NBC Hates the Olympics and they Hate You

We gave up on the audience years ago

The Olympics still hold some magic. Here at SeedSing we have talked about the games on our X Millennial Man Podcast. Guest contributor Jon C wrote a piece talking about his excitement about certain sporting events every four years. The Olympics should be must watch television in the United States. Being an American, we can see our athletes compete in nearly every event, and many times will medal in these events. Shooting, cycling, fencing, rowing are all sports not usually associated with American dominance, yet all of them have seen Team USA get a medal. The 2016 Olympic Games in Rio de Janeiro seems to be an event of peace, understanding, and sports. It seems to be a really cool thing.

I have to say that the Rio Olympics seem like a cool thing because the only way someone living in the United States can watch the games is through the channels of the National Broadcasting Company. Since the Athens games in 2004, NBC has been using a number of their cable outlets ,and the internet, to produce nearly twenty four hours of coverage during the Olympic games. All those channels and full days coverage. There should be no need for only tape delayed events. The 2000 Sydney games were almost entirely tape delayed, but the coverage was only on NBC's main station and not on any cable outlets. With major time delays in Athens, and again Beijing in 2008, NBC has presented a tape delayed package of the marquee events, in spite of having more channels and internet streaming. Sports like gymnastics, track and field, and swimming were shown to the American audience exclusively in prime time. This practice continued with the 2012 London games due to the five hour or more time difference between Britain and the United States. The last time someone in the United States was able to watch the games big events live were during the 1996 Athens games that took place in the United States.

It has been twenty years since someone living in the most powerful nation in the world could watch their Women's Gymnastics team perform live. In 1996 the ability to stream video over the internet was not readily available, twenty years on and it is easy to see live video from one's phone. NBC has gone to great lengths to make sure an American spectator can only see the Olympics when NBC thinks you should see the Olympics. Thanks to the global community of social media, any result in Rio is reported live. US Gymnast Simone Biles dominant gold medal win in the all around was broadcast to most of the globe immediately. The American audience had to wait eight hours until they could see the history making performance. When the results were posted to twitter, anyone in the USA who wanted to watch the performance was greeted with a message that the video was blocked in their region. NBC has usurped the government of the United States and is having video blocked from the citizens of the most powerful nation on earth. That is not good.

What is particularly galling about the 2016 Olympic tape delay is that host city Rio de Janeiro is only one hour ahead of the US eastern time zone. During the 1996 Atlanta games, people in Chicago were one hour behind the games, and NBC still showed the events live. The practice of tape delaying the games has been around since the games have been televised. In the 1980 Lake Placid New York Winter Olympics, the famous Miracle on Ice game was played in the afternoon, but ABC did not show the game until prime time. The difference between 1980 and 2016 is the ease of seeing things live in today's world. NBC does recognize the will of the people by allowing one to watch many events live via the NBC Olympics website. You will use your probably capped bandwidth and be at the mercy of your internet connection. Also being that NBC is owned by cable giant Comcast, the only way to access this live stream is to be a cable subscriber. Sorry cord cutters, only tape delays for you.

Putting aside the access of watching the games, NBC's coverage of the Rio Olympics has been insulting and generally terrible. Starting with the Opening Ceremonies, NBC once again let out of touch Matt Lauer and Meridith Vieria, and new comer Hoda Kotb, emcee the events for American audiences. Never mind that Lauer and Vieria were widely panned by media critics for their insulting, mildly racist, and dumb commentary during the 2008 and 2012 opening ceremonies. The 2016 edition was even worse. The veiled racism was present when Vieria referred to the Portuguese conquest of Brazil as immigration, Lauer referring as the Cayman Islands as a good place to holiday, or Kotb's groan inducing joke about the country of Djibouti. The trio more than lived up to the idea of the ugly American by constantly referencing Team USA. The opening ceremonies are supposed to be about the world coming together for two weeks of peace and sports competition. NBC and their commentators were presenting one hour tape delayed footage of Americans in Ralph Lauren between their eight hundred commercial breaks.

The awfulness of Lauer, Vieria, and Kotb extended to the people employed by NBC to provide commentary during the actual events. Early in the games, NBC swimming analyst Dan Hicks loudly proclaimed the husband, and coach, of dominant Hungarian swimmer Katinka Hosszu was the "man responsible" for the swimmers world record victory. Social media rightfully shamed Hicks. Longtime Gymanastics announcer Al Trautwig felt like it was important to point out that the adoptive parents of multiple gold medalist Simone Biles are not her real parents. The coverage of out gay and lesbian athletes has been insulting in that NBC refuses to talk about it. British swimming medalist Tom Daley is engaged to Oscar winning writer Dustin Lance Black, yet no camera close ups and human interest stories from NBC. Brazilian Beach Volleyball player Larissa Franca embraced her wife after a win, and NBC commentator Chris Marlowe felt like he should point out that Franca was hugging her husband. It is 2016, and this is what NBC sports employees are saying.

NBC and their Olympic team does not care if the audience is being insulted. The opening ceremony coverage has been widely criticized, yet no response from NBC. Vieria and Lauer were already insulting to the world two times before, why would Comcast care if they are idiots a third time. Hick's "man responsible" remarks were defended until a day later, then NBC issued a weak apology. Since those remarks, every race Hosszu has competed in, her husband has been prominent in NBC's coverage. The only time we saw Michael Phelps "man responsible" coach was on the final night of swimming. Trautwig decided to dig in and defend his comments about Biles parents, until he was finally forced to apologize because of the large backlash. People have rightfully pointed out the poor coverage, and NBC has stood by their terrible announcers. Comcast has been on the side of their ignorant coverage more than they have been on the side of the audience. 

NBC does not care about the audience, in fact they are openly hostile to the American viewer. Their marketing team has already blamed women for the networks terrible coverage. NBC thinks people want a packaged story, and not the tales being told through the competition. In 2012, the network was so invested in American gymnast Jordyn Wieber that when she did not win the individual all around gold, the network still focused on her. The actual gold medal winner was fellow American Gabby Douglas, the first African-American woman to ever win the all around gymnastics gold. NBC was set on making Wieber focal point, and win or lose she was still the main attraction. The endless commercials prove that the the non people corporations mean so much more than the eyeballs of actual human-American.

The spirit of the Olympics itself is another part of the games being ruined by NBC. One of the best parts of the opening ceremonies is the march of nations. For almost two hours, half of which was commercials, Lauer, Vieria, and Kotb spent most of their focus only on Team USA. The parade of nations is a great time to learn about the culture and history of unknown parts of the world. NBC thinks this is a non marketable distraction. There is a team made up of refugees. NBC has devoted less than five minutes of coverage to this incredible team. One of their athletes, Yusra Mardini, helped push a boat filled with refugees across the Aegean Sea, that is an inspiring story. A North Korean and South Korean gymnast posed for a selfie together, no NBC coverage. Comedy site Cracked spent more time than Comcast on these brave young women. The spirit of the Olympics is strong, in spite of NBC's best efforts.

The Olympic games have many, many problems. With the corruption of the bidding process, the bankrupting of nations, the constant cheating, the games always have a dark cloud hanging over the events. The little hope and excitement that still exists in the games is being put to the side in order for NBC to please corporate sponsor, and the network's out of touch media personalities. Unfortunately, Comcast has the rights to the summer and winter games until 2032. The only way to escape the idiocy of NBC's coverage, and truly feel the spirit of the games is to watch the Olympics in another country. Who is up for a road trip to Canada in 2018 to watch the PyeongChang Winter Olympics in their pure, and not, stupid glory? I will hold a seat at the bar.

RD

RD Kulik is the Head Editor for SeedSing and the other host of the X Millennial Man Podcast. He is going to need some money for his 2018 trip to Canada. Help him out by supporting SeedSing.

Ty Watches Bar Rescue: Champagne's Cafe' Edition

This past Sunday, Jon Taffer and crew headed to Taffer's hometown of Las Vegas to rescue a bar. What was weird about this episode, right off the bat, they had some old guy being interviewed that was not an owner, nor was he an employee at said bar. He came on, said some stuff about how people don't like change in Vegas, basically, it was just rambling. My wife and I were both very confused.

Once the weird intro ended the meat of the episode started, and we eventually met the owner of Champagne's Café. He seemed to be a mild mannered guy that just wanted to own a bar. He got the seed money from is mother, but after only a year or two, the bar started to lose money. They then cut back to that weird old guy from the beginning. He said some more stuff, but I was even more confused by this point. Then, they went back to the owner, and he was saying how this bar was another historical landmark. He said that the Rat Pack used to come in and hang out at the bar because it was far enough away from their rabid fans. He also said that the bar used to be a mobster hangout. Goodfellows would come in and, much like the Rat Pack, it was a place for them to get away. It was kind of a mobster hideout. Once the mob connection was presented we find out who this old man was that had been talking at us the whole episode. He claimed to have been a crony for the mob, and he vouched that the people he worked for did, in fact, hang out at Champagne's. So, the mystery of the old man was finally solved.

When we got back to the "rescuing" of the bar, we found out that the bar wasn't dingy or dirty. They still had a decent customer base. The drinks were good enough. No, the problem with this bar was the owner. He was a total pushover, and he did not have the skills to train the bartenders. On the first night, Taffer and his "expert" sat outside and watched as the owner allowed two of his employees to no call-no show and watched him poorly train the only bartender in the building. The recon spies asked for very simple drinks. One wanted a Manhattan and the other, a famous drink called the Bee's Knees. These drinks are supposed to be very simple, according to Taffer and the "expert", but the new bartender had no idea how to make them, and the owner, well, he was just as clueless. It got so bad that the "expert" went into the bar, ordered a drink, it was made incorrectly, so she went behind the bar and showed them how to make it properly. At this moment was when Taffer showed up inside the bar. He didn't yell or berate this guy, he just seemed disappointed in him. He gave him a hard time about poorly running a hospitality business in the hospitality capitol. The owner was a mess. He never raised his voice or got angry at the workers that skipped out on him and almost everything Taffer suggested, he obliged. The one thing he wasn't so happy about was the fact that Taffer may change the wallpaper in the bar. This dude had some weird obsession with wallpaper. He spoke of it as if it were his child. I think he may have been in love with the wallpaper.

Aside from the owner being a mess, the bartenders, when they did show up, they were actually pretty good. They knew how to make drinks and how to make them fast and correct. This was one of the first times that the employees, save for their disregard to schedules, seemed to be on top of things. They knew what they were doing. Instead of a stress test, Taffer had people come in and taste test the drinks made by the three bartenders. The winner would get the best shift. It was an interesting change from the beloved stress test.

After the taste testing and the crew working on the bar, we got the big reveal. When Taffer got to the number 3, the crew turned around, and very little had been changed. They kept the name, once again because of the history. And, aside from a new neon sign, the outside was only touched up with paint and made to look brighter. Then, they went inside. This was when the owner was at his most anxious because he thought that the wallpaper would be gone. But, much to his relief, the wallpaper was still there, and it was actually made to look a bit nicer. They didn't change too much inside either. The allure of this place was the old school-ness of it, so Taffer kept it that way. I thought the changes inside were nice. It looked like a hip, old school type bar.

This season of "Bar Rescue" has been very pleasing to watch so far. We've gotten a little bit of everything from each episode, and this was a particularly unique episode because the bar wasn't in disrepair, it was the owner that needed to shape up. By all accounts, Champagne's is doing pretty decent business, and the owner looks to be close to out of debt. He also has a tighter leash when it comes to schedule and he said he is not the pushover that he once was. Good for him, and his bar.

Come back next week for the review of the next episode.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. Due to the fact that Ty does not drink, he appreciates the look of a bar. He especially likes well thought out wallpaper. Follow him on twitter @tykulik.

Ty Watches the Eric Andre Show: Season Four Premier

I do watch other TV shows besides "Bar Rescue", and one of those shows is the "Eric Andre Show". The fourth season premiered this past Friday, and it was glorious, hilarious, weird, bizarre and everything I was hoping it would and could be. This show has always been weird, but I'm a big Eric Andre fan, so I expect as much. I got really into this show about a year ago, and I watched the first three seasons in a week. Each episode is only 11 minutes long, so it was easy. I also love the fact that Hannibal Burress is his co host, and he is the perfect foil for Eric Andre.

The fourth season premiere started a little different from most seasons. Each episode starts out with Andre destroying the set, sometimes beating the band members up along the way. This season started with Andre sitting in his chair, looking exhausted. Then, when the music started, he was flung around the studio, attached to wires, and proceeded to destroy the set that way. He was an unwilling participant in this destruction. I know that it was fake, but it was still funny. After they replaced all the things he broke, Burress appeared and did his usual deadpan stuff. Then, a newish wrinkle in the show, Andre did a monologue. But, this time around, he acted as if it wasn't his choice. It seemed that Adult Swim was forcing him to do it. He even got shocked by a shocker at one moment, then they cut away to happy pictures of Andre. I loved all the jokes that made it seem like Andre did not want to do this.

After the insanity of the intro, the show cut away with their usual still frame and the words " we will be right back...". After the little break, Andre introduced his first guest, the rapper T.I. The interview immediately went off the rails, as it is supposed to. Andre asked uncomfortable questions that T.I. did not want to answer. Then, Burress tried some rapping that was purposefully terrible. Then, Kraft Punk showed up, that is a Daft Punk impersonation, except the helmet is made of Kraft mac and cheese. Eric Andre and Burress berated Kraft Punk right in front of T.I., forcing him off the stage. Then, a guy dressed like a zombie appeared from the ground, and T.I. kicked him in the face.

Once this insanity was complete, they cut away to one of the many side segments they do during the show. The segments on this episode ranged from, Andre appearing to be very hurt, riding on roller blades, asking people if they knew where the Sprite headquarters were so he could become the pitchman. Andre also rode a bike through a glass window, pretending to be a Chinese food bike delivery man. One of the other segments was Andre and a friend dressed as a horse for a segment called "Horsin Around", where they interview people on the street as a horse, but the interview quickly turned to a fight after Andre accused the back half of the horse of trying to put a finger in his butt. All the segments were very weird and very funny.

Once T.I. had enough and left, it happens with all the guests, they had "Dance Moms" host, Abby Lee Miller. She is a monster, and when Andre asked her about being abusive, she quickly changed the subject, but they wouldn't stop there. They pushed her, and then the interview, once again, went off the rails. A drone flew in hot dogs for Andre to eat. Burress left the stage, destroying a shelf along the way. They ignored Miller, much to my delight. She eventually asked if she could leave.

To end the show, they had the band American Authors on. They played their hit song, "Best Day of My Life", but Andre made them perform it as a human centipede. It was weird and disgusting and just what I expect from "The Eric Andre Show".

I'm so pumped for this show being back on air. I will update each episode on Monday, so come back next week for the next update.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. He used to destroy his laptop after every blog post, then he learned that laptops did not grow on trees. Follow Ty on twitter @tykulik.

Ty Watches Bar Rescue: Gallopin' Goose Edition

Tuesdays mean it's time to talk about last Sunday's Bar Rescue

This past Sunday, Jon Taffer and his crew visited another bar that they felt the responsibility to "rescue". The crew went to a bar in Arizona called the Gallopin' Goose. This is an actual historical landmark bar because it is the first place that country music legend, one of the few good country musicians in my opinion, Waylon Jennings, first performed live. This was a for real bar. I was kind of shocked that they did a rescue of a place that a lot of people know about.

As the episode wore on, we come to find out that it wasn't so much a "bar" rescue as it was a relationship rescue. Sure, Taffer's team had to replace the bar top, there was grime everywhere, the kitchen needed to be cleaned and the owner was losing a ton of money, but that was all standard stuff for any episode of "Bar Rescue". What Taffer quickly realized was that he was, not only going to have to rescue the bar, but rescue a broken relationship as well.

These are some of my favorite episodes. I love that Taffer thinks he is some kind of marriage counselor. He spouts off cliché line after cliché line to try and repair these marriages. This one was particularly tough because the guy that owned the bar, he very quickly married his first wife, they had a baby, she got pregnant with their second child, but while she was pregnant, this scumbag cheated on her with a bar patron and got that lady pregnant as well. This did not sit well with the people in this small town. This was when the bar started to lose it's customer base and money. This was when this guy, who I assume was already pretty trashy, became complete trash.

The owner of Gallopin' Goose is, as I stated earlier, a real scumbag. His ex wife moved away from him because of this, taking their 2 children with her. This also really tore the guy apart. He started drinking more heavily and stopped taking care of himself and the bar. His ex wife eventually moved back, but she then found herself raising this other child of his. They never said what happened to this kids real mom, but the owner's ex wife now had three kids she had to raise. When they got back to the original timeline, Taffer had the ex wife as his spy in the car, and while watching the bar being poorly run, we also saw the owner talking shit about his ex wife to the other employees. He was complaining that she was never there and that he had to do all the work. Never mind the fact that she was taking care of three kids, one of which was not biologically hers, but she also came to the bar whenever she could to help out. This lady was being very poorly treated by the owner. He was a real big dickhead.

When Taffer comes in to confront him, he immediately rips into to him. He calls him a failure and a lowlife, classic Taffer. He talks to him as if he is a child. He threatened to kick this dude's ass, and this guy was way, way bigger than Taffer. It was all classic Taffer, and it was all hilarious. The two of them eventually cooled off, and the owner started to take Taffer's advice. He was very willing to listen to all of his suggestions. He was even willing to take Taffer's "expert" advice in relationship counseling. It was all very calm and quiet after their first encounter.

The Gallopin' Goose switched over to a whiskey bar. This worked very well in their favor. They also became an all day breakfast food place. Apparently, they had a successful breakfast buffet on Sunday's, so they decided to do this 7 days a week. Then, in classic "Bar Rescue" fashion, Taffer had a sit down with the ex wife and the owner, explained to them why they needed to reconcile, full of clichés again, and of course, at the end, they seemed to be back together again. Taffer was thrilled by this.

There was a very weird moment late in the episode as well. Taffer turned the bar back into a live country music venue as well, he did not change the name because of the history, and he invited one of his favorite country bands to play at the reopening. I didn't catch the name of the band, but they sounded terrible. The best part was that at one point, the band was playing and the camera turned towards Taffer, and he was bobbing his head and very creepily smiling at the lead singer. It was all very weird, but also exactly what I would expect from "Bar Rescue".

This episode has been the highlight of the season so far. It was very good and everyone was very polite and kind, for the most part. Seek this episode out of you haven't seen it yet. Come back next week for my review of the next episode.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. Sometimes when he needs a pick up, Ty blasts Waylon Jennings for all the neighbors to hear. Follow Ty on twitter @tykulik.

Ty Watches Bar Rescue: The Blacklight District Edition

Turn the channel. Bar Rescue is about to start.

This past Sunday we had another episode of "Bar Rescue", and I'm here to review it today. This time around, Taffer only brought one "expert" with him because this place was only a bar. He brought along Phil Wills, who may be one of two "experts" that I can tolerate, because he is a "mixology" expert. He knows his drinks inside and out.

The crew traveled to a bar called The Blacklight District in Long Beach. This bar was a simple bar, but they also doubled as a punk rock, and only punk rock, music venue. The owner is a huge punk rock fan, and he figure, if I'm opening a bar, I may as well make it a music venue as well.

The beginning of this episode was a bit different than most. Most of the time the owner is talking about all the problems with the staff and the fact that they can't make money after they were raking it in when they first opened. This time around though, the owner wasn't really complaining, although he was 200,000 dollars plus in debt, he owed a friend of his 17,000 dollars on a loan, he was losing money and his bar would be gone in less than 2 months. He acted blasé and just seemed disinterested in his bar being rescued. He assumed that the show would give him the upgrades his bar needed, and build him an entire new kitchen because he wanted to start selling food. He must have thought that "Bar Rescue" was a hand out and not a reality show, that only fixes up bars, not completely refurnish and build new areas in the bar. The owner was also a total dickhead. He was making homophobic slurs towards his staff. He yelled at everyone that disagreed with him. He told people they were phonies if they didn't like punk rock.

When Taffer and crew came in to first talk to the owner of The Blacklight District, Taffer invited the bass player from an all time great punk band, The Vandals, to be one of his spies. When the owner of Blacklight District was told that this person played bass in a real life, successful punk band, he demeaned and insulted him. He told him he wasn't a real punk rocker because he didn't like his bar and because he was wearing a sweater. This guy was a real piece of work. He also constantly laughed in Taffer's and Wills' face at any suggestion they gave him. The staff all seemed willing, able and wanted to change so they could make money, but the owner, this was all a joke to him.

During the stress test, Taffer packed the place, as he always does, and while the staff was keeping up, and actually, doing a very good job, the owner, he was loafing around and when the band that "Bar Rescue" hired to play that night, he paid more attention to them than anything else, and the band was terrible. The acoustics in his bar where terrible too. The band sounded muffled and grumbly, and I know that I've said on this site more than once that I'm not a big punk rock fan, but this band was absolute and utter garbage. They sounded even worse when you put into account the very terrible sound quality the bar offered. Oh, and prior to the stress test, we got our second dead mouse of the season that the camera crew continued to keep the shot on for an uncomfortably long time. They kept showing it and making the staff look at it. It was gross and that is 2 of the 4 episodes so far that have shown a dead mouse. It never gets any easier to look it. It's still gross.

Anyway, after the stress test debacle, Taffer and Wills started to devise their plan to upgrade the bar and make the drinks more accessible to the community. They also had the idea to turn the place into a rock bar, not just punk rock. This episode was one of the few were I sided one hundred percent with everything Taffer and his "experts" wanted to do. Everything they talked about, for this particular bar, sounded perfect and money making. When Wills was training the staff on the new drink menu, they abandoned the kitchen idea early on, everyone was in, except for the owner. He laughed at the proposed new drink menu. He kept making more homophobic slurs regarding the drinks and directed some of them at Wills himself. The owner, as I have stated before, was a real piece of human garbage. He seemed to think that being "punk rock" meant to be an asshole. There was nothing likable about him at all. He was degrading, mean, ugly on the inside and out, a thief, a bad friend, an idiot and quite possibly the most stubborn person I've seen on "Bar Rescue".

This episode was different than most in that it is only the second time that I've seen where Taffer elected to not "rescue" the bar. He said, and I agree one hundred and ten percent with him, that this owner did not deserve their help. The owner didn't deserve help from anyone because he is a selfish douchebag. The staff at the end seemed to be quitting on him, and I hope they stuck with that decision. This guy is a shitty person who does not deserve success because of the way he treats people. I'm glad Taffer and crew walked out and didn't do anything to help out. I'm pretty sure that Blacklight District is out of business, and that is what that owner deserves. This was one of the few times that I have felt bad for Taffer, but he did the right thing by not helping this guy out. That is why he is the founding, and first, member of the late night hall of fame. Come back next week when I review the next episode.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. He would definately go to a punk rock bar before one that specialized in easy listening soft rock of the 1970s. Follow Ty on twitter @tykulik.

"Vice Principals" is Another Great HBO Comedy

Something new and funny is flying into your tv antenna

I know that I'm about five days late, but Danny McBride and Jody Hill have done it again people. Their new show, "Vice Principals", premiered last Sunday, July 17th, but my DVR got all messed up from the storms I wrote about last week, so I finally got to see the premiere yesterday. It was almost as good as their premiere of the all time great TV show, "Eastbound and Down", almost.

"Vice Principals" opened on Bill Murray, who I believe is only in the first episode, as a principal of a high school and that day was his last at the school. He was getting ready to raise the flag one more time and he was chatting with two of his employees, played by Walter Goggins and the great, criminally underrated Danny McBride. They were all cordial at first, but as the conversation dragged on, you could see that Goggins and McBride's characters hate each other. They are literally enemies. When Bill Murray has had enough of the fighting, he makes the two of them perform the pledge of allegiance, all with his back turned, and the quiet back and forth between McBride and Goggins was classic Jody Hill and Danny McBride's comedy writing. The two were fighting, flipping each other off and insulting each other, basically all with their eyes and gestures. Very few words, other than the pledge, are spoken during this first scene.

We then cut to a fight happening inside the school. McBride is the vice principal, and he is the first administrator to see the fight. He goes to break it up, and while doing so, he gets punched in the face. He takes the three kids involved in the fight into his office to hand down punishment. If this wasn't on HBO, it would have been a cut and dry suspension scene, but since it is HBO, and they can be uncut, McBride goes off on these kids. He's calling them names, swearing at them the whole time and hands down a very by the book high school punishment, but the way McBride delivers the lines, it is so funny and so hilarious.

We later come to realize why McBride and Goggins hate each other. We see Goggins at a lunch table with all the other administrators and other teachers, and he is the coolest, most fun person for the to be around. McBride, on the other hand, has no friends at the school, except for the lunch staff, that only seems to tolerate him. He is talking to one of the workers about how much he hate Goggins and that he is so much cooler than him. Again, classic Danny McBride stuff. We also learn a bit later in the episode that McBride has a daughter and is divorced from his first wife, played by Bijou Phillips. The back and forth between them, while watching their daughter take horse riding lessons, is very funny and kind of uncomfortable . It is only made more funny by the fact that Bijou Phillips new boyfriend is a very nice guy that wishes well to McBride all the time.

McBride assumes that he is going to get the principal job, so he tells his ex wife, her boyfriend and his daughter, that he is going to be named principal the next day. His ego is only more inflated when he gets home and has a message from the school saying that they made a decision, and they want to see him in the office in the morning. The next morning, when he arrives at school, he parks in the principals spot and proceeds to the office, sits in the desk and gives Goggins a piece of his mind, because he assumes he is the principal now. But, we come to see that not only did McBride not get the job, but neither did Goggins, or anyone else at the school. They hired a principal from another school with incredibly awesome credentials.

McBride is crushed. He tries to get the administrators and teachers to sign a petition to get the new principal fired, to no avail. He tries to organize a student walkout, to no avail. He sends an open letter to the school board to get rid of the new principal, to no avail. Everything he tries, it doesn't work. He arrives home from work that first day, after getting the hammer from the new principal, and his daughter and his ex wife's boyfriend are throwing him a surprise party. He has to explain to them that he didn't get the job, but his daughter and ex wife's boyfriend, are so complimentary and supportive of him. That scene is one of the best in the entire pilot episode.

Later in the episode as McBride is on duty as basically a crossing guard, we come to see that Goggins, who has been acting like a total gentleman and getting on the new principal's good side the whole episode, dislikes her as much as McBride does. They both want to take her down. They decide to join forces to get this new principal fired. Goggins character said it perfectly, "She is your enemy. You are my enemy and she is my new enemy, so my old enemy has a new enemy, making my old enemy my new friend. Let's join forces". They high five and the credits roll.

I cannot wait to watch more "Vice Principals". Danny McBride is playing a classic Danny McBride character, which he excels at doing. He is a dreamer in a crummy situation, trying to make it sound much nice than it really is. McBride thrives at this kind of stuff. Goggins, who we didn't get a whole lot from in the pilot episode, until the end, is going to be great on this show. He is a menacing, yet very funny actor who I was late on the bandwagon to. I really enjoy him in everything he does, and "Vice Principals" looks like it will be another homerun for Goggins. This show is going to be great. Danny McBride and Jody Hill are great comedy writers. And this is the type of show that HBO excels at doing. I cannot wait for more, and if it turns out to be 1/10 as good as "Eastbound and Down" was, "Vice Principals" will be great. I love this show.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. He visted the vice principal's office many times in high school due to being too real. Follow Ty's realness on twitter @tykulik.

"Any Given Wednesday" is No "The Bill Simmons Podcast"

Some people are better when they are heard, and not seen.

A few weeks back I wrote a review of Bill Simmons new show, "Any Given Wednesday". I thought that it was fine, but I also thought that it had some room to grow. I am a big Bill Simmons fan, so I just assumed that I would love his show. It seemed that he was bringing his wildly popular podcast to the small screen. What could go wrong, I thought.

Well, after four episodes, the show has shown very little, to no growth. It's just the same thing over and over again. I feel like, after only four episodes, the show has become stagnant and a little boring. This show has all the potential to be great, but they cannot seem to get over the hump. Now, it is only four episodes, and a lot can change, but they have done zero so far to make this show better.

The premiere was fine. I thought Charles Barkley was funny and seemed to be having a good time. Simmons seemed a bit nervous, but who wouldn't be with a new show premiering. But, when Ben Affleck went on his rant, that premiere went off the rails. It was bizarre and incredibly awkward TV to watch. I was squirming in my seat at home. I cannot imagine how the studio audience felt. I love that Affleck is such a big fan of his team, but that rant was so, so weird. It was bad TV as well.

The Affleck weirdness was followed by the second episode which featured Simmons interviewing Malcom Gladwell and Mark Cuban. They had a heated discussion about the owners and the amount of money being thrown around in free agency and how it has gotten out of hand. Cuban, being the billionaire and owner that he is, he had no problem with it. He was defending some of the ridiculous contracts being given out to marginal players. Gladwell argued that some of these players weren't worth it, and since he is so smart, his argument was eloquent and poignant. But, that was problem that I had with this episode. Malcom Gladwell is one thousand times smarter than most people in the room, and I felt that he had to dumb down his speech just so Mark Cuban could understand what he was saying. Now, Mark Cuban is by no means a dummy, but he is nowhere near Malcolm Gladwell's intelligence level. Not many people are at his level. This conversation would have been so much better if it was two owners or two intellects. You cannot put one very smart person with a marginally smart person and except a fair argument. This was a mismatch and the interview just didn't work. Simmons kind of lost control pretty early on during the conversation.

Episode three has been the highlight of the season so far, but it wasn't because of Bill Simmons or his writing crew. This episode succeeded because of Chris Bosh. Simmons had Bosh and actor Anthony Anderson as his guests. Anthony Anderson was fine. He is a very well spoken, smart person whose acting I really enjoy. But, when Chris Bosh spoke of Kevin Durant's decision to leave OKC for Golden State, it was phenomenal. There is no one else, possibly on the planet, that can relate better to what KD did. I, and many other people, have written about KD's decision, but we don't really know how it went down, or how he feels. Chris Bosh, on the other hand, he went through exactly the same thing when he left Toronto for Miami. Bosh's speech, and the way he talked about making decisions like that, was just great. He kind of opened my mind. I mean, I'm still kind of pissed that KD left OKC, but, Chris Bosh made me understand just a little bit why players make choices like this.

The latest episode  had Aaron Rodgers on for a one on one interview for the majority of the show. This should have been a slam dunk, especially after Bosh crushed it on the show the previous episode. But, this was very, very boring TV. Aaron Rodgers, while being a great football player, he is a pretty dull person, by choice. Most interviews he does are boring. He just wants to talk about football and being QB for the Packers. and that is fine, that is his job and he is wonderful at it. But, to dedicate 20 plus minutes to an interview with him was a bad choice. It was slow. They didn't talk about any real problems, with the exception of concussions, in the NFL. Aaron Rodgers seemed very coached in a lot of his answers. When asked certain questions, Rodgers would wait, almost calculating the right answer in his head, then proceed with his answer. It was only 20 minutes, but it felt like 20 hours. The other problem with this, this episode was on the day after Tim Duncan retired and they only dedicated about 2 minutes to him. Bill Simmons is a basketball writer, and he only gave himself 120 seconds, on his own show, to talk about one of the 5 greatest players of all time. That was a big bummer to me.

There have been other people on, guys like Joe Rogan and Bill Hader, but their interview were forgettable. I had such high hopes for "Any Given Wednesday", and they can still turn it around, but it feels more like they will be cancelled before they get a second season. Simmons, who seems so comfortable on his podcast, looks and sounds incredibly uncomfortable on his TV show. TV may not be his thing, and that is fine because he will always have his podcast and his website. Some people thrive on TV, but others don't. Bill Simmons, so far, has not lived up to the expectations of being a good host on his own show. His time is running out as well. Hopefully they turn it around, but it seems unlikely.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. His podcast hero is still Bill Simmons, but his tv hero will remain to be Homer. Follow Ty on twitter @tykulik.

A Millennial's Appreciation of Garry Marshall

Yesterday we lost another legend. This legend was huge in television and movies. We lost the great Garry Marshall at the age of 82.

Marshall was one of the great writers and directors that Hollywood had ever seen. Marshall had his hand in on many, many great television shows. Among many other things, Marshall created "Happy Days", "Mork and Mindy", "Angie" and "Laverne and Shirley". He wrote on classic TV shows like "The Dick Van Dyke Show", "The Odd Couple" and "The Lucy Show". He directed classic movies like "Pretty Woman", "Beaches", "Overboard" and a bunch of the television shows he created and wrote on. He was a master of comedy in the 60's and the 70's. "Happy Days" is a timeless television show that, at least the first couple of seasons, still holds up. "Mork and Mindy" was the coming out party for the greatness that was Robin Williams(another person we lost way too young). "Laverne and Shirley" was, and still is, one of my mom's favorite TV shows, and I really enjoy it as well. It was one of the first shows that featured 2 females in lead roles. Marshall was an innovator.

Writing for the shows he wrote for was just incredible. During that era, there were very few channels, so whatever the higher ups at the channels wanted on TV, that what was on. That included some great shows like "The Dick Van Dyke Show", "The Lucy Show" and "The Odd Couple". Those shows are all timers and Marshall was one of the lead writers on each one. Dick Van Dyke was an enormous star and a lot of his spoken words were lines written by Gary Marshall. There is almost no one as big as Lucille Ball in the history of TV, and Marshall wrote a lot of her jokes. "The Odd Couple", featuring Jack Lemmon and Walter Matthau, again, written by Gary Marshall. Lemmon and Matthau are two of the biggest stars of all time, and Gary Marshall was one of the leaders in the writers room, feeding these guys their iconic lines.

I know that his movies near the end have become a punchline, but look at the ones I mentioned above. "Pretty Woman" was Julia Roberts coming out party. That movie made her a star. Also, to get a movie made in the 80's about a prostitute with a heart of gold, that's super impressive. Like I said, he was ahead of his time. "Beaches" is one of the saddest, most heart wrenching movies ever made, but I do not know one person that hasn't seen at least most of that movie. That movie is so sad, but it is also very well made and excellently directed. "Overboard" is a great comedy movie starring two fairly unknown people at the time. Kurt Russell and Goldie Hawn were marginally famous, but that movie put them over the top. That movie is also very, very funny and it does hold up. The farcical story is so out there, but due to Marshall's directing, it's believable and executed exceptionally. I never thought of Kurt Russell or Goldie Hawn as comedic actors until I saw "Overboard".

He also had a hand in on a lot of the stuff his sister, Penny Marshall, was involved with. Be it helping her write or cast or perform himself in the movies, he was a big help. His minimal role in "A League of Their Own" stands out among many great things in that wonderful movie. I'm sure he helped some way in one of my favorite movies, "Big". He directed, and gave his sister her start, in the wonderful "Laverne and Shirley". He also never had any problems helping his sister out. When he was called out for nepotism, he didn't hide from it, he embraced it. His famous quote about hiring family members, "When in doubt, you bring in relatives. Nepotism is a part of my work", is incredible.

I know it might seem weird that the millennial of the site is writing about Garry Marshall, but he has been involved, some way, throughout my entire life of watching TV and movies. I adore Gary Marshall's TV shows and most of his movies. I'm also curious as to how the podcast "Comedy Bang! Bang!" will approach this news. For those that don't know, Paul F Tompkins plays a lot of characters on the podcast and the TV show, but I think his most beloved is his impression of Gary Marshall. He does a spot on impersonation, and I hope they do something special to remember the man. I'm sure they will and I'm sure it will be hilarious and heartfelt. I eagerly await your move "Comedy Bang! Bang!".

Rest in Peace Garry Marshall. You were an innovator, a genius, a writer ahead of his time and an all around fantastic TV and movie personality. Your directing and writing will go down in history. Enjoy the afterlife good sir.

ed note: We forgot an extra r in Garry when the article was first published. We have corrected the mistake. Sorry that we are idiots.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. Follow him on twitter @tykulik.

Ty Watches Bar Rescue: Baseline Bar and Grill Edition.

Turn the channel. Bar Rescue is about to start.

I figure, as long as my readers want to read about my feelings on episodes of "Bar Rescue", I will continue to watch and review the new episodes. 

On Sunday there was anew episode of "Bar Rescue". This one took place at a bar in Arizona called Baseline Bar and Grill. The owner did her whole thing at the beginning, talking about all the problems the bar was having. It was your typical "Bar Rescue" stuff. The bar started out great, raking the dough. The Success did not last. Baseline Bar and Grill fell on hard times and now the owner was in some serious debt. I believe this lady was on the verge of losing her house. Instead of trying to make the business profitable again, she just let her employees, two of whom are her children, continue to run the bar straight into the ground. This isn't the first time that Jon Taffer has had to not only rescue a bar, but a family as well.

Game on.

When Taffer showed up to the bar, well, his first stop wasn't at the exact right spot. He and his two "experts" showed up at a place called Baseline Pub. Taffer and crew show up, claim that this place looks okay, but quickly realize that they are in the wrong spot.

Strike one for Baseline Bar and Grill.

Taffer is livid that there are two bars, within a 5 mile radius, that names are that close to each other. Taffer usually gets angry pretty quick, but he was real mad right off the bat. This was a great start to the episode.

When they finally get to the right spot, Taffer and crew get very angry once again. They have their decoy or secret shopper go into the bar. This decoy is a female, and the owner previously said that the bar is not nice to females. The whole bar tending crew is female, and they do not like to interact with female patrons, they flat out  say this on the show. To make matters worse, one of the owners daughters finally serves the lady, but she is incredibly rude and off putting. She even swears at her when she orders a "fancy" drink. It was very weird.

Strike two.

This wasn't the thing that put Taffer over the top though. A few seconds later, after ordering some awful food and the whole bartender-patron fiasco, the owner of the bar inflates a kiddie pool and fills it with cold spaghetti. No one in Taffer's car, including Taffer, can figure out why they are doing this. Then, 2 of the bartenders step into the kiddie pool filled with spaghetti and begin to spaghetti wrestle. It was bizarre and looked pretty violent and kind of gross. I'm not a big fan of any wrestling that involves food, and cold spaghetti did not change my mind. I know that one of the workers either broke or had a badly injured nose form the wrestling, and this was when Taffer stepped in.

The patrons all saw Taffer coming, and so did some of the employees, but the owner had no idea. Even with one of her other employees very clearly yelling, "Taffer is coming!" three times. This is what makes "Bar Rescue" great. When the owner gets blindsided by Taffer, it is a thing of beauty. He immediately lays into everyone at the bar. He takes no prisoners when it comes to his wrath. He really lets them have it. The owner asks Taffer to not be so hard on her.

Strike three.

Oh boy does this set Taffer off. The owner is the person who is usually most to blame for the demise, so when they ask for a little relief, he yells at them even more and louder. And, I have to say, he is right most of the time.

After all this, the rest of the episode is your typical "Bar Rescue". The bar cannot handle the stress test, but there is always a silver lining. The whole crew gets re trained in the bar industry. Taffer has a conversation that makes the mom and the daughters close again. Taffer changes the name of the bar, this one from Baseline Bar and Grill to Brick and Barley, one of his better efforts. And the check up shows that the bar has turned things around.

Like I said last week, there is some odd comfort in the consistency of this show. A few weird things did happen though. First, during the reveal of the new restaurant, one of the employees said, and I quote, "this place is classy as f%^k now!", with no ironic tone to her voice at all. That one quote encompasses the type of people that Taffer and Spike TV deals with weekly. Second, during a commercial break, Taffer came on and gave a bar tip. His tip was to "eat up, before you meet up". What made this odd, he has never done this before. I have never seen an ad featuring Taffer during the show. It was weird, odd, bizarre, but brilliant. I actually watched a commercial for the first time in ages.

"Bar Rescue" is back and better than ever. The first two episodes of this season have been great and I will continue to watch and do write ups, not only because you guys are reading it, but because it is so much fun for me. Come back next Tuesday for the review of this coming Sunday's episode.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. Since he doesn't drink, Ty is always looking for a bar with high quality entertainment. Food wrestling is not high quality. Follow Ty on twitter @tykulik.

How the Internet has Changed Pop Culture

Popular culture is a complicated beast. Like the Hydra, it has many heads, and when you think you've figured it out, two more heads pop out of the last. I'd like to thank SeedSing.com for helping expand the conversation on so many topics, including this one. If you have time, check out their article about why the book is always better than the movie—argued from the perspective of someone who doesn't actually agree!

For its relatively short lifespan, pop culture has undergone many changes. Within the past century, it has developed alongside different forms of media, including radio, movies, television, and finally the internet. Of these forms of media, none has been more transformational than the internet.

While radio might at first seem like the first big mover of pop culture, the vast majority of pop culture has been a one-way street for nearly a century. Entertainers delivered material, and consumers absorbed it, transmitting it to other consumers in the process and growing the market. The internet has massively altered the way information is transmitted and, as a result, turned the entire pop culture scene on its side.

The Two-Way Street

In some ways, there's always been some level of interaction between fans of pop culture and perpetrators of pop culture. Music concerts, fashion shows, and other spectacles allow fans and enthusiasts to attend and see the latest—that much hasn't changed. But with the internet, people can also provide meaningful feedback instantly.

It has replaced the thousands of fan letters that are never read and go unanswered. Services such as Twitter and Facebook allow everyday people to interface with real celebrities, artists, and content creators on a very personal level. Rather than wait days or weeks for a response to hear from these famous figures, the public may see a response in mere minutes.

The leaders of pop culture haven’t let this change go unnoticed either. More than ever, social media pages are advertised on television, over the radio, and even within products. “Visit our website to learn more,” they say. “Text (something) to 321” will get you added to a list for any number of different things.

Even a person like Dr. Phil has gotten in on the act, with his show sometimes weighing the opinions of the public by broadcasting their responses to his questions live. As this trend continues, entertainment shifts more and more away from being a mostly passive to sincerely welcoming interaction.

The Death of Cable

Another amazing phenomenon we’ve begun to experience is the slow demise of cable. While there is still a hefty subscriber base to standard television, the numbers are beginning to dip. Consumers are seeking their entertainment elsewhere, mostly through streaming services over the internet.

As a result, the movers and shakers of pop culture are no longer just the late-night TV hosts or the faces of prime-time television. A new demand for quality entertainment that directly answers the wants and needs of the consumer has created an incredible lineup of original shows that can be seen any time so long as you have a subscription to the right service (typically Netflix).

That brings us to the heart of our next point: The change in audience has created a new type of consumer.

On Demand

The instant nature of the internet has, in many ways, altered the patience of consumers. As progressively more content becomes available on demand, it changes audience expectations. Pop culture becomes something the audience doesn’t want to wait to read about in the tabloids tomorrow—why bother when they can visit TMZ’s website right now?

In some ways, this has also created a conflict between the previous generation and the new. The older generation is used to waiting; what choice did they have? "Snail mail" got its name precisely because it was so slow. But the new generation wasn't raised on that.

The new generation has been exposed to an entirely different upbringing that is reshaping everything we know about pop culture. Deemed “millennials,” these new consumers are used to things being available instantly. They grew up with cell phones, email, and instant streaming movies.

Naturally, pop culture has developed to answer these needs. Vendors of popular items sell their goods online with fast-paced shipping. Virtually every major bill can be paid online with a few taps. And since the newer generation spends so much time online (typically on a phone or laptop), much of advertising has moved there as well.

Copy That

In many ways, the internet is solely responsible for the most freely produced content since the dawn of history. Because all online entertainment is stored as data, it can be (largely) freely copied. Unlike physical media, there are no limits to how many times data can be reproduced.

Internet users first figured it out on a large scale when Napster became big over a decade ago. A single user could post a song they had on CD, and thousands of other users could download it and share it themselves. Because there was no physical limitation on the number of copies, it meant millions of people could get music for free.

With time (and faster internet), file sharing expanded to videos and larger programs. So too did the record companies’ fight against what they deemed internet piracy. Today it still continues unabated, but new efforts have been made to fight against file sharing.

The Fight Against Piracy

This brings us right back to today’s on-demand culture. Piracy has been combated in two different ways. The first is through censorship and monitoring. The FBI has taken down several pirating websites, and Hollywood has sued the owners of select IP addresses that pirated movies. Well, except the people using VPNs, since they’ve been able to hide their IP addresses.

The second way has been just to make content more accessible. Instead of having to visit the video store, you can load a show up without leaving home. Music can be purchased one song at a time instead of having to buy an entire album. Little tweaks to the market have dissuaded quite a few pirates by making the legal way just as easy.

Other entertainers have embraced the idea of free content by literally making their stuff free but stuffing it with ads or add-ons that can be purchased for cold, hard cash. Video games have changed quite a bit as well. Many games can be bought before they’re even finished, allowing users early access to the still developing product.

Where most games usually shipped finished, now we see games sell with only a limited amount of content and the rest purchasable at a later date. This is made possible only by a fully connected population that can go online at any time to buy the new content.

What Tomorrow Holds

If present trends continue, we’ll only see more digital media come to replace physical media. The internet can’t quite replace live conventions or concerts, but it has afforded many more access to these events than ever before.

While print struggles to stay alive, online versions of popular magazines and TV shows flourish. Independent content also continues to grow in popularity, with YouTube and Twitch providing platforms for individuals to create content for other users.

We won’t know what tomorrow holds until it happens; my bets are in for something fast, convenient, and accessible anytime, anywhere.

If you have thoughts to share about pop culture and the internet, post a comment below.

Isa

About the Author: Isa is an internet security specialist and entertainment blogger. If you enjoyed her work, check out some more of her writing on Culture Coverage. Follow Isa on twitter @ Go like Culture Coverage on Facebook

The Greatest Television Ever: The Series Finale of "Maron" brings a Great Show to an Untimely End

Tonight marks the series finale of the IFC show, "Maron". Depending on who you ask, this was either IFC's choice to cancel the show, or it was Marc Maron's choice to end it after 4 seasons. Either way, this is an upsetting end for me. I really, really like this show. "Maron" centers around the life of comedian/writer/actor/podcaster, Marc Maron. It is a heightened version, but nonetheless, it was pretty much autobiographical. From the series premiere to tonight's finale, the show has been very funny, but also more realistic than any reality show on TV right now.

The first season was pretty much about how Maron and his podcast, "WTF" was blowing up. People were recognizing him and, in typical Marc Maron fashion, this made him uncomfortable. He did not like the spotlight being on him. Even more so though, he didn't feel that he deserved the spotlight. It was a great way to start a series about his life because his podcast was really blowing up at that time. Sure, he didn't have President Obama on yet, but he was getting some pretty famous people to appear on the show. The first season also talked about how his friends, the great Dave Anthony and Andy Kindler, were either jealous or didn't think Marc Maron deserved all the attention. There were funny and real moments during that first season that were just fantastic.

Season two found Marc with a new, very young girlfriend. She was controlling and wanted a baby. While this may sound like a big departure, it was still a very good through line for the season. Season 2 found Maron trying, and failing, to relate to his girlfriend's very young group of friends. Maron was trying to be hip and cool, but he also knew that he was older and he didn't want to do young adult things anymore. He wanted to play his guitar, do his podcast, play with his cats and listen to records. Maron's parents were more involved in this season as well. This really showed how the person Marc Maron came to be. His dad was a crazy man that lived in an RV that never showed any real love towards his son. His mom, retired and living in Florida, was a tough, no nonsense women who always told Marc that he was fat. This was also very good stuff. We also got to meet Marc's brother this season and more of the characters in his life. Season 2 was a big step up from season one, and I loved season one. The second season ended with him and his girlfriend splitting up, but it was definitely for the best.

In season three Marc Maron really starts to explode. His podcast is bigger than ever. He is getting deals done and doing some of the best work of his career. Friends and family even respected the fact that he was getting the acclaim he deserved. This all came to a head wonderfully and tragically in the season 3 finale. Maron finally got his own talk show, but he had previously hurt his back trying to stay in TV shape, thus leading him to a pill addiction. If you don't already know, Marc Maron, both the person and the character, is a recovering addict. Some shady doctor decides to give him oxycotin for his back, and being the addict he was, he got hooked right away. During the taping of his pilot episode, he was so high, he passed out. This was a harrowing season finale to a comedic show. It was dark, but funny, as only Maron and his writing team could do.

The start of this fourth season found Maron living in a storage unit and fully addicted to all pain pills. He looked rough. He had an unkempt beard that was shaggier than mine. He was sleeping with a nurse, who was keeping a cancer patient alive, so he could get pain pills from her. Dave Anthony, who I cannot stress enough how great he was on this show, finally gets him to go to rehab. Maron had screwed enough people over, and he needed help. The scenes that took place in the rehab were funny, poignant and terrifying. He was put in a rehab with a bunch of young, rich white kids and that seems to be one of Maron's biggest pet peeves. He hated this, but he did what he needed to do to get better. We, the audience, also come to see that Dave Anthony has become a big time guy in Hollywood, but it was all due to him stealing Marc's life. It was, much like the whole series, very funny and very weird. The scenes between Dave Anthony, Marc Maron and Amy Smart, who played Anthony's wife, were so bizarre, but I couldn't look away. While going through recovery, Maron is doing his apologies to the people he had wronged, and we come to realize that he fathered a kid as a sperm donor. In the penultimate episode, Maron leaves town to find this kid. He ends up in the hometown of the child, is about to leave, but changes his mind and stays.

Tonight we get the conclusion to this whole series. I'm excited, but also sad to watch the finale. I truly hope it was Maron's decision to end this show. I know it's going to be great, but I could have watched so much more of this. Well, at least we will always have "WTF" to listen to. Thank you for four great seasons of television. "Maron" will be missed.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. Like "WTF" Ty hopes his podcasting career takes off in season two. Catch the first episode of our second season where The X Millennial Man talks about great dogs. Follow Ty on twitter @tykulik.

"Bar Rescue" is Back to Reclaim our Joy and Disgust

This bar is just right when it comes to my standards for trash

This past Sunday, July 10th, the new season of "Bar Rescue" premiered. I have written once before about this show, which I adore, but the episode I wrote about was rather disgusting. "Bar Rescue" is almost always about some dingy bar that is in dire need of a "rescue", so hall of famer in the nightclub industry, Jon Taffer, comes in with two experts and they fix the bar up.

The episode I wrote about previously was the first, and possibly, only time they "rescued" a strip club. Everything about that episode was gross. Jon Taffer is always gross, but he was extra disgusting. The experts looked scared and like they needed a shower afterwards. The strip club, which was called Chix on Dix(ewwwwwwwww), changed it's name to The Landing Strip, but that was the only change. It was still extra gross and downright sad.

Well, after that episode, I kind of lost a little interest in "Bar Rescue". They had crossed a line, in my opinion. I'm not a fan of strip clubs and the fact that they tried to "rescue" one, it all seemed way too weird and icky for my personal taste. But, my brother and head editor and owner of the site, RD, said I should watch this season premiere because they were doing a bar in my home city, Saint Louis. I thought, why not, let's give it another try. 

Man am I glad that I watched "Bar Rescue" again. When the episode opened, they did their patented thing of talking to the owner and having them explain why their bar is failing. This particular bar, called City Bistro, was losing money because the bartenders were getting drunk on the job, giving out free drinks and flashing their bare chests to patrons in hopes of getting big tips, they did not get those tips. The fact that these bartenders kept exposing themselves kind of gave me that icky feeling again, but it wasn't because it was a strip club, this was a legitimate bar. People should never be topless or bottomless in a place of business, unless it is a strip club. These bartenders were being gross because they were drunk and lost any inhibitions they once had. Tami, the main bartender, was constantly drinking and flashing anyone in the bar. Taffer, who was watching everything from his car, as he does on every episode, was growing more angry by the second. He was literally yelling at his two experts about this bartender drinking and exposing herself. There was even a shot of Tami, aka Tam Tam, taking her shoes off behind the bar. At that moment, Taffer walked in and went directly to the owner Tiffany. He spoke to her about what he was seeing and told her, this is his trademark, that she needed to fire Tami immediately. I swear, Taffer gets some weird pleasure from telling owners to fire people. It's disturbing how his face lights up when they go through with it and fire said employee. Tami was fired, obviously, and in typical fashion of the bad bartenders shown on "Bar Rescue", she walked off, swearing and slurring all her words on the way out.

Then, the experts had their turn to slam City Bistro. Taffer's drink expert showed the remaining bartenders all the fruit flies in the liquor bottles and how dirty the bar top had become. It was very straight forward "Bar Rescue" stuff. Then, the food expert went to check out the kitchen, and to his and Taffer's surprise, the kitchen was not even open. Apparently, they shut it down awhile ago because they couldn't afford to buy the inventory needed to run a kitchen. The kitchen was filthy, but the topper, and perhaps one of the most disgusting things I have ever seen on any TV show, there was a dead mouse floating in the fryer. It was just as gross as anything I saw on the strip club episode. What made it worse, the camera crew kept going back and staying on the shot of the dead mouse. My stomach is upset thinking about it now, and it's been two days. They cleaned that kitchen better than I had ever seen any kitchen cleaned on "Bar Rescue". I still wouldn't eat there, but they cleaned the hell out of that kitchen. They eventually got it up and running and hired a cook, Sam. Sam was the best part of the whole episode. He was funny, a hard worker and seemed more involved than any other employee there. Sam was great. The owner and the bartenders got to go on the Busch Brewery tour so they could "reconnect" with the local beer company. This was all pointless, wasted TV time. It felt shoe horned in the episode.

After retraining and cleaning up the bar, they changed the name to Beechwood, because Busch beer is "beechwood aged". I thought City Bistro was a better name, but Taffer always picks stupid new names. They seemed to be doing okay after Taffer and his people left, as is the case with every episode, but after reading some local stuff, I guess Beechwood isn't as great as "Bar Rescue" and Jon Taffer hoped it could be.

The good thing about this episode, one, they didn't go to some gross strip club and they fired the main person that was exposing themselves, but secondly, and most importantly, it was like any other episode. If you've ever seen an episode of "Bar Rescue", you could figure out what was going to happen, beat for beat. There is some kind of comfort in the familiarity. I'm actually excited to watch more episodes now. I'm back on the "Bar Rescue" bandwagon, as long as they stay away from strip clubs.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. Being the youngest of four brothers, Ty has been going to bars since he was 10 years old. He knows a disgusting bar when he sees one. Follow Ty on twitter @tykulik

The Merits and Virtue of "16 and Pregnant" and "Teen Mom"

MTV is the model of highlighting kids having kids

So, for all of my posts this week, I wanted to try something a bit different. My wife and I were talking the other day and she told me that I should argue a point that I don't necessarily agree with. All five posts this week will be topics given to me that I have expressed a dislike for to, either my wife or everyone who reads my blog, but I have to give the opposite view. I have to explain why these things are actually true, or that they at least have some good qualities. This is going to be a weird, but also very fun, and maybe even a bit difficult, but I'm up to the task.

Let's get started with the first topic. The topic sentence my wife gave me today was, "explain why shows like "Teen Mom" and "16 and Pregnant" are, in fact, not garbage reality TV, but that they have had a positive impact on society".

Here we go.

I first saw "16 and Pregnant" about 6 or 7 years ago. My wife has a very deep love for reality TV, and I enjoy spending time with her, so I watch a lot of the shows with her. "16 and Pregnant" immediately held my attention. It was fascinating to see these children pregnant. They were literally babies having babies. It was unreal to hear these 16 year olds complain about always being hungry, tired and "feeling fat". I would say to my TV, "that's what happens when you get pregnant. You should have waited like 90 percent of the country does".

As the episodes wore on, I found myself seeing some good coming from "16 and Pregnant". I was happy that MTV was letting these girls be as real as they wanted to be about their not so good situation. I have 2 kids, one is 4 and the other is almost 9 months, and it is very hard. But, I'm a 33 year old adult. I lived my childhood and had a pretty much carefree teenage experience. The same cannot be said about the girls on this show. They had to deal with people saying things behind their back, calling them names and making fun of them. High school is hard enough, most people are going through puberty and almost everything is awkward, but throw being pregnant on top of that, that had to be brutal. So, the fact that the people behind "16 and Pregnant" had the thinking to let this reality show be an actual reality show, I give them big, big kudos.

The producers show you all the hard parts. They show the stretch marks, the clothes not fitting, the snickers, the loss of friendships, the pain of going into labor and delivering a baby, and then, to top it all off, they showed how hard it is to have an infant. You have to feed, clothe and diaper that baby when that baby needs those things. You are not the most important person anymore, your child is, and "16 and Pregnant" did an excellent job of portraying this. They also showed how terrible teenage boys are at being fathers. These kids, for the most part, had no interest in being involved after their child was born. They all still wanted to go play basketball, ride their bikes or continue to party. Well, all that ends when you have a kid. Some of the couples, while the girlfriend was still pregnant, were going to get married. None of them did, or if they did, I'm sure they are now divorced. "16 and Pregnant" definitely showed how real it is to have a baby. It is tough. Tack on the fact that the kids are teenagers, "16 and Pregnant" did an excellent job of not glorifying having a baby. I will always give them kudos for this. They let the viewing audience know how insanely hard, unforgiving and flat outbrutal it is to raise infants when you are still a child yourself.

A few years after I saw my first episode of "16 and Pregnant", another show came on called "Teen Mom". This show followed the girls from the first season of "16 and Pregnant". They waited a few months, even some a year, after their kids were born to see where they were. This was also an interesting wrinkle inside the life of a teen parent. For the most part, the couples that were still couples in "16 and Pregnant" had broken up. They were all inevitably stuck in some kind of custody battle. This seemed odd and selfish to me. Now, the parent that was absent when the baby was an infant, wanted to be involved because the hard part was over. They didn't have to get up in the middle of the night for feedings or diaper changes, most of the babies were sleeping through the night. That is so selfish to all of the sudden want to be involved in a child's life when the tough part is over. You cannot pick and choose when you want to care for your kid. You made that kid, so you should have been there all along, not when it is convenient for you.

Once again, MTV and "Teen Mom" did a very good job of showing how tough it is to be a teen parent. They show the kids going to court, or meