SeedSing's Advent Calendar of Awesome Holiday Music: Day 12 - Have Yourself a Merry Little Christmas

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ed note: This article was originally published on December 12th, 2015

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we will present a new awesome holiday song for every day of Advent. This is the greatest music of the season. Enjoy.

Day 12: Have Yourself a Merry Little Christmas performed by Judy Garland

Opened Doors: OneTwoThreeFourFiveSixSevenEightNineTen, Eleven

There are a few cultural icons produced by the 1944 film “Meet Me in St. Louis.”  For example, it’s where Judy Garland met Vincente Minelli, thus creating Liza.  I had a film TA in college who theorized that the film inspired “Night of the Living Dead.”  But the one I care about the most is that staple of treacly holiday radio, “Have Yourself a Merry Little Christmas.”

A great many BAD versions of this song have been produced.  James Taylor has brought his special brand of anodyne blandness to it.  I once heard a bowdlerized version of it that replaced the word “fates” with “Lord.”  I guess the original line is just too pagan.  I’m sure it’s only a matter of time until Taylor Swift yell-sings her way through with her trademark lack of vocal subtlety.  (To whomever decides these things, I would happily pay $1.29 to hear Josh Groban do it.)  But Judy Garland’s lovely, heartfelt original is one of the finest pieces of Christmas music ever produced.

A great many of our holiday standards are unabashedly joyful.  Those are fine, I’m happy to hear “Silver Bells” and “This Christmas.”  But my favorite pieces of holiday art are the ones with a touch of melancholy about them, like A Charlie Brown Christmas.  To me, as a non-religious person, the holiday season is about finding light during the darkest time of year.  Most religions have a similar holiday, usually around the winter solstice.  Christmas, Hanukah, and Diwali, for example, are all about miracles and triumphs that chase away the darkness (metaphorical and otherwise).  Whether it’s baby Jesus born to bring hope, or lighting the way for Rama after his defeat of evil, it’s basically the same idea.

In Meet Me in St. Louis, the song “Have Yourself a Merry Little Christmas” is sung by Esther to her youngest sister Tootie after they learn they are leaving their St. Louis home for New York.  The song is Esther ostensibly trying to comfort Tootie by assuring her they will always have Christmastime to come with their loved ones, in person or in spirit.  But Esther is really singing about her own sense of loss at moving, and trying to remind herself that there will be joyful times in the future, even if all is bleak right now.  We can all use that reminder some years.

A very merry whatever to all!

Tina S

Tina is a sometime contributor to SeedSing and occasional guest of the X Millennial Man podcast. One time we even let her host the show.

 

SeedSing's Advent Calendar of Awesome Holiday Music: Day 10 - It Feels Like Christmas

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ed note: This article was originally published on December 10th, 2015

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we will present a new awesome holiday song for every day of Advent. This is the greatest music of the season. Enjoy.

Day 10: It Feels Like Christmas by Paul Williams

Opened Doors: OneTwoThreeFourFiveSixSevenEight, Nine

The best thing about Christmas Day is how happy I feel. The presents are always welcome, the food is great, but my feeling of personal contentment is the greatest gift I get every December 25th. The stress of buying presents is over, the long car ride to visit family is completed, the high anxiety of the holidays is gone. Finally being able to relax with my family gives me comfort. I wish I could have the feeling of Christmas all year long.

In 1992 Michael Caine took his turn playing Ebenezer Scrooge in The Muppet Christmas Carol. The awesome Paul Williams, wrote many songs for The Muppets, uses "It Feels Like Christmas" as an introduction to the ideas presented by the Ghost of Christmas Present. Scrooge has a lot and gives little, The Ghost of Christmas Present shows how those that have very little still give a lot during Christmas. The people (Muppets) are not giving store bought gifts, the are giving love and comfort. The spirit shows Scrooge that Christmas is about togetherness. Scrooge cannot keep Christmas because he is alone.

"It Feels Like Christmas" is the heartwarming ideal of the holidays. The comforts of love and family trump any toys and gadgets. The story of A Christmas Carol has always used happy gatherings as the path the Ghost of Christmas Present takes Scrooge on. The Muppet Christmas Carol is able to get the whole point across in under 3 minutes.

Christmas Day is not about rushing out to buy the right gift. Once the presents are all opened I look forward to the rest and relaxation I have been missing out on for weeks. I look forward to sitting by the fire with my family. I take joy in the love I am surrounded by. "It Feels like Christmas" may be a holiday song, but it's message carries on year round. I love Christmas for how it makes me feel. Whenever I am in the comfort of those I love, it really does feel like Christmas.

RD Kulik

RD is the Head Editor for SeedSing. Being with family is the number one thing he loves about the holidays. The generosity of people is his second favorite thing - Support SeedSing.

 

 

SeedSing's Advent Calendar of Awesome Holiday Music: Day 9 - Christmas Time at My House

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ed note: This article was originally published on December 9th, 2015

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we will present a new awesome holiday song for every day of Advent. This is the greatest music of the season. Enjoy.

Day 9: "Christmas Time at My House" by Da Yoopers  (ed note: There is no free way to hear this song, this is a video of the lyrics, you can enjoy the holiday musical styling of Da Yoopers with the classic Rusty Chevrolet). 

Opened Doors: OneTwoThreeFourFiveSixSeven, Eight

For the Advent Calendar of Awesome Music I'm picking "Christmas Time at My House" by Da Yoopers. This is a way off the wall choice for some, but not my family and not for the people that live in the Upper Peninsula of Michigan.

Da Yoopers are a bunch of random guys from the UP. As you all know by now, the UP holds a special place in my life and so do Da Yoopers. Just some random dudes got together, one of them knows how to kind of play the accordion, another one knows maybe three chords on guitar and none of them can really sing. But, they know the UP inside out and if you've ever been there or lived there, you can relate. They talk about ice fishing, their love for the Green Bay Packers, Lake Superior and eating venison jerky. They mention all the snow and just downright cold weather that happens in the UP. They do get a bit un PC at times, but it's never hateful or hurtful. It's kind of like a comedian telling a tasteless joke. No harm, no foul.

In keeping up with this countdown, I picked one of their holiday songs to talk about. As I mentioned, it's called "Christmas Time at My House". They talk about everything from video games to lutefisk. The opening lyric mentions Italians at the door, spilling meatballs. Now, in the UP there's either Polish or Italian people. It's a small part of the country, so there's not too much diversity. From this lyric I gather these guys are Polish. Also, if you've ever enjoyed a holiday in the UP, this line is 100 percent true. My father's parents were Polish and my mother's parents were Italian and during the holiday, my mom's parents would come to my dad's parents bearing gifts that included meatballs. They later mention that some uncles are getting into a fight and say, "Christmas is going to be some night". Who among us can't relate to this. There's always one or two family members that have one too many drinks (ed note: not me) and inevitably fight. They later mention the kids being on a sugar high and stealing their uncles dentures and hanging them on a tree like an ornament. I've actually seen this happen in my own life, so I know this is a real thing that actually happens. It's commonplace to me. They also talk about the kids having "visions of the latest video game dancing in their heads". Also 100 percent true. When I was younger I always wanted the newest sports game for the Nintendo 64 or the PlayStation.

The chorus is as follows, "Christmas time, food and wine, family friend and foe. We celebrate his birthday by spending all our dough. Now we are broke and happy, it's a shame Christmas only comes once a year". All of that is very relatable. There's always alcohol, lots of food and you are surrounded by your loved ones, for better or worse. People spend way too much money buying gifts, but everyone seems fairly happy around this time of year. And yes, it is a shame it only comes once a year. Sure, some people hate the holidays, but me, and the majority of my family, have a great time during the holidays. It's a lot of fun.

After the chorus, in the third verse, they bring in the not so PC talk when saying that "the mother in law is dancing with bloomers on her head after drinking all the Dago red". Now, this may be an actual wine, I don't know because I don't drink, but why not call it Italian wine? I'll tell you why. This is exactly what my Polish grandpa called Italian wine. He'd never just call it by its name, it was always "Dago red". I'm not saying it's excusable, it's just the way it is in the UP. They also mention that the priest is at the house playing the organ, but he's drunk too speak the words. Yep, priests go over to your house in the UP, get all liquored up and are so drunk by the end of the night, they literally can't speak. It's all very, very true.

The final verse had them talking about a drunk uncle, dressed as Santa Claus, "digging in his sack", I think we all know what they're talking about here. He's also showing butt crack that the kids are sticking nickels down. And, to close out the night, he passes out and destroys the tree.

Reading this you may say, that's not me and my family, we aren't this low class, but you'd be wrong. Everyone can relate to some point of this song. This song is universal. We all experience one or more of these things during the holiday. And for those of you from the UP, you know this tune is 100 percent true. I'm sure it hits very close to home. Basically, I love "Christmas Time at My House". I don't like much holiday music, but this song, and any song by Da Yoopers for that matter, is classic. Go check this song out if you haven't heard it and I guarantee you'll love it.

Happy holidays.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man. What he lacks in wine knowledge he makes up in college football awareness. Follow Ty on twitter @tykulik.

SeedSing's Advent Calendar of Awesome Holiday Music: Day 8 - Christmas at Ground Zero

ed note: This article was originally published on December 8th, 2015

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we will present a new awesome holiday song for every day of Advent. This is the greatest music of the season. Enjoy.

Day 8: Christmas at Ground Zero by Weird Al Yankovic

Opened Doors: OneTwoThreeFourFiveSix, Seven

When I was a young child I was extremely frightened of being killed in a nuclear strike. Growing up in St. Louis, I would hear people say that the McDonnell Douglas plant my dad worked at was a prime target for the Soviets. The weapons being developed and built in the St. Louis area made us a prime strategic target, so I heard. The television movie The Day After  freaked me out even more with it's setting being in Missouri. Nuclear annihilation was never far from the front of my mind. If it was not for the joyous holiday season, I would be worried about being vaporized, mutated, or full of cancer. That fear would last the whole year.

"Christmas at Ground Zero" was included on Weird Al Yankovic's 1986 album Polka Party! Many people associate the great Weird Al with parody songs, yet "Christmas at Ground Zero" was one of his original tunes. The song uses classic and joyful holiday compositions with words that are absurd to our minds today. Weird Al makes fun of the popular culture associated with nuclear paranoia. Duck and cover, mutations, flying debris, fallout shelters, they are all combined with the yuletide celebration. No amount of atomic carnage seems to dampen Weird Al's holiday mood.

The video, directed by Weird Al, is a great companion piece to "Christmas at Ground Zero". The stock videos of duck and cover drills highlight the lunacy of nuclear paranoia. The inclusion of Hollywood Ronald Reagan counting down to the big day is a great touch. President Reagan was quite happy to increase our fear of being destroyed by nukes, and in hindsight his rhetoric is as absurd as Weird Al's tune. Reagan loved cold war paranoia, and he loved Christmas. Weird Al found married Reagan's to loves into something quite magnificent. That is the mark of a great director.

I am comfortable with the knowledge that I will not be vaporized while I duck and cover this holiday season. I am even more at ease that I will probably never need to dodge atomic bombs throughout the rest of the year. Anything is possible though, and if I need my radiation suit on New Year's Day, I will have the spirit in my ears with Weird Al's "Christmas at Ground Zero".

RD Kulik

RD is the Head Editor for SeedSing. His biggest fear watching The Day After is that his family may have to move to Lawerence, Kansas. That is frightening.  Tell your tales of duck and cover by writing for SeedSing.

 

 

SeedSing's Advent Calendar of Awesome Holiday Television Programs: Day 7 - "The Late Show with David Letterman - December 19th, 2014 "

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we will present a new awesome holiday television program for every day of Advent. This is the greatest tv of the season. Enjoy.

Day 7: "The Late Show with David Letterman - December 19th 2014"

Original air date - it is right there in the title.

Opened Doors: OneTwoThreeFourFive, Six

Every year around Christmas we listen to the same songs and watch the same television shows. We all have our traditions, and there is absolutely nothing wrong with that. These little bits of holiday pop culture sometimes get us into the right mood during a cold December night. These annual traditions help us look back to other pleasant times we experienced during the holiday season. There is a comfort in looking forward to that one thing that makes our holiday season extra special.

David Letterman once famously said that it is not the Christmas until he hears Darlene Love sing that song. The song in question is the new standard (Christmas) Baby Please Come Home. Vanity Fair has a great oral history of how Darlene Love ended up on Letterman for almost thirty years singing her iconic song. That first appearance in 1986 was simple, and without pomp, but a beloved holiday tradition was born.

Because this song was - and still is - my favorite rock Christmas song ever, I was so elated back in Dec. 1986 when I heard David Letterman say "tomorrow night's guests include...Darlene Love to sing Christmas Baby Please Come Home".

The small band, and ugly holiday sweaters, had nothing on Phil Spector's iconic Wall of Sound, but Darlene Love still slayed with her vocals. Since that appearance, Darlene Love, Paul Shaffer, and David Letterman made (Christmas) Baby Please Come Home a fixture on Late Night, and then The Late Show. Only a writers strike would stop the trio from letting Letterman start Christmas. Many even believe that Love's Late Show appearances helped her finally, rightfully so, get into the Rock and Roll Hall of Fame.

On December 19th, 2014, Darlene Love performed (Christmas) Baby Please Come Home for the last time on The Late Show. In May of 2015, David Letterman retired from the late night game. Everyone knew that the December 19th performance was going to be the last, and nothing was held back. The four-piece backing band of 1986 was replaced by a horn section, strings, backup singers, and Paul Shaffer on a grand piano. Love even decided to belt out the last few lines on top of the piano because she was afraid of breaking down when Letterman came to give her a hug. The 2014 performance of (Christmas) Baby Please Come Home was an epic curtain call for a singer, a talk show host who was a fan, and the viewers that counted on Darlene Love to usher in the holidays every year on late night television.

Darlene Love's final performance of "Christmas, Baby Please Come Home" on The Late Show with David Letterman - Dec 18, 2014.

Our holiday traditions are something to be celebrated. Listening to the same songs, or watching the same tv specials, is what makes December a great time. We all have that one special pop culture thing that gets us in the right Christmas mood. David Letterman had Darlene Love sing that song. We were truly lucky to share this tradition with Mr. Letterman.

RD

RD Kulik is the Head Editor for SeedSing and the other host of the X Millennial Man Podcast. The holidays do not start for him until he hears Linus and Lucy.

SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.

SeedSing's Advent Calendar of Awesome Holiday Music: Day 7 - The Man in the Santa Suit

ed note: This article was originally published on December 7th, 2015

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we will present a new awesome holiday song for every day of Advent. This is the greatest music of the season. Enjoy.

Day 7: The Man in the Santa Suit by Fountains of Wayne

Opened Doors: OneTwoThreeFourFive, Six

I am embarrassed to know how much actual money Santa makes, and that real beard Santa makes the most money (nothing celebrates the season by shamelessly ripping off the great film Snowpiercer). I have this knowledge because my first professional job was to book performers for parties, including Santa. Many the performers I worked with were semi-normal, professional people. In the sea of clowns, magicians, and Elvis impersonators, the Santas were not quite as normal.  There was an air of desperation and sadness to the group. I paid Santa well, but money does not always buy jolliness. My theory was that these men could only make really good money a few weeks out of the year. To make this extra income these men had to endure a grueling gauntlet of uncooperative kids, demanding parents, and childless adult idiots that wanted themselves (and their dogs) to sit on Santa's lap. I paid Santa well because he had a tough and thankless job.

Fountains of Wayne, one of the Greatest American Bands, included "The Man in the Santa Suit" on their 2005 B-sides double album Out of State Plates. The tune perfectly captures the sad inner life of a mall Santa. Starting with the acknowledgment of "Santa" being a union laborer with a significant other who works at the hair salon. Mr. and Mrs. Claus seemingly live paycheck to paycheck. There is no holiday spirit to uplift Fountains of Wayne's protagonist, he just needs the money. What follows is a list of troubles Santa always has during the Christmas season. There are snot nosed kids who make fun of Santa's appearance (if that Jerry Garcia beard is real, Santa is making double this year), younger kids are throwing up on Jolly Old Saint Mall Nick, and all the older kids are commenting on Santa's beer for breakfast. Being  Santa is not as joyous as popular culture may have led us to believe. 

Santa's troubles are not just with the kids. The fellows at the local tavern also get on Santa's case. After a day of dealing with kids, barf, and attitude, Santa gets called names by the grownups. The world is filled with superficial jerks, and Santa is not immune to their attacks. Being overweight and harry in December may pay some bills, but it does not get one away from ridicule. The cruelty of people does not take a holiday during Christmastime.

"The Man in the Santa Suit" is on point for why any grown man would go through these troubles, it is all about the money. The name calling, the kids, the indignity of it all is worth the money. Fountains of Wayne's protagonist is zen about his current place in the world. He is getting paid for his looks. That is the hairy fat man's victory. He needs the money, and he has an opportunity to enhance his bank account. The bills will be paid up in Santa and Loretta's house this December. Merry Christmas to them.

On your way to the mall give "The Man in the Santa Suit" a listen. Understand what Jolly Old Saint Mall Nick is going through. Be nice to Santa. Every man who puts on the red suit this year will deal with more trouble than any one person deserves. In November my office used to be a revolving door of chubby hairy men looking for work. In January I was being sent a lot of small gifts as thanks. I paid Santa, and Santa needed the money. Santa deserved the money.

RD Kulik

RD is the Head Editor for SeedSing. He is chubby enough to be Santa, but his jolliness needs some work. Any Santas out their that want to give us a gift - Support SeedSing.

SeedSing's Advent Calendar of Awesome Holiday Music: Day 6 - (When Is) Hanukkah This Year?

ed note: This article was originally published on December 3rd, 2015

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we will present a new awesome holiday song for every day of Advent. This is the greatest music of the season. Enjoy.

Day 6: (When Is) Hanukkah This Year? by Melee

Opened Doors: OneTwoThreeFour, Five

When I was in college I decided to find religion. I was raised a catholic boy, yet the experimentation of my college years led me into looking for a new religion. I went to a mosque, Hindu temple, a variety of the Protestant churches, and a Jewish temple. On the particular day I decided to attend temple was in early December, and much to my delight they were celebrating the third day of Hanukkah. I had no idea it was Hanukkah time when I entered the temple. It was awesome.


The Jewish Festival of Lights has always been overshadowed by the large presence of Christmas. Nearly every person in the Western World is aware that Hanukkah is around Christmas time, yet almost no one knows when the holiday actually starts. I had such a great time at temple during Hanukkah that I wanted to come back every year. The problem is the next year I completely forgot to check when Hanukkah was being celebrated and I missed out on the festivities. The same date from last year was after Hanukkah of the past year. Oh well, I know that Christmas will always be on the 25th.

In 2009 Orange County based band Melee released "(When Is) Hanukkah This Year?". Melee used the biggest question Jewish people get during the holiday season, and made it rock. Very few people want to know what Hanukkah is about, we just want to know what day the celebration is held. Forget for a moment that Hanukkah lasts for eight days, we need to know the one day to associate for the holiday. We are comfortable with the idea of Christmas owning the same day every year. All the holidays that own a single day every year get way more attention. Some may say that Easter gets plenty of attention, and it is a holiday that does not own a day. The mostly christian religious community does put forth a big celebratory effort for Easter, but the secular community does not care that much. Everyone knows about "It's the Great Pumpkin Charlie Brown" and "A Charlie Brown Christmas", but not many are familiar with "It's the Easter Beagle Charlie Brown". The holidays that own a day, own the full public interest. The holidays where we have to question what day it is on, will always have an uphill battle. Melee embraces this idea with their great tune.


The boys of Melee use "(When Is) Hanukkah This Year?" to inform the listener of what a typical American Jewish boy goes through during those eight days and nights. Reading from the Torah, lighting the Menorah, Manischewitz, golden coins, kugel, worried mothers and grandmothers, and many days of presents. The song is a rocking tour of the Hanukkah season. Once the dialogue of the first minute ends, Melee builds until the song ends in an incredibly rocking way. The only song people hear this time of year in relation to the Festival of Light is Adam Sandler's "The Hanukkah Song". There is nothing appreciative about the holiday in Sandler's tune. You learn about many fine people with Jewish heritage, but there is no information about the eight days and nights of Hanukkah. There was the animated movie by Adam Sandler Eight Crazy Nights, but the less said about the film, the better. Melee uses "(When Is) Hanukkah this Year?" to actual share the joy of Hanukkah. It is a song that made this gentile remember that great night at the temple.

To answer Melee's question, Hanukkah starts on December 6th this year. Enjoy the beginning of this joyous time of year. Light some candles, have some great Jewish food and drink, call your mother. Make these eight days and nights rock. By the way next year Hanukkah will start on December 24th, mark it in your calendars. Please do not ask your Jewish friend in 2016, hey, when is Hanukkah this year.

RD Kulik

RD is the Head Editor of SeedSing. He does not really recommend Manischewitz, but a good kugel is awesome. During these eight days of gift giving, keep SeedSing on your mind.   

 

Ty Listens to Childish Gambino's "Awaken, My Love!"

Last Friday, December 2nd, Childish Gambino released his third album, "Awaken, My Love!".

I adore this record.

For those that do not know, Childish Gambino is Donald Glover's alter rap ego. Glover is an actor, comedian, creator, writer, director, and rapper. He is one of the most talented performers working today. I became aware of his rapping about 7 years ago. He was deep in his run on "Community", and I had heard rumblings that he was going to put out a record, and had some mixtapes that were floating around the internet. I was intrigued. I first thought it was going to be jokey rap, a la The Lonely Island, but I could not have been more wrong. I listened to some of the mixtapes and tracks he released before his first album, and they were very good.

When he released his debut album, "Camp", I was blown away. This was a full-fledged rap record. It was not jokey or goofy in any way. It was a straight up rap album, and it was good. Glover proved that he was a very good, sometimes great, rapper. I loved this first album. I was surprised, but in a very good way.

Then, a few years later, he released his second record, "Because the Internet". This was a departure from "Camp", but I found myself enjoying it just as much, just in a different way. "Because the Internet" showed Glover taking more, spacier chances. The record had longer instrumentals, which I like. Glover also talked primarily about how social media, and other things that are on the internet, are more problematic than they are good. I thought it was a very good second step. He showed his fans that he could do something different, but still be easy to digest. The guest list on "Because the Internet" was made great simply by putting Chance the Rapper on some tracks.

Glover took a long time away from music after "Because the Internet". "Community" was done, but he was acting and developing his phenomenal new show, "Atlanta". He had other things on his mind, and those other things were all great. I missed his music, but the stuff he was doing made it not as bad as I thought it would.

Pretty much right after the first season of "Atlanta" had its season finale, which I cannot say enough great things about, it is the best new show on TV, Glover announced he had a new record coming out. I was stoked. I listened to the early release of some of the songs, and I was even more intrigued. It sounded way different than anything else he had done previously. The songs were not rap songs, but more so in the funk genre. Needless to say, I purchased the album the morning it came out, and I have listened to it almost as much as I have listened to the new Tribe record.

"Awaken, My Love!" is tremendous. Like I said, it is so much different from his other stuff. The opening track has a 2-minute instrumental intro, with very little singing, and then Glover comes in and basically sings a rock song. It is wonderful. Glover, who I will refer to as Gambino for the rest of this piece, proves that he can sing, as well as rap. I love his vocals on this track. "Have Some Love" is a straight up Parliament song. George Clinton himself probably wishes he wrote this track. It is so, so good. The song is so funky and groovy, and Gambino sounds like Clinton, and the band sounds like Parliament. We get another great funk song, "Boogieman". The song has a creepy groove, and Gambino sings it with almost a Dracula-ish voice. It is tremendous. The album only gets better from there. Some other notable tracks are "Redbone", "California" and "Stand Tall". "Redbone" is probably the best song on the whole record. It is the best put together, it sonically sounds the best, the lyrics are great and poignant and Gambino is perfect on this song. It is the true standout on an album filled with great songs. "California" is a weird, groovy, funky and, at times, Gambino's first "silly" song. The lyrics talk about a lady that wants to move to California, and Gambino tells of all the ills that could come her way if she does. The beat and the instrumentation are awesome. The closing track, "Standing Tall", is a perfect ending to this new Gambino sound. The lyrics, instruments, sound, everything about this song are perfect. "Standing Tall" closes out the record excellently. 

After 6 or 7 fully listened through times, "Awaken, My Love!", reminds me of a mix between Parliament, Saul Williams and Andre 3000, from "The Love Below". This album is an incredible departure from what we, the fans, have come to expect from Childish Gambino. I truly do not know of any single performer/artist that is doing the wonderful, challenging and different things that Childish Gambino/Donald Glover is doing right now, and "Awaken, My Love!", is one of the best things he has done in a year that has seen him do some great things. This album is one of the good things to happen in 2016. I hope Childish Gambino continues to push the envelope and try new and odd things as a musician. But, with that being said, go out and buy this album right now, it is awesome.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. He feels like we lost a lot of great musicians in 2016, but we have gained some great music in the last part of the year. Follow Ty on instagram and twitter.

SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.

SeedSing's Advent Calendar of Awesome Holiday Music: Day 5 - I Wish it was Christmas Today

ed note: This article was originally published on December 3rd, 2015

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we will present a new awesome holiday song for every day of Advent. This is the greatest music of the season. Enjoy.

Day 5: "I Wish it Was Christmas Today" by Julian Casablancas

Opened Doors: OneTwoThree, Four

The conventional wisdom tells us that the winter holiday shopping season peaks on Black Friday. Once the day after Thanksgiving doorbusters are exhausted, the general public falls into a slower holiday shopping pattern. I disagree with this theory. Black Friday does have a large mob of people looking to score off brand electronics for ultra low prices, but the majority of sane people save their holiday shopping for after the mayhem. The first weekend of December is when the holiday shopping season really kicks into high gear. This is when the Christmas spirit starts its full invasion into our culture.

"I Wish it Was Christmas Today" started out as a simple SNL sketch featuring Horatio Sanz seemingly playing a novelty guitar and singing, Chris Kattan head turning and holding a very large keyboard, Jimmy Fallon providing backing vocals and very rarely playing the keyboard, and lastly Tracy Morgan awesomely dancing in place. Every few years the quartet would add a few lyrics, but the singing and dancing remained the same. Tracy Morgan is great in nearly everything he does, but I do think this is the funniest skit that Sanz, Fallon, and Kattan have ever done. Every year I would look forward to hearing "I Wish it Was Christmas Today" on SNL. The simple tune immediately put me into the holiday spirit.

In 2009 The Strokes lead singer Julian Casablancas released a cover of "I Wish it Was Christmas Today". The simplicity of the SNL version was replaced by a hyper kinetic ultra joyful new song to celebrate the holiday season. Casablancas version of the song starts at the top and never relents. For just under 4 minutes, the holiday season gets the positive excitement it so truly deserves.

Both the SNL and Casablancas versions of "I Wish it Was Christmas Today" celebrate the happiness of Christmastime. There are endless stories on the news of people complaining about the length and commercialism Christmas. Fox News invented the moronic War On Christmas to continue their agenda of splitting the country and feeding the idea of white christian victim-hood. "I Wish it Was Christmas Today" leaves all the negativity behind and says that Christmas kicks ass.

Today I will be out starting my holiday shopping. My house is decorated. my spirit is getting into high gear, and "I Wish it Was Christmas Today" will be on my playlist. The crowds at the stores, the idiots at Fox News, and all the naysayers will not dampen my holiday spirit. I love the awesomeness of the holiday season.  I do't care what anybody says, I wish it was Christmas today.

RD Kulik

RD is the Head Editor for SeedSing. He is hungry right now and really wishes it was Thanksgiving today. Tell us about your favorite time of year by writing for SeedSing.

 

SeedSing's Advent Calendar of Awesome Holiday Music: Day 4: Don't Shoot Me Santa

ed note: This article was originally published on December 3rd, 2015

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we will present a new awesome holiday song for every day of Advent. This is the greatest music of the season. Enjoy.

Day 4: Don't Shoot Me Santa by The Killers

Opened Doors: One, Two, Three

I used to live in an urban neighborhood just north of Downtown Cincinnati. Urban living introduces you to wide variety of personalities not always found in the suburbs. I was part of the yuppie community trying to "rebuild" the city. We had some extremely rich people living a few blocks away in their estates overlooking the Ohio river. A few blocks the other way we had a lot of low income people living in government assisted housing. Every single stoplight in our area was populated by panhandlers. Many of these beggars were drug addicts and con artists. Some times we would see college age kids end their "shift" by getting in a car and a new person would take up the empty corner. The started to internally identifying the regular panhandlers with descriptive names. There was one down on his luck guy who always wore a filthy shirt and nice jeans. He was named Clean Jeans. Professor Shakey was a talkative man who never outright asked for money, oh and he was very jittery. One particular panhandler had a bushy white beard and a jolly old face, this man was to be named Hobo Claus.

Since 2006 Las Vegas based band The Killers have been releasing a new original holiday song with part of the proceeds benefitting Product RED . Of the ten offerings, "Don't Shoot Me Santa" is far and away the most surreal. The song is a two character play backed by the rock stylings of The Killers. Singer Brandon Flowers is a naughty boy who has been killing people who tease him, and Santa is coming to deliver justice. Not many holiday songs discuss how Santa deals with the naughty kids. Popular culture has attributed the lump of coal as the go to gift for the naughty. The Killers decided to go a little bit farther. Flowers spends the majority of the song pleading, and Santa is not having any of it. At one point Santa points out that he was a troubled kid, unfortunately that will not be enough to save Flowers. As one last gift Santa does allow Flowers to indulge in the great memory of being young and tasting some sweet Mojave rain.

Outside of the strangeness in the dialogue of the two character play that is "Don't Shoot Me Santa", the song has the great music one expects from The Killers. The band has established itself as one of the greatest pure rock bands of the current generation (Greatest American Band Debate feature?). "Don't Shoot me Santa" has The Killers signature sound, but there is a nice mix of Mariachi like desert music mixed in. Every time I hear "Don't Shoot Me Santa" I image it as a signature tune for Walter White on "Breaking Bad".

Hobo Claus is the placeholder for Kris Kringle whenever I hear "Don't Shoot Me Santa". The naughty kids should not be visited by a jolly old Saint Nick, their Father Christmas should be dirty, smelly, and generally uncomfortable to be around. The video for "Don't Shoot Me Santa" seems to agree with me on the unkempt image. This holiday season pray for a jolly, nice smelling Santa. If you have been naughty, watch out, because Santa may be coming for you.

Ed Note: These Holiday music article are meant to be fun. Having said that, this is the most important time of the year to help the homeless in your city. Your time and money is needed to assist your local homeless charities. Contact the United Way to find a charity in your city.

RD Kulik

RD is the Head Editor for SeedSing. He is trying to be really good this year. He hopes Santa can see the goodness through the small bits of naughtiness. Come bask in our goodness by liking us on Facebook.

 

SeedSing's Advent Calendar of Awesome Holiday Music: Day 3 - Last Christmas

ed note: This article was originally published on December 3rd, 2015

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we will present a new awesome holiday song for every day of Advent. This is the greatest music of the season. Enjoy.

Day 3: "Last Christmas"

Opened Doors: One, Two

Christmas is filled with memories. We remember the great gifts of years past. We never forget he food and drink that highlight the season. We also remember the our loved ones that we spend the holidays with. Sometimes the pressure of the holiday season takes a toll on couples, people separate, and we take Christmastime as a chance to move on. Christmas may be filled with memories of holidays past, but the season also represents hopefulness in creating new lasting memories.

"Last Christmas" released in 1984 by Wham (Andrew Ridgeley and his singing partner) is not a romantic song. The singer (George something) had his heartbroken last year on Christmas. He spends most of the song letting this heartbreaker know that he was in love, and the feeling was not mutual. Christmas Day is often filled with romance, and Wham acknowledge as much in "Last Christmas". The receiver of George's heart seemed to let the romance of Christmas take hold, it was not until the next day was George's heart given away. This betrayal has left a large scar on George's mind, he alludes to the fact that he was bitten by love, but is now twice as shy. He tries to stay away, but will steal a glance from afar. It pains that his love affair from a year ago might not recognize him. He feels foolish for giving his love, but he is confident if his past lover kissed him right now, he would be fooled to love them again.

With all the heartbreak, there is some hopefulness in "Last Christmas". George does not understand how his love can be given away by this person, but this Christmas he is determined to find that someone special. George's problem is that last Christmas he was a bit to hasty in giving away his heart. This year he is determined to find that special person who will give him something in return. Last year's Christmas was a learning experience for George.

Like all great holiday songs, "Last Christmas has been covered by many people. Taylor Swift just yell sings through her tone deaf money grab version. Jimmy Eat World does their Jimmy Eat World like version. Florence + The Machine once did a slow acoustic version for BBC Radio 1. "Last Christmas" has been well covered, but the original recording by Wham! still has no equal.

The first week of December is the time most people put out their holiday decorations. As we hang lights and trim the tree we are filled with memories of previous Christmas times. The strongest memories stem from the lovers lost, and gained, during the winter holidays. As you start to dress your home up for the festive year, give "Last Christmas" a listen. The bad times of Christmas past may come to mind, but the hopeful ideals of this Christmas will carry through the season. Last Christmas is over, find something special to remember this Christmas. 

RD Kulik

RD is the Head Editor for SeedSing. Next Christmas he is looking forward to all the great posts on SeedSing from this Christmas. Are you someone special? Write for us.

 

 

 

 

 

 

SeedSing's Advent Calendar of Awesome Holiday Music: Day 2-Baby It's Cold Outside

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ed note: This article was originally published on December 2nd, 2015

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we will present a new awesome holiday song for every day of Advent. This is the greatest music of the season. Enjoy.

Day 2: "Baby It's Cold Outside"

Opened Doors: One

Ed note: I was originally going to write about "Baby It's Cold Outside" and talk about how much I liked the song in spite of the frightening message. There are great renditions of this song always coming out, including the gender reversal version with Joseph Gordon-Levitt and Lady Gaga. Ty wanted to get into the fun so he gets the floor for today,

Continuing the new countdown of holiday music, the "Advent Calendar of Awesome Holiday Music", I'm going to write about a very famous holiday song that has an extremely horrifying scenario proposed throughout its entirety. The song I'm speaking of is "Baby It's Cold Outside".

Everyone knows this song. It was written by Frank Loesser in 1944 and it's been performed by a lot of musicians, most notably, Dean Martin and a female chorus in 1959. Some other notable performers include Sammy Davis Jr and Carmen McRae, Ray Charles and Betty Carter, Robert Palmer and Carnie Wilson and most recently Michael Buble and Idina Menzel. This is a very famous, very popular holiday song, but as I've gotten older and listened to it more and more, it portrays a possible sexual assault.

My wife loves holiday music and I've never been that much of a fan. It's too slow and makes me tired. I also dislike the new fad of playing holiday music before Thanksgiving is over. Let Thanksgiving be its own holiday. But, I'm not going to make my wife listen to only my music, I've stated before that I have very different taste in music from my wife, so it's easier to just let the holiday music play until the holiday is over. With that being said, I've heard "Baby It's Cold Outside" about ten million times in the past nine years. I've heard a lot of holiday songs, but "BICO" is the one that sticks out most to me. I originally thought it was a pretty cool tune.  I never really thought about the song, but the more I heard it, the more I listened and started to make out the lyrics to this song and they are disturbing.

The song opens with the lady saying, "I really can't stay" and the man responds, "But baby it's cold outside". The following lyrics in the first verse are as follows, with the lady singing first, then the man, "I've got to go away", "but baby it's cold outside", "the evening has been", "been hoping you'd drop in", "So very nice", " I'll hold your hand, they're just like ice". Let's break this down. Right off the bat the lady is ready to go. She's stated that she REALLY has to go. She clearly doesn't want to stay. But, the guy insists she stays by telling her it's too cold outside. The lady follows up saying she has got to go away. She is trying anything to get away from this man. The man, once again tells her it's too cold for her to leave. I imagine some creep standing in the doorway, a la Christopher Walken on the SNL skit, "The Continental". Then the lady even pays the man a compliment by saying the evening was nice, but reiterates the fact that she has to go. The man, unrelenting, tells her he will hold her hands to warm her up. In the next verse, the creepiness is ramped up. Throughout the second verse, the lady claims that her parents will worry if she's not home soon. She even claims she has to scurry. But, the man turns on the "charm" and calls her beautiful, asks her what's her hurry, proclaims he has a great fireplace, then makes her a drink. So, she starts out by telling the man that she has to leave because her folks will worry and this creep makes her a drink. This is beyond creepy now, this is sexual assault territory. In the third verse, the lady begins to worry what the neighbors will think if they see her there. The man once again hits her with the fact that it's cold and snowy outside, as if to say that the neighbors will be too preoccupied with the weather to worry about the upcoming sexual assault that most assuredly is going to occur. Then, the most messed up line of the whole song happens. The lady asks, "what's in this drink". Okay, back in the 40's that may have been cute, but in the 60's, 70's, 80's, 90's 2000's and especially now, how is that anything but a roofie in that drink. He's clearly slipped her something to make her inhibitions go away.

So creepy and just wrong.

Go and listen to the Buble and Menzel version and try not to be creeped out when you hear this line. The lady follows that up with "I wish I knew how to break this spell". The guys only response, there are no cabs, her eyes look like star lights and he takes her coat and hat, complementing her hair. What a god damn creep. The lady goes on to say she ought to say no to this man, he decides to move closer. She says that she will tell people at least she tried, almost saying, she tried to get away from him, but she was drugged. The man's response, "What's the sense of hurting my pride". What an asshole. This lady wants nothing to do with him, but he cannot take a hint. The lady then says things like "I simply must go", "the answer is no", the man's reply to this, "baby it's cold outside". So what if it's cold, she can make her way home. She's said no to you multiple times now, let it go, she doesn't want your company. Later, after talking about how her parents would worry, she starts to bring up her brother, sister, aunts and uncles. This lady is really grasping at straws trying to get out of this horrible situation. The creepy guys responds with stuff like, "never such a blizzard before", "waves upon a tropical storm" and the most creepy pick up line of all, "gosh your lips look delicious". What the hell is that! Is this some frat boy that won't take no for an answer? By this point, the lady should say no means no, blow her assault whistle and call the cops because this guy has bad intentions.

Thankfully, the lady finally gets out of the situation by grabbing her coat and saying she will see this man tomorrow. He responds with by asking how could she do this to him and think of his sorrow and even telling her she will get pneumonia and die. This guy is a straight up douchebag. He is what I envision every frat boy that's even been accused of sexual assault acts and looks like. Who gives a shit about your pride and sorrow, you slipped drugs into a lady's drink to try and get laid. You're a monster.

I CANNOT believe that this is a classic holiday song. It is the Christmas version of "Blurred Lines". Next time you hear "Baby It's Cold Outside", think about how disturbing this song truly is. I cannot hear it the same anymore. The creepiness has been burned into my brain. The fact that it's still performed and beloved is astounding, especially in the new PC culture we live in. I thought the song was ok before, but now I hate it since I understand how disturbing it is.

It's frightening.

Ty

Ty is the Pop Culture Editor for SeedSing and the other host of the X Millennial Man podcast. He doesn't care how cold outside it is, if Michigan Football is on he is going home. Follow Ty on twitter @tykulik.

SeedSing's Advent Calendar of Awesome Holiday Music: Day 1 - Linus and Lucy

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ed note: This article was originally published on December 1st, 2015

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we will present a new awesome holiday song for every day of Advent. This is the greatest music of the season. Enjoy.

Day 1: Linus and Lucy By The Vince Guaraldi Trio 

Every year my wife and I throw a big winter holiday party. One of my duties is to create the background music. In the first few years we held the party I purchased a few sets of generic Christmas music cd sets. Many of the pieces were from the public domain, and almost all of the songs were jazz. I really dislike jazz. 

A few years back I decided to create a custom playlist from the holiday songs I loved. I wanted the music to reflect the whole season, and I wanted to use songs not widely available. The one song I salvaged from those awful jazz standards was "Linus and Lucy" by the Vince Guaraldi Trio. This was the one and only jazz song I needed for my holiday spirit. This was the song that kicked off my carefully curated holiday playlist. "Linus and Lucy" is the best way to start the season.

"Linus and Lucy" is not exactly a Christmas song. It was originally released by the Vince Guaraldi Trio on the 1964 album Jazz Impressions of a Boy Named Charlie Brown. The upbeat guitar and drums represent the excitement of the holiday season. There is pure joy and excitement throughout "Linus and Lucy". Once December 1st hits, the holiday season starts moving at a hectic pace. Crowded roads, overpopulated shopping centers, and disorganized homes filled with unwrapped gifts. "Linus and Lucy" embrace this chaos, and makes it joyful. 

The Christmas popularity for "Linus and Lucy" started when A Charlie Brown Christmas debuted in December of 1965. The upbeat tune was used as the music for the greatest dancing scene in television history. Many people will automatically think of the Charlie Brown Christmas pageant dancing when they hear "Linus and Lucy". This scene was shot in 1965 and we have voguing, the zombie, the twin girls doing the same dance, and a variety of incredible dance moves. When I hear "Linus and Lucy" I immediately break out into Linus's thrust movement, even if I am out in public (that does get awkward at times).

Since the debut of A Charlie Brown Christmas "Linus and Lucy" has become the unofficial Peanuts anthem. Most of the Peanuts cartoon specials have used the song, including the 2015 film The Peanuts Movie. The song receives the large majority of its airplay during the holiday season. The popularity of A Charlie Brown Christmas has programmed our culture to associate "Linus and Lucy" with the holidays. The song kicks off It's the Great Pumpkin Charlie Brown, yet "Linus and Lucy" makes our mind think of the December holiday extravaganza.

"Linus and Lucy" is the perfect first door to open on our Awesome Holiday Music Advent Calendar. This is the tune that will get your holiday spirit ready. It is chaotic, joyful, and demands to be danced to. If you start your day with "Linus and Lucy" your holiday spirit will never dim.

RD Kulik

RD is the Head Editor for SeedSing. His wife has asked him to stop the Linus out in public, the Shermie is ok though. Tell us all about your favorite holiday tune - write for SeedSing.

 

Ty Reads "Kanye West Owes Me 300 Dollars: And Other True Stories From a White Rapper That Almost Made It Big"

I just recently finished the book, "Kanye West Owes Me 300 Dollars...And Other True Stories From A White Rapper That Almost Made It Big" by Jensen Karp, and this book was fantastic.

I had heard about this book on one of Karp's many podcast appearances, plugging the book a few months back. I was looking for a new book to read, something light, but also nonfiction, and this was a great choice for me. First off, I enjoy stories about the entertainment industry. I think that that lifestyle is cool, but can also be hideous. "Kanye West Owes Me 300 Dollars" has plenty of both kinds of these stories. I am also roughly the same age as Karp, so there were a lot of things that he talked about that I could relate to. He came up in the late 90's and early 2000's, during my high school days, so a lot of the musicians and people in the music business he talked about, I knew all of them. He also talks about how you can have it all one day, but the next, it could be gone. I find these stories enthralling too. He also talked about his many personal problems and hardships he had to deal with, again, very relatable for me.

For those of you that don't know who Jensen Karp is, or was, he is now a writer, comedian, and owner of an art gallery in Los Angeles. He has written for many shows and websites and magazines, he has his own podcast, "Get Up On This!" on the Earwolf Network, and he is a stand-up. Back in the day though, he was a rapper that went by the pseudonym of Hot Karl. Well, he first got his start in a R&B/rap duo with his friend Rickye, as a pre teen. They performed at local bar mitzvahs, clubs and talent shows. They even opened for some big name acts as young kids, but they got screwed by their first manager, as always seems to be the case, and Rickye walked away from music, and Karp focused on school.

Karp could not shake his love for rap music. He grew into a DJ for local house parties all over LA. He would also battle rap people all the time. For those that do not know what battle rapping is, it consists of two emcees trading jabs over one beat, and it is all from your immediate thoughts. No one writes, it is all freestyle. Well, Karp was very, very good at this. He did it al the way through high school, and continued when he went to college at USC. He was so good, he called into a radio show one day on his way to work that had an on air freestyling competition called "Roll Call", and won his first battle. Then, he won the next day, the next day, the next day, it turned into a 6 month winning streak. He could not be stopped. They even brought him into the studio, something they never did, and the guys running "Roll Call" where shocked at his appearance. He is a nerdy looking white dude, he wore ripped jeans and rock band t shirts and had black wire-rimmed glasses. Still, after seeing him in person, they kept him on, and he dominated everyone that came his way.

He retired from "Roll Call" after his 6 plus month run, and he thought it would end there. But, big names in the music industry caught on to what he was doing, and thus, Hot Karl became a hot commodity. He took meetings with some of the biggest names in the industry. He met his idols. He met up and coming people that are now mega stars. It was incredible to read these stories. The time he met Missy Elliot on the street and was forced to free style for her was uncomfortable and hilarious. His meeting with Mack 10, who literally opened a briefcase full of money for him, was awesome. It was so interesting to hear about all that goes into picking a label and starting to record an album.

Karp eventually signed with Jimmy Iovine and Interscope Records. While on the label, again, the people he meets and the stories he tells are fascinating. He gets into fake fights with Pink and Tyrese. He met Bubba Sparxxx right before he blew up with his song "Ugly". He has phone conversations with the RZA. He gets to work with a young, and hungry, Kanye West. He recorded songs with Mark McGrath, who got him super wasted afterward, and Mya. He was a hype man for Gerardo, of "Rico Suave" fame. He is told constantly that money is no object, and he is one of their top priorities.

But, as a lot of people in the music business run into, he was signed right after Interscope signed Eminem. We all know who Eminem is, but not many people know of Hot Karl. We come to learn later that Eminem may, or may not have, but I'm pretty sure he did, tell Jimmy Iovine and Interscope that he did not want any other white emcees to be as big a priority that he was, and they obliged. From there, his life spirals downward. His trip to Jamaica is frightening, and scared me to my core. I share a lot of the same mental stuff that Karp has, so it was easy to relate to what he was going through.

The story ends happily, but the journey to get there is, at times, scary, funny, bizarre, lavish, corny and stressful. I loved this book and I cannot recommend it enough. Check it out, I think you will like it.

ed note: we originally posted the wrong title for the book. It has been corrected.

Buy "Kayne West Owes Me 300 Dollars: And Other True Stories from a White Rapper Who Almost Made it Big" here.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. He is the current king of the rap battle in west St. Louis County. Challenge Ty by following him on instagram and twitter.

SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.

Sharon Jones adds to the List of Greats We Lost in 2016

Well, 2016 continues to kick our asses. This has been a tough, tough year, and it was made even worse by the fact that the great Sharon Jones passed away on Friday. I mean, I have written RIP pieces to Phife Dawg, Daryl Dawkins, Moses Malone, David Bowie, the list goes on and on and on, and now I have to write about Sharon Jones.

This is a very sad thing that has happened. Sharon Jones was one of the greatest soul singers to ever walk the Earth. Her voice was booming, boisterous, incredibly soulful, soothing, silky, smooth, basically, she was everything that you could want from a singer. She hit all the notes that anyone ever asked her to hit. She was an all timer.

I became a fan of Sharon Jones about 6 years ago, when I really dug deep into soul music. I was going through a big Stax Records, James Brown and, basically any soul and R&B music I could get my hands on phase. I immediately fell in love with the sound of the music. Then, as I was listening to Carla Thomas, Rufus' daughter, my dad told me to check out Sharon Jones and the Dap Kings. I think he thought I'd be heavily into the band, which I was, but it was Jones' voice that shook me to my core. She was like the follow up to Etta James or Billie Holiday. She was actually like a great mixture of the two of them. The Dap Kings were also phenomenal. They were a great backing band for one of the most memorable soul singers ever.

Next, I dug very deep into her catalog, and I loved every single thing I heard. I loved the more upbeat songs, but I also truly loved the sad songs. I also really liked the stuff in between. Basically, she could do no wrong in my opinion. Like I stated, her voice was one of a kind. She had such a beautiful voice that suited her style of music perfectly. She could do it all in the world of soul music. She was exceptional.

As I really got into her stuff even more, I found out that she had pancreatic cancer. I felt like I got punched in the gut. I was just really getting into this wonderful singer, who was still relatively young, and could make so much more music, but she was given a death sentence. Pancreatic cancer is no joke. But, instead of letting it effect her, she still went out, made music and performed live. She was going to live what little life she had left to the fullest. She would constantly say on stage, "I have cancer, cancer doesn't have me!". I love that. She was not going to let this horrible diagnosis stop her from being herself. She went out and shaved her head before treatments started, and wore the bald look so proudly. The first time I saw a photo of her, I cried tears of joy/sadness. She was dying, which made me sad, but she wasn't giving up, which gave me joy.

Sharon Jones was one of a kind. As I said, she still performed live all the way to the end. And she rocked it. There is a documentary about her called Miss Sharon Jones!.  I have only seen clips from it, and she is just as energetic in her final shows as she was when she first started. Believe me, I will be seeing this movie very soon.

She was a light in the dark world we now live in. There is another clip that has surfaced since she passed, that has Prince, also RIP, surprise her on stage, at a show, and he played some great songs with her, and she was so happy, plus shocked, by what was going on. Two legends recently sharing the stage, that we have now lost. It is a very sad thing. Since Friday, I have not stopped listening to her music in my car. It makes me happy to hear her voice, but very sad to know that we will never hear new music from her again. I read that she was surrounded by loved ones, including the Dap Kings, when she passed on Friday. All the way to the end, she kept loved ones, including her band, around to keep her spirits up.

These great people need to quit dying. 2016 needs to stop taking away legends that we need now more than ever. It has been a pretty crummy year if you think about it. And now, add on the fact that Sharon Jones is gone.

Rest in Peace Mrs. Jones, you were a bright shining light, and you will be missed by so, so many people. I love your music, but I also loved your joy for life and everything else. You were truly one of the best all around people to ever live. I hope you and Prince are playing music together wherever the two of you are now. I miss you both so much.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. Follow Ty on instagram and twitter.

SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.

Ty Listens to A Tribe Called Quest "We Got it From Here...Thank You 4 Your Service"

When we really needed it most, A Tribe Called Quest released their final album. They had recorded some stuff before the late, great Phife Dawg passed away, and with the terribleness that was last week, this record was a much needed breath of fresh air from one of America's greatest bands. I was so, so excited to listen to this record on Friday morning. I woke up, ate some breakfast, then bought the album. I went to do some work with my kids, so the moment we got in the car I figured I could listen with them. Sure, ATCQ uses foul language, but it's not as bad as some may think. But, I also have a very impressionable 4 year old, and a 1 year old that is like a parrot. So, after the first song, I decided it would be better to wait and listen on my own.

The wait was very, very hard, Finally, I got some alone time in the afternoon, went for a drive while my folks watched the kids, and cranked "We Got It From Here...Thank You 4 Your Service". I was absolutely blown away. It was like going back in time. The band was all there and they all sounded great. The record is very Q-Tip heavy, as expected, but that is a very good thing. And Phife Dawg's verses, my god I wish he were still alive. He sounds so god damn good on this album. He picked up right where ATCQ left off. He is just as gruff and great as he ever was. Every time I listen to the record now, it makes me miss him that much more. He was such an important voice in hip hop, and for me personally. I love Phife Dawg. He is one hundred percent on my Mount Rushmore of rappers, probably only behind the Notorious B.I.G. His verses on the first 2 tracks of the record are absolute highlights for me. He was incredible.

That's not to say that Q-Tip isn't rocking the mic as well. Q-Tip sounds as silky smooth as fans should expect. But, this time around, he has a slight anger in his voice. I really like this. It seems like his time away as a solo artist has hardened him, in the best possible way. He is wonderful on the album.

Ali Shaheed Mohammed is doing his great DJ work as usual, and chipping in a verse here and there. I do not think there is another artist that is more underappreciated than Ali Shaheed Mohammed. He is an incredible beat maker/producer/DJ/rapper. He is truly a jack of all trades, and a very important part of ATCQ. Jarobi even shows up saying a few things on some tracks. It was just so great to have the group back together and sounding as fresh as they did when they first exploded on the scene.

Then, the guest list on this album is awesome. Busta Rhymes makes a triumphant return to rap music. He sounds incredible on this record. He is rapping fast, furiously and with a purpose. It was a rebirth of sorts for him. He was great on "SNL" with them this past week too. I hope this leads to some new Busta Rhymes music on the horizon. Kendrick Lamar is there, and he is great, proving that he is the best rapper currently in the game. He is awesome, and he also sounds grateful to be included on this record. He knows the history of rap, and he respects that ATCQ is one of the greats, and one of his biggest influences, and it shows. Lamar is an incredibly gifted rapper. Jack White, who I'm not a fan of, does some excellent guitar work on a few of the songs. He does not sing, which I think is a good thing, but his guitar really works with the tracks that he is featured on. It reminds me a lot of the Blakroc thing that the Black Keys did with a bunch of rappers, Q-Tip being one of them, a few years back.

This record is astounding. It is one of the better albums to come out in a long time. I can already tell you now that it will be on my "Best Of" lists for 2016. I have not stopped listening to the album since I bought it. I have talked to friends, young and old, and they all agree that it is great. I'm so pleased that we got one more thing from ATCQ. It stinks that Phife passed away, but we will forever have his music, and this lasting impression, on this record, is a great way to honor his memory.

Thank you Tribe, we needed you guys now more than ever. Go buy this record people, you will not be disappointed.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. Go check out his argument for A Tribe Called Quest being the Greatest American Band. Follow Ty on instagram and twitter.

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Beck Exceeds Already High Expectations in His St. Louis Live Show

The only thing missing is two turntables

This past Friday I had the pleasure of seeing Beck live at the Peabody Opera House in Saint Louis. Beck was on my personal "bucket list", or a "white whale" of sorts for me. He was a musician that I wanted to see before he quit doing live shows. So, when I found out he was coming to my hometown, I was going to find a way to go. My wife got myself and my brother tickets as an early birthday present. I was very enthused when she told me.

So the show came, and it was great. The opener wasn't so good, they were called CRX, and that is Julian Casablancas, of Strokes fame, new band. They sounded like a heavier, wannabe version of the Strokes. They only played for 30 minutes, which was the best thing about their set, the fact it was over so quick.

Then, after about a 20 minute break, to set up everything, Beck and his band took the stage. Beck came out on fire. He seemed pumped to be doing a show. He was very energetic from the get go. I think it helped that it was a Friday night. There is something about the beginning of the weekend that gives everyone a little extra pep in their step. And Beck was no exception. He opened the show with "Devil's Haircut". A classic right out of the gate. I loved it. The band was great all night, and it started with the shows opener. After that, Beck proceeded to play 20 songs that ran through almost his entire catalog. After "Devil's Haircut", we got some great gems like, "Black Tambourine", "Loser", "New Pollution" and "Que Ondo Guero". Each song sounded great. "Black Tambourine" was just as bouncy and poppy as I hoped it would be. He turned "Loser" into a funkier song than it ever seemed possible. "New Pollution" was straight up. It sounded like it was the original recording in the studio. He started "Que Ondo Guero" by stating that, when he was a young kid this is what the Spanish people would say to him all the time, and then Beck and the band played the song incredibly. So far, so great.

After these first 5 classics, he added other such great tunes like "Think I'm in Love/I Feel Love", "Soul of a Man", "Mixed Bizzness" and "Go it Alone". "Think I'm in Love" was awesome, and the fact that he added a little cover of Donna Summer's "I Feel Love" at the end made the song that much better. That's the great thing about live shows, the unpredictability of what covers the band might do. This was a great choice. "Soul of a Man", which is probably my personal favorite Beck song, was great. It had that great distorted guitar, and Beck and his lead guitarist traded 2 awesome solos. It was a thing of beauty. We then got some funk with "Mixed Bizzness". "Soul of a Man" may be my favorite song, but "Midnite Vultures" is my favorite Beck album, and "Mixed Bizzness" is a classic. The band sounded great, and it was a great, funky change of pace.

To follow that up with the somber, yet upbeat "Go It Alone" surprisingly worked to perfection. This was a great way to go into the next portion of his show, which I call the "acoustic/moody" portion of the show. He played "Paper Tiger", "Lost Cause", "Heart is a Drum", "Wave" and "Blue Moon" all in a row. Now, I know it sounds like I may have disliked this part, but that couldn't be further from the truth. I thought it was a great time to slow down, and build up to the end of a show. "Paper Tiger" was great, and I liked that he used electric guitars for the live show, as opposed to the acoustic he used on the record. It sounded great. "Lost Cause" was phenomenal. Again, he used an electric guitar, but the song had the same somber mood that it always had. This is a great Beck song, and it was great to hear live.

Then he went into his "Morning Phase" portion, this being his big Grammy winning record, and played three songs in a row from the record. I got a bit nervous that he was going to play some of the weirder, slower songs,  but he only picked one of those, that single one being "Wave", which I really like. The other 2 from that record were the more upbeat in music on the record, being "Heart of a Drum" and "Blue Moon". This time he busted out the acoustic guitar, and it was the perfect choice. This slower portion was very good, and as I said, a very good change of pace and build up to the end of the show.

After the "acoustic/moody" portion, Beck played his 2 new singles, "Dreams" and "Wow". "Dreams" was a great throwback Beck song. It sounded like something that could have easily been on "Mutations". It was a bit more poppy, but it still had that folksy/acoustic feel to it. "Wow" is a hit. That song is incredible. I hope his entire new album follows the sound of "Wow". The song is uniquely Beck.

I loved everything, including the show that went on behind the band on stage. "Wow" was the absolute highlight of the night. He then finished out his set with "Girl", "Sexx Laws" and "E-Pro". "Girl" was awesome. It sounded great and Beck's vocals were awesome. We got some more funk with "Sexx Laws". We also got to see some of Beck's famous dance moves and he implored the crowd to show him some of their sexy moves. It was great. "E-Pro" was a great rocker to end his set with. The band crushed the song, and Beck had an awesome solo. It was tremendous.

The band did come out and they did one encore song, but it was an epic song, with 4 short covers in the middle. First off, the band started to play the opening riffs to "Debra", but instead of that, they went into "Where It's At", another mega hit. It sounded awesome. Then, in the middle of the song, Beck decided to introduce his whole band, and this is where the short covers came into play. He introduced his bass player first, and he played a few bars of "Good Times". It was very cool. Next up, the guitar player played and sang a bit of "China Girl". Again, it was awesome. The keyboard player was next, and he played a few lines from "Pocket Calculator" which were awesome. Then, the drummer, and for that fact, the whole band chimed in and they did some lines from "1999". It was stupendous. Who can cover Prince better than Beck? No one. They then went back into "Where It's At", and ended it with a bang.

This show was everything I hoped for, but it was so, so much more. This was one of the better live shows that I have ever seen. Thank you so much Beck for all the great music that you have made, and continue to make. I had such a great time at this show. Beck is an absolute legend. Everyone must see him live.

Ty 

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. Are you playing live in St. Louis, tell us and Ty will come to your show. Follow Ty on instagram and twitter.

The Greatest American Band Debate: Band of Gypsys

SeedSing is filled with music lovers. We can not agree on who is the best band from the States. The Greatest American Band Debate will be a regular feature where we discuss and compare bands started in the good old USA. If you have any suggestions of bands we should debate Contact us seedsing.rdk@gmail.com

During this whole greatest American band debate on the site I have been trying to find a way to put Jimi Hendrix on it some way, any way possible. I thought about doing his first band, the Jimi Hendrix Experience, but Hendrix is the only American in the band. The other 2 guys are English, and if I put them in the conversation, that opens a whole new can of worms. If I were to put them in, I'd have to look at a band like The Band. They are all Canadian, with Levon Helm being the lone exception. So, since the band is 2/3 English, I decided against putting them in.

Then, I looked at doing the same thing with Hendrix that I did with Robert Johnson. I thought that maybe I could put him in based on his tremendous and unparalleled guitar playing,  but when I thought about it more, I decided against this as well. Yes, Hendrix is an all time great musician, but he is not on Robert Johnson's level. I'm sorry, but it is true. Robert Johnson wrote some of the most iconic songs ever, songs that Hendrix himself became famous for covering, and Hendrix is just not on that Robert Johnson level. Robert Johnson is a pioneer, Hendrix just improved on Johnson's invention. While Hendrix is an all timer, he is not Robert Johnson.

But, the other day, while listening to some Hendrix music, I came across my Band of Gypsys record. Now, this was a one off, live record, but it cannot be understated how great this band truly was. This was a time when 3 wonderful musicians came together and put on excellent shows, and released one of the best live albums of all time. This my friends, is how I will finally get Jimi Hendrix in the conversation. Today, I nominate the Band of Gypsys as one of America's greatest rock bands.

Band of Gypsys consisted of three guys, Hendrix on lead guitar and vocals, the incomparable Buddy Miles on drums and vocals and Billy Cox on bass and vocals. These three coming together was a stroke of genius, or "lightening in a bottle", if you will. The three of them are some of the best to play their instruments. We all know how truly exceptional of a guitar player Hendrix was. He is one of, if not the, greatest guitar players ever. He was a genius, he was ahead of his time, and he did things that no one else could ever do on guitar. Billy Cox was a phenomenal bass player, but also a pretty decent singer. His bass on this one record is so, so good. When the band plays their first song, the first thing you hear is one of his bass lines, and it totally gets you in the mood for some great psycadelic rock and roll music. He also does some great backing vocals and lead vocals on the record. Then, we have Buddy Miles. I mean come on, is their a more underrated drummer ever than Buddy Miles? He is to drums what Booker T is to keys. They are both probably the best ever, that no one talks about. Buddy Miles was a tremendous drummer. The give and take that he and Hendrix have on "Machine Gun" is made extra great by Buddy Miles drumming. Miles was also a very, very good singer. His singing on this particular record is the best of all three members. When he sings "Changes", it is one of the best mixes of R&B and rock that I have ever heard. He had a great voice. When the three of them teamed up, they created something so special, it gave me an opportunity to finally put Hendrix in this particular conversation.

Band of Gypsys did a 2 night run, consisting of four shows, that ran from December 31st 1969 to January 1st 1970 at the Fillmore in New York. These four shows produced 6 of the greatest live songs that have ever been put on an album. The record opens with "Who Knows", which has that Billy Cox bass line that I mentioned earlier. Then, Hendrix comes in with his iconic guitar and Miles hammers home the drums. The song is epic, Hendrix does some of his better vocal work and the band sounds incredibly tight. The record then follows that song with my favorite Hendrix song ever, "Machine Gun". I have already talked about the back and forth between Hendrix and Miles, but that song is so much more. The lyrics have a great message. The instrumentation is wonderful. The fact that Hendrix gets his guitar to sound like a machine gun is exceptional. Same goes for Buddy Miles on drums. The solo that Hendrix does on this recording is one of the best solos ever. I love, love, love this song. "Machine Gun" is a must listen. Then we get "Changes". Buddy Miles vocals on this track are great. He belts this song and Hendrix and Cox do some great work on a more upbeat, faster paced song. Hendrix again has a great solo. "Power of Love" has some great back and forth vocals from both Miles and Hendrix, and it is a pretty great psychedelic rock song. Again, Hendrix slays guitar, and I love Buddy miles vocals and drums. Billy Cox's bass is great as well. Another love song follows with, "Message of Love". This song is all Hendrix all the time, and it is great because of that. They close out the record with "We Gotta Live Together". This song showcases all three of them at their absolute best. It is a very great way to close out this very iconic record.

I know the album only has 6 songs, and it may seem like an unfair way, or that I'm shoehorning Hendrix in, but I seriously believe, even though they only did 4 shows and put out one live record, that Band of Gypsys is definitely one of America's greatest rock bands. I mean, Buddy Miles and Hendrix played a lot before they did this four show run. Billy Cox also showed up here and there on earlier Hendrix jam sessions and recordings. The three of them knew each other pretty well, and they used that friendship totally to their benefit when they decided to do these shows together. I love Band of Gypsys, but more importantly, I love Jimi Hendrix. He belongs in this conversation, and if I have to find a backwards way to put him in, I'm glad that Band of Gypsys put out this one record, making them more than eligible.

So yes, I firmly believe that Band of Gypsys is one of America's greatest bands for all the reasons I listed above. They also belong because these three guys are some of the all time greats at their respective instruments. If you like Hendrix, go check out Band of Gypsys, I bet you will love them.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. If you think Ty is cheating, nominate your own Greatest American Band, write for us. Follow Ty on instagram and twitter.

The Greatest American Band Debate: The Coup

SeedSing is filled with music lovers. We can not agree on who is the best band from the States. The Greatest American Band Debate will be a regular feature where we discuss and compare bands who started in the good old USA. If you have any suggestions of bands we should debate Contact us seedsing.rdk@gmail.com

Today I'm going to get back to my greatest American band debate, and the band I'm going to nominate is a very underrated, yet super conscious hip hop group, the Coup. The Coup is comprised of 2 people, emcee Boots Riley and DJ Madame Funkress. There are other members, but these 2 are the driving force behind this wonderful hip hop group.

I was introduced to the Coup about 10 years ago by one of my brothers. I was getting into politically conscious rap, i.e., Mr. Lif, Dead Prez and Talib Kweli, among many others, and my brother had just discovered the Coup, and he thought I would enjoy them. The first record he gave me was "Pick A Bigger Weapon". This was their fifth of six albums, but it was a great gateway to the awesomeness that is the Coup. I was blown away by Boots Riley. His rhyming was fantastic. He was fast, but also clear. It was conscious music as well. I was getting angry about dirty politics, and the way minorities were being treated, I still think the stuff that is happening now is disgusting, and the Coup, but mainly Boots Riley, was telling these stories.

The opening track, "Pick a Bigger Weapon", kicked off the anger and showed that Boots had something to say. He was angry about the way his people were being treated, and he put it all out there on the opening track. Then, from there on out on the record, Boots and Madame Funkress cover everything from racism to having babies to being underpaid to starting a revolution. "My Favorite Mutiny", featuring Talib Kweli and Black Thought, has the three emcees trading verses about over taking the government and taking a stand. Each emcee crushes on this song. Kweli has the best verse, but both Black Thought and Boots Riley are nearly as good. This is probably my favorite track on the record. They follow that song up with "IJustWannaLayAroundAllDayInBedWithYou", which is just Boots talking to his lady about wanting to stay at home with her all day and make love. But, he also takes a stand against the low wages given out to the working class. He complains about his alarm clock. He just wants to be with his lady all day. But, that divulges into some great takes about being underpaid, or even worse, being paid in IOU's from a crooked boss. Boots, the song makes it seem like he is just having a conversation with his lady, really takes a stance on how the working class gets screwed over by crooked companies. It's a great, funky and heady song. Some other tracks that showcase his distaste for being underpaid and undervalued are songs like "Ass Breath Killers" and "Yes 'Em To Death". Both of these tracks have a skit at the top, and then the song starts. They are both excellent. As far as starting a revolution, the very last track on this record, "The Stand", is a 6 and a half minute epic. The track is beautiful and poignant and has Boots Riley at his absolute best. This is a great, great song that has a very important message. Boots states that he is not going to take this stuff from the big wigs, the government and the crooked bosses of crooked companies, and it still, to this day, holds so much weight for me. This is an essential track for anyone new to the Coup.

I know that I have focused primarily on this one record, "Pick A Bigger Weapon", but it was my introduction, and it is their absolute best record, in my opinion, to date. Their early stuff is great, don't get me wrong. "Genocide and Juice" and "Steal This Album" are both phenomenal and they both have the same message. You could tell early on that Boots and Funkress had some important things to say, and that comes off ten fold on their first three records. But, they really hit their stride on "Pick A Bigger Weapon". They absolutely knocked it out of the park with that record. But, as I said, listen to their early stuff too. It's a bit rougher, they weren't totally solid yet, still great though. I actually like older stuff a bit more, but there is something special about "Pick A Bigger Weapon".

They released another record 4 years after, "Sorry to Bother You", which is also pretty good. It has the same message as all their stuff, but this time around, they sound like they are having fun making this politically conscious rap music. It's a bit poppier, in a good way. Boots is still there crushing it, it just has more of a radio sound.

I have talked almost primarily about Boots Riley, but Madame Funkress is not to be left alone. She is a great DJ, first and foremost. The stuff she does on their records is truly awesome. She is also an excellent singer. She has a soulful voice and can belt it out. She can rap too. Madame Funkress is awesome and she deserves just as much credit for the success of this band as Boots Riley does.

Boots Riley has also branched out and done other stuff with other musicians that is pretty great. He started another band with Tom Morello from Rage Against The Machine, Street Sweeper Social Club. This band had the same mood as the Coup, but instead of beat machines, record scratching and drum machines, it's just Tom Morello playing guitar and Boots emceeing. It's like a funkier version of Rage. I really like the record they put out. And, when you put one of my favorite rappers along with one of the greatest guitar players ever, I'm going to like it. Other than his many collaborations with Morello, Boots Riley has done stuff with Dead Prez, Talib Kweli, Les Claypool, Galactic, Del the Funky Homosapien and Killer Mike. That is a lot of different genres of music that he has leant his talents to. That should prove to any disbelievers that Boots Riley can do almost anything. Boots Riley is one of the most underrated emcees of all time. I know that true hip hop people and fans know him, but the common fan needs to know his name and listen to his music.

If you like hip hop, you will love Boots Riley, and the Coup. Look, this band is great and the world needs to know more about them. The Coup has gotten little to no recognition from the mainstream media, but I will sing their praises all day long. The Coup is not only one of America's greatest bands, but they are one of the most important bands too. They more than belong in this conversation. Do yourself a favor and go listen to anything by the Coup. I guarantee you will fall in love with their sound immediately.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. Check out all of his nominees of the Greatest American Band. Make sure to follow Ty on twitter @tykulik.

Ty Listens to Frank Ocean's "Blonde"

It finally happened. After what seemed to be years, I think it was two or three total, Frank Ocean finally released his follow up to the wonderful "Channel Orange". I was scouring Twitter the other night, and I saw that some of the people I follow were posting pictures and talking about the new Frank Ocean record. I immediately went to iTunes, in hopes that it would be available for purchase, and not only listenable to through Apple Music, and much to my pleasure, it was right there, the first record in fact, available to buy and download immediately. I did just that, and listened to it the moment it finished downloading. What I heard for the next hour was exceptional. Frank Ocean is a very, very good musician and very much a perfectionist. The album is called "Blonde", and it is so, so good.

"Blonde" was well worth the wait. I was growing frustrated, hearing stories from many different outlets that his second album was going to come out any day. I started to dismiss pretty much everything I heard. I thought Frank Ocean might have been a one album guy. I figured he would go out on a very high note. But, he did not do that. He delivered an excellent record that, I feel, everyone who likes music needs to buy. It is so different and is perfectly Frank Ocean.

What I liked about "Channel Orange" was expanded on so much on "Blonde". Ocean is like a throw back R&B singer who mixes modern hip hop with his music. He does that so well on "Blonde". I have heard some people say that it sounds a bit "disorganized", or "unfinished", but I say to them, go listen to "Channel Orange", it is the same thing. Ocean does things like changing the beat mid song, or cutting a song without a real outro, or throwing in short little songs or segues that some people may not like, or dismiss as not real music. I couldn't disagree more. This is what modern music has become, and when you can make it very good and commercial, you must be doing something right.

The album starts off great, the middle is weird, but awesome, and the last three tracks are epic. I love the opener to the record, "Nikes". The song finds Ocean using a very high voice and singing some great lyrics. He also transitions into a bit of hip hop during the song with equal accomplishment. The chorus, and intro, are very singable. I adore this song. "Pink and White" is another great early track song. He gets very high, and the instrumentation is epic. There is loud squealing from both Ocean and his guitar at the end, and it is great. The interlude that comes next is a great message, possibly from Ocean's mother, that is poignant and important. He then goes into "Solo" which is a great song. It is about being alone and lonely and it is incredible. Later, near the middle of the record, we get a "Solo (reprise)" song, and it features Andre 3000. His verse is absolutely phenomenal. It is reminiscent of something off of "The Love Below". And only someone like Frank Ocean could call up Andre 3000 and get him to do a verse on his new record. They are both similar type of musicians, but 3000 has been more focused on acting lately. He proves on this track that he still has it. "White Ferrari" and "Siegfried" are great songs near the end of the record. "White Ferrari" is a perfect hip hop/R&B song. It sounds like if R Kelly was a legit artist. Ocean is so much better than R Kelly. "Siegfried" is a good song, with some very important lyrics. The song tells a story, and it is a very good and very important story. The closer to the whole record, "Futura Free", is my favorite song on the whole album. It is excellent. Ocean does a bit more rapping, which I really like, on this song. The beat is excellent, the groove is wonderful, Ocean is fantastic and it is a very good way to close out the album. The song is over 9 minutes long, but the last 3 minutes are people answering random questions. The 5 or 6 minutes of "Futura Free" that are an actual song is tremendous.

Look, I know we had to wait a very long time for this record. I know some people may be complaining about the "disorganization" of the record. I know some people may not get it. But, two or three years from now, everyone will look back at "Blonde" as being one of the best records of all of 2016. Compared to some of the crap that is on the radio, i.e., Meghan Trainor, Britney Spears, Flo Rida, I could go on and on and on, we should be thankful that a good, real musician is putting out very good, very real music. "Blonde" is excellent, and totally worth any music lovers time. Go buy it now.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. He listens to all of his music on an old school 160 GB iPod. Hear him talk all about it on the X Millennial Man. Make sure you also follow Ty on twitter @tykulik.