. It gained commercial success because Blondie was a great band and Debra Harry was very pretty. But, had "Rapture" been the stepping off point for rap music, we would've never gotten some of the greats that we now have or had. "Rapper's Delight" and Sugarhill Gang made rap accessible to everyone. This song crossed generations and races of all kinds. Talk to anyone you know, be they a fan of rap, rock, reggae, blues, jazz, any type of music and I guarantee they all know at least one line from "Rapper's Delight". This song is one of the greatest songs of all time. Not just rap, I'm talking any genre of music.

Sugarhill Gang was composed of the three guys I mentioned before. They were all free style rappers, but they didn't really know how to put their music on a record. In the late 70's, rap was not a thing. It hadn't been invented yet. Some producers heard what these guys were doing, and they wanted to put it on record so everyone could hear it. They just didn't know how to put music to what they were doing. Some genius decided to use a sample from a Chic song and the idea of sampling and rap was born. The Chic song they used was "Good Times". It had a constant beat that went throughout the whole song. The producers isolated this music and had the members of Sugarhill Gang put their rap verses to the music. "Rapper's Delight", and for all intents and purposes, rap music was born.

"Rapper's Delight" is, by far, the longest rap song that I've ever heard. It comes in at just around 8 minutes. How crazy is that?"! A rap song lasting for 8 minutes is unheard of, unless we're talking Wu Tang Clan which I'll write about on another day. The length of the song allowed each member to truly shine. We, the audience, got to hear these three emcees do their thing. They were incredible, and no one knew what to call this music. People were amazed at what these guys were doing. They brought the world and the US a new style of music. What made it even more crazy was the fact that there was no hook or chorus. When each rapper took his turn, they spoke the famous lyrics, "I said a hip hop, the hip to the hop you don't stop, rock the bang bang boogie, the up jump the boogity beat". Those are the first real verses of rap music ever recorded. This song was so popular, it was the first rap song to reach the Billboard Top 40. It was lightening in a bottle. 

I was born three years after the song came out, but "Rapper's Delight" was my ipso facto introduction to rap music. To hear what these three did was incredible. I didn't hear the song until the nineties, I was a teenager, but even back then, I understood the importance to rap music that this song had. Without this song, I would never had listened to Notorious B.I.G or Jay Z or A Tribe Called Quest or even rap groups like Outkast. You can go back and watch or read interviews with the vast majority of rappers and rap groups and they will all cite Sugarhill Gang and "Rapper's Delight" being one of their gateways to rap music.

As I said before, this song crosses many, many generations. The first person to tell me and have me listen to this song was my father. He's 32 years older than I am. I have a three year old son and I will put "Rapper's Delight" on in the car and he will mumble the lyrics I wrote before. So, just between three people, myself, my father and my son, we all know the song. That's a 64 year old, a 32 year old and a 3 year old. Tell me one other song that does that. Another great thing about Sugarhill Gang as a group, they're clean. They don't use any swear words and their albums are family friendly. That's almost unheard of in a lot of music today. I love that I can play "Rapper's Delight" with my son in the car. He likes the song and it gives me a chance to listen to something other than children's music. Don't get me wrong, I like that the kids music helps my son learn, but I'd much rather listen to "Rapper's Delight" than the ABC song again.

Sugarhill Gang put out five albums, but nothing came close to the greatness that is "Rapper's Delight". Their other stuff is decent, and they even made a kids rap album, but "Rapper's Delight" was their peak. What a great peak to have though. They are responsible for creating an entire genre of music. The music they created, rap music, may be the most popular music there is today. They are still performing today with the two surviving members and some other friends of theirs. That's pretty incredible that they are still out there doing music. They've even scored some top 100 hits, but it's all overseas.  

With one single song, Sugarhill Gang created rap. That's reason enough for me to nominate them in our debate. They may be more of an influence, which I've written about, but they created "Rapper's Delight", therein creating rap. They belong on this list for that reason alone. Go out, after you read this, and listen to "Rapper's Delight" and be grateful that they created this song. Without Sugarhill Gang, we wouldn't have rap and without rap, we wouldn't have some of the greatest music there is today.

Thank you Sugarhill Gang. You guys belong in the Greatest American Band debate.

Ty

Ty is the Pop Culture editor for SeedSing and the co-host of the X Millennial Man podcast. When he was little, Ty thought hip hop was what a rabbit listen to. Follow Ty on twitter @tykulik.

The Greatest American Band Debate: A Tribe Called Quest

We've been doing our Greatest American Band debate on the website for a little over three months now. We've discussed many great bands, old and new. Some are hugely famous, others a little more underground. What dawned on me this weekend though, we haven't discussed any hip hop/rap groups.

That's a shame.

Hip hop/rap is the only type of music that is truly American. It originated in the US and, only about 10 years ago, did it start to come from overseas. There's a plethora of rap groups that I will be writing about over the next couple of months, one every week to be precise, and today I'm going to start with my personal favorite, A Tribe Called Quest. Tribe, which I will call them the rest of this piece, was the first true hip hop group that I was exposed to that was good. I listened to people like Puff Daddy and Mase and Onyx, but those were all pretty terrible rappers. Puff Daddy is a genius producer, but a not so good rapper. Mase was cool for a minute, but he went into some weird tail spin and I believe he's a preacher now. Onyx had one really good song, "Slam", but in preparation for this blog, I listened to it again, and sadly it doesn't hold up. Puff Daddy did introduce me to the GOAT, Notorious B.I.G., but he's a solo act, so he's out of this discussion.

Once again, my oldest brother, the same one that introduced me to the Velvet Underground, introduced me to Tribe. They were like nothing I ever heard before. They had a smooth, jazzy sound. But, they also were phenomenal rappers. Q Tip was the smooth operator of the group. He had a soulful, yet political consciousness that spoke to me. He delivered his lyrics with ease. He was/is such a good rapper, he made it sound easy. It's like watching a really good NBA player, someone like Magic Johnson, who is so good, they make it look easy. I can't do the things they do, but they make it seem possible. Phife Dawg came at you like a canon. After one of Q Tip's verses, Phife would come in and blow you away with his intensity and, almost angry, delivery. He was the perfect compliment to Q Tip. One was smooth(Q Tip), the other would punch you in the gut(Phife). Ali Shaheed Muhammed was a fantastic DJ, and when he did rap, he was decent. Ali Shaheed was more of the voice of reason in Tribe. He kept them going, even when times were rough. I'll touch on the rough times later. Ali Shaheed clearly just wanted to make music. He didn't want to argue and fight and gripe with the band, he just loved music. Look at the work he's done with D'Angelo or TLC or Tony! Tone! Toni!, the guy is a musical genius. They had a fourth member, Jarobi, but he only appeared on their first album, and he was, for all intents and purposes, their hype man. Jarobi and Phife still remain close friends to this day, so, for that reason alone, he deserves mentioning when talking about Tribe.

All three(four if you want to count Jarobi) were great as a group. They knew what each of them excelled at and they capitalized on that knowledge. In the long run, they grew to hate each other(really Q Tip and Phife hated each other, Ali Shaheed just wanted to make music like I said earlier) because with genius and ego comes jealousy. Q Tip and Phife were both so great at what they did, I think they both grew suspicious of each other and that's when the infighting started. These fights led to the demise of the band, they would reunite for four years, but I will talk about that later, and they only made four albums. But, those four albums are fantastic. Their debut album, "People's Instinctive Travels and the Paths of Rhythm" is groundbreaking. I'd never heard anything like this ever before. You had four guys interweaving jazz grooves with hip hop beats and two of the best rappers to ever walk this Earth. Talk about coming out of the box and crushing a grand slam. This album put not only the hip hop world on notice, but all of the music business started to pay attention to Tribe. This is not only one of the best rap albums of all time, it's one of the best albums of any kind of music ever made. On this album, you can hear the influence it had on other hip hop bands like Digable Planets or Dilated Peoples. Without "People's Instinctive Travels and the Paths of Rhythm", we would never have had those groups. Sophomore albums are usually a step down from debuts, but not in Tribe's case. Their second record, "The Low End Theory" was not a slump, it was a revelation. This is, in my opinion, the greatest rap album of all time. Q Tip was always the leader, but Phife took a huge step forward and became an unstoppable force on this record. They took all their jazzy beats and bumped it to a whole other level. They matured and became better rappers than I ever thought they could be. This is a must own album for all music lovers out there. Even if you don't like rap, you'll like "The Low End Theory". It's music for all different music lovers. After this album is where the fighting started for Tribe. As I said, Phife started to become a force and I don't think Q Tip liked that. It may sound like I'm being too tough on Q Tip and, yes, Phife is my favorite of the group, but that's not the case. I just think that two geniuses will eventually grow to dislike each other when they spend that much time together, and that's what happened. They still made two more albums though. "Midnight Marauders" is a really good record. The story goes, they were fighting so much that each of them recorded in their own studio, but when you listen to this record, it sounds like Q Tip and Phife are standing right next to each other in the recording studio. This is also the album where Ali Shaheed got to do some rhyming. He was pretty good too. They recorded one last record, "The Love Movement", but you can definitely tell that they were ready to be done with each other. It's still a really good record, but you knew it was going to be their last. They put out four great, classic albums in a short amount of time, and I didn't even get to some of the songs on these records.

In fact, let's do that now. Songs like, "Buggin Out", "Bonita Applebum", "Can I Kick It", "I Left My Wallet in El Segundo", "Award Tour", "Oh My God", "Steve Biko(Stir it Up)" and many more are classics. "Buggin Out" is when Phife busted out on the scene. Go listen to his verses in this song and be amazed at how awesome he is as a rapper. He is great. "Bonita Applebum" might be one of the greatest love songs I've ever heard. If it wasn't so dirty, I'd want it as my first dance at my wedding(full disclosure, my first dance song at my wedding was "Sea of Love", a great choice in my opinion). "Can I Kick It" might be one of the most quotable songs of all time. Wherever I'm playing sports with my son and we have a ball that we are kicking, whenever he says, "Can I kick it?", I say, in my best Tribe impression, "Yes You Can!". That song is awesome. "Oh My God" is the best kind of ear worm you can get. I hear that chorus and the rest of the day, I'm singing that in my head and out loud. "Steve Biko(Stir It Up)" has one of the coolest grooves in a rap song that I've ever heard. Q Tip is his smooth self on this song and he delivers his lyrics like a god damned pro. "Award Tour" is my favorite Tribe song. The verses and the chorus are awesome, both Phife and Q Tip shine, and they give a shout out to their main man, Ali Shaheed Muhammed, throughout the whole song. It's a really, really good song. There's many, many more songs I could talk about, but these are my favorites, and the ones I listen to the most.

As I've said before, they fought a ton, but they did reunite for a brief time in 2004 until 2008. They played sold out venues and sold out festivals. Fans were eager to see them live, and for the most part, they delivered. Go watch the excellent movie, "Beats, Rhymes and Life: The Travels of A Tribe Called Quest" directed by super fan and actor Michael Rappaport, and you'll see them reunite, but you also see the fights that were going on, specifically between Q Tip and Phife. This is a really good movie about Tribe and it's a must see for all fans. All of the members went on to solo careers, but Q Tip is/was by far the most successful.

Before I give my closing thoughts on Tribe today, I also wanted to mention that they were contemporaries with Busta Rhymes, Common and the great De La Soul. These two bands and two solo artists grew together at the same time. How crazy is that. Tribe is one of the greatest bands of all time, not just in hip hop/rap, but in all music. A Tribe Called Quest is, by far, one of the Greatest American Bands and they absolutely belong in our conversation. The things I've written and many, many more reasons are why I nominate them today.

Tribe rules.

(ed note: A Tribe Called Quest has also not been inducted into the Rock and Roll Hall of Fame. What they hell is wrong with the hall?)

Ty

Ty is the Pop Culture Editor for SeedSing and the co-host of the X Millennial Man Podcast. At one time Ty was rocking some series dreds, he now rocks a bald spot. Follow Ty on twitter @tykulik.

The Greatest American Band Debate: The Cars

We all have a soundtrack to our lives. There are songs we hear that immediately transport us back to a certain time in our life. These songs are not always considered great by the critics and keepers of pop culture, but they have strong personal feelings. Everybody born before 1980 can sing the first few bars of the song Alex P. Keaton hears when he thinks of Ellen. I had no idea who sang that song, or what it was called. (Billy Vera and the Beaters, At This Moment. Now you know, it that is half the battle.) Music is the closest thing we have to time travel. Sometimes we hear a song, and we are transported to a time long forgotten.

The Cars created some of the greatest memories with their incredible music. The band was able to build these memories by making some of the greatest music to come out in the early 1980's. Ric Ocasek and his sound is iconic, but he was not a solo artist.  The Cars were a band who went through many previous incarnations with new members being picked out of other small local bands until an influential sound could be created. Ocasek first picked up bassist Benjamin Orr in Cleveland and headed to Boston. Once in Boston the duo added and subtracted many members until the Cars were formed with Ocasek, Orr, Elliot Easton on guitar, Greg Hawkes on keyboards, and David Robinson on drums.  The synth heavy, new wave sound of The Cars helped move the nation away from disco. The bands first two albums, The Cars and Candy-O both brought the band great success, but their eternal greatness was going to be how The Cars music was brought to the masses visually.

On August 1st, 1981 MTV launched and created a new trajectory for popular music. Well regraded musicians who did not have a good look, such as Christopher Cross, were suddenly being left behind. The pretty bands like Duran Duran and Flock of Seagulls (???) were now taking over your screens and speakers. The Cars were one of the first bands to understand that great music videos could complement great music. They were already commercially and critically successful with their sound, now The Cars were gaining a new level of fame with their videos. At the very first MTV Video Music Awards, The Cars took home the top prize for their video for "You Might Think".

The Cars already had the great music, they now were considered the best music video artists. Incredible music and mind blowing videos is not how an entire generation will remember The Cars. In 1982 the film Fast Times at Ridgemont High opened and left its mark on all of generation x. Writer Cameron Crowe and director Amy Heckerling created iconic characters, and produced one particular scene that would hit a bit close to home for many of the audience. (link kind of NSFW). The iconic music used for this memorable scene was the song "Moving in Stereo" by The Cars. Like the Alex Keaton sad song, Phoebe Cates coming out of the pool song has been planted in our brains and created a moment we will never forget. The red bikini, the exit from the pool, the slow walk, the embarrassment, all to the voice and bass of Benjamin Orr with backing from the rest of The Cars. Anyone born before 1980 knows that scene, and they know that song. The Cars created an everlasting memory.

The Cars broke up in the late eighties, and bassist Benjamin Orr succumbed to pancreatic cancer in 2000. There have been a few different line-ups touring under The Cars, mostly playing iconic hits from the bands greatest days. In 2010 the living founding members of The Cars reunited, recorded a new album, and went out on tour. It is down right criminal that The Cars have not been inducted into the Rock and Roll Hall of Fame. The keepers of the hall need to correct this oversight. The Cars created a sound for a generation.

In crowning the Greatest American Band, we get caught up in who made the most popular music, and we forget to give credit to the bands that are timeless. The Cars may not be the most popular, although they did pretty good at selling records, but they were unforgettable. When I listen to The Cars Pandora station, there is recognizable hit after hit. The moment "Moving in Stereo" comes on I am transported. Over thirty years later I can feel the excitement, and the embarrassment at the same time. That is true greatness.

RD Kulik

RD is the Head Editor for SeedSing. He hopes now that the Rock and Roll Hall of Fame has no more Beatles to induct, maybe a deserving band like The Cars can get some love. Nominate your Greatest American Band and write for SeedSing.

Ty saw Ratatat live, and you should too

Delivering the best in electronica

Last night I saw Ratatat at the Pageant in St. Louis and it was a really excellent show.

I bought the tickets last month while on vacation in the UP of Michigan and the excitement had continued to build for the entire month of August all the way to last night. I usually don't get too excited for concerts like I used to. When I was a teenager and in my early twenties, I'd buy tickets in advance and constantly think about the upcoming show. I would be on razors edge by the time the show came around. It was not a great way to go to shows because I felt like I was too amped up when the concert finally happened and, while the shows were usually great, I didn't enjoy the experience as much as I should have. As I've gotten older, I don't get overly excited until I'm at the show. Last night, I found a happy medium between my two selves. I was very excited, but I've learned to temper expectations until after the show when I can really critique it. What had me more excited than normal was the fact that I'd never seen Ratatat before. Most shows I go to now, it's bands that I know will be good, or great. I don't have the time to go check someone out live that I only know a few songs, or have never heard of. I'm getting to old to discover new music live. I prefer to listen to someone on record many times before I commit to seeing them live. Ratatat brought out old feelings in me. I was excited to see a band for the first time. Full disclosure, I've listened to their records a TON and I knew exactly what I was getting into, thus making the decision to go easy. I brought my brother Seth along. He's the one who introduced me to the band and he's closest in age to me, being only four years older than me. What made the anticipation greater for me, Seth goes to a lot of live music, he's seen somewhere in the thousands of live shows, but he'd only seen Ratatat once, seven years ago. He was, for all intents and purposes, as new to them as I was.

Let's get to the show. The opener was one guy that called himself Hot Sugar. We arrived late to the show because, unless it's a double bill, I don't care for openers. They're usually boring and are only on the tour because they're on the same label as the headliner. We walked in during his first song, listened for about 2 minutes and went outside. We re-entered the venue when he was playing his last song, heard about another two minutes and he was off the stage. So, four total minutes of Hot Sugar and that was all I needed to hear to know I didn't care for his music. It was ambient DJ music, I bet if I stayed for his whole 40 minute set, I could've taken a cat nap. But, openers don't really matter, let's get to Ratatat. Their set started with a big projection screen that had Ratatat written in big block letters. The music playing sounded like something out of Star Wars and the block letters were shooting off fireworks. The band finally emerged and for an hour and a half, they crushed. Their set ran the gammit of their albums. They played songs off of all their albums. They opened with "Pricks of Brightness" off their new album "Magnifique". It was an awesome way to start the show. The lead guitarist shredded and his band member played a really heavy, chest thumping bass line. The set only got better from there. Other tracks off "Magnifique" included an excellent version of their six and a half minute epic "Nightclub Amnesia". They played the slower, what I call their "Mario Bros" water level song, "Magnifique". They played their single "Cream on Chrome" and my favorite song off the new album, "Abrasive". It was great to hear these songs since they're so fresh in my head. But, as I said earlier, they played songs off all their albums. Other standouts were, "Wildcat", "Shempi" and "Loud Pipes". "Loud Pipes" was pretty great. They played a bit of guitar, but both members of the band ditched their guitars for a couple minutes and banged away on the drum that each had set up in front of them. The same can be said for "Shempi". Both songs have guitar in them, but they focus more on the drums and it was a nice change of pace from the majority of the show. "Wildcat" is a classic Ratatat song. When you hear the cat's growl, you know it's on. That song is incredible live. What I was happily surprised by, they played "Seventeen Years". It was their first of two encore songs. This was the song that introduced me to Ratatat. I didn't know that "electronica" music could be guitar driven, but "Seventeen Years" proved me wrong. It was AWESOME live. I was so, so happy to hear this song last night. It's my favorite Ratatat song and it's always nice when a band you like plays your favorite song at a live show.

The songs were great, but the show going on behind them was just as cool. They had a big projector behind them and two flat screens on the side of the stage. Random images were shown on these devices throughout the show. We saw lions, birds, old sculptures and an eight armed running baby. The lead guitarist would stand in front of the projector screen when it was white and we got to see his shadow throwing down on guitar. It was pretty great. The light show was awesome too. They had a ton of reflective lights and pulsing white and orange lights throughout their set. The light show we got during "Nightclub Amnesia" was exceptional. I felt like I was in a disco in the 70's, but in a good way. The two guys in the band also provided me enjoyment. They each stood, at various moments, with their legs spread about a foot apart and proceeded to play their instruments phenomenally. My only gripe with the concert had to do with the venue. I love the Pageant, but the balcony was closed and the 21 and over area was packed. When we were in that area, I felt like a sardine in a can. It was very uncomfortable. Thankfully, Seth suggested we move to the under 21 section, since neither of us were drinking, and it was our best decision of the night. No gripes with Ratatat, just with the choices the venue made.

This was an excellent show and I'm extremely happy I got to see Ratatat live. They were on my concert bucket list and I can now cross them off. I will see them any other time they come to St. Louis. They were that great. So, if Ratatat comes anywhere close to you and you're a fan, see them.

It's well worth your money.

Ty

Ty is the Pop Culture editor for SeedSing and the co-host of the X Millennial Man podcast. If you come to St. Louis to play a show, Ty will be there in the under 21 section to do a review. Follow him on twitter @tykulik.

The Greatest American Band Debate: Creedance Clearwater Revival

For the Greatest American Band debate, I nominate Creedance Clearwater Revival this afternoon.

I know, it's probably pretty weird for a millennial to nominate CCR, but I just recently got into their music, and these guys were awesome. Hell, John Fogerty is still making pretty good music. I think the main thing that drew me to CCR was their sound. These were four Californians, but their music sounded like they were from the bayous of Louisiana. I love how gruff and raw their music sounded. The best thing I read or heard, I don't remember exactly, was, someone called their music "swamp rock". It was really bluesy and had sounds of rock and roll, but that "swampy" sound with the guitars and John Fogerty's vocals was a perfect description. I love that their music is referred to as "swamp rock".

This is another classic American rock band that only stayed active, meaning the original four founding members, for five short, but very productive years. They put out seven albums in five years. That's unheard of nowadays. You're lucky if you get two albums in two years from your favorite band or musician now. Hell, it's almost expected that a group will take two to three years off after each album. The fact that CCR had that many albums, four of them recognized as some of the best rock music ever, in that short period is very, very impressive.

Now let's look at what puts CCR in this discussion. The members of the group include, Tom and John Fogerty, Doug Clifford and Stu Cook. We all know who John Fogerty is. He was CCR's lead singer, guitarist and wrote every single lyric and instrumentation of every CCR song. His brother, Tom, was the rhythm guitarist. He's the Fogerty that we all only know for one reason which I'll touch on later. Doug Clifford was the drummer and Stu Cook played bass. I think we all can agree that John Fogerty is head and shoulders above the other members of the band, but this band wouldn't have been so famous had it not been for the other three members. Tom Fogerty was the rhythm guitarist, and contrary to popular belief, they're important. They keep the timing for the band just as much as the drummer. Tom Fogerty was crucial to their sound as well, because he loved old blues music. He brought them inspiration for their sound. Stu Cook brought the gruff, distorted bass sound to this swampy music. He's really good and next time you listen to CCR, try and just listen to the bass, he's really incredible. Doug Clifford on drums was awesome. He also kept time for the band, but his drumming on songs like "Born on a Bayou" or "Fortunate Son" are great.  The albums they released, as I said earlier, are prolific and they busted them out. Seven in five years. They started in late 67 early 68 with their debut album titled, "Creedance Clearwater Revival". This is a great debut. They did take one year off, but in 1969 they had one of their most prolific periods of new albums and new music. They put out three albums in 1970, "Bayou Country", really taking off with the swamp rock sound, "Willy and the Poor Boys", showing their blues roots and the classic, "Green River", this album showed the band melding all their sounds into one and making an epically awesome rock/blues album. They took a much deserved rest and in 1970, they put out two phenomenal albums. In 1970 we got "Cosmos Factory" and "Pendulum".  "Pendulum" is a really good rock and roll album. In fact, this is their most basic rock album, in my opinion. "Cosmos Factory" is great on so many levels. This is, by far, my favorite CCR album. This album is much like "Green River", melding all their styles into one, but it's better, because the band had been playing together for awhile then and with the same members and comfort in each others musical ability, they were able to make their best music. "Cosmos Factory" is a must for CCR fans and for rock fans in general. This album is awesome. In 1972 they released their last album with the four founding members, "Mardi Gras". This album is okay, but you can tell that they were beginning to grow weary of each other. That much time together with the same people that aren't family or loved ones will take it's toll on a lot of people.

Back to the great albums and some of the songs included in these albums. CCR has a TON of hits. Songs everyone knows like, "Fortunate Song", "Bad Moon Rising", "Lodi", "Run Through the Jungle" and "Travelin Band/Who'll Stop the Rain". The early hits, "Fortunate Son" and "Bad Moon Rising" are great, anti war songs. Something some people may not know is, the members of CCR were veterans and after they returned home, they became the first, real protest band. They hated the war and told anyone within ear shot why the war was wrong through song. I love this about them. In a time where it was frowned upon to talk down to authority, they fought authority and used their platform, music, to fight it. "Lodi" showed a softer side to the band. This is a quieter song abut being stuck in one place at a certain point in your life. It's a really cool change of pace. "Run Through the Jungle" has one of the coolest sounding guitars I've ever heard on record. The riff sounds simple, but that doesn't make it any less awesome. It's so cool. This song really shows off John Fogerty's guitar playing ability. "Travelin Band/Who'll Stop the Rain" was the bands way of getting two songs on a single record. They're both great, memorable songs. Really smart idea by CCR too. Pack more music on a record for the fans. CCR also did a good amount of cover songs. Their version of Marvin Gaye's "Heard It Through the Grapevine" is a ten minute epic swamp rock song. They took a 2 minute R&B song and turned it into this ten minute swampy, bluesy rock and roll song. They covered Roy Orbison's "Ooby Dooby" note for note. This was them thanking one of their influences. When they first exploded on the scene, a song a lot of fans liked was their version of Screamin Jay Hawkins "I Put a Spell on You". This is a classic blues tune, but they put their twist on it, and it's really good. Many people think CCR covered the Ike and Tina Turner classic "Proud Mary", but this was an original CCR tune.. Their covers are almost as good as their originals. That takes talent in my opinion.

CCR also had problems with each other and other bands. They famously said about the Grateful Dead, while following them at Woodstock, that they, and I quote, "put audiences to sleep with their music". I don't like the Grateful Dead personally, so I find this very funny. More notably, they didn't get along with each other after they released "Mardi Gras". John Fogerty didn't really like anyone in the band, but he and his brother Tom fought the most. They went so far as to break all communication off with each other and didn't ever speak to each other again. Tom Fogerty died in the 80's due to complications from AIDS and John Fogerty never got any real closure with his brother. That's a bummer. John Fogerty also has the famous court case where he was sued by his former record company for sounding too much like John Fogerty. When he signed , as a young, dumb kid, he signed all his rights away. The record company basically had a strangle hold on all of CCR's music, but he must have had some damn good lawyers, because he won the case and now has all the rights to his own music. The fact that this record company sued him shows how big of dickheads record executives are. They don't care about music, they care about money. Fights, or "beefs" like these are now common place in music, but CCR was one of the first bands to openly fight like this. You may disagree with me, but that tells me they're an American band. They were inducted into the Rock and Roll Hall of Fame in 1993, but they dislike each other so much, they wouldn't play together at the ceremony. As I said earlier, John Fogerty is still making music today, but don't expect any kind of reunion with the rest of the living members of CCR. According to a recent interview, John Fogerty was asked if CCR would ever reunite and he said, "I'd be up for it, but I don't think the other guys want anything to do with me anymore". Sad, but also, that's bands for you. One minute they love each other, the next they hate each other. I love CCR and their five year run is unparalled. They deserve and belong in our debate. The above reasons are why I'm nominating them. Creedance Clearwater Revival is awesome and will forever be credited with creating a new brand of music, "swamp rock".

That's pretty cool in my book.

Ty

Ty is the Pop Culture editor for SeedSing and the co host of the X Millennial Man podcast. If his car gets stolen he is holding our hope that the cops can find his Creedance tapes. Follow Ty on twitter @tykulik.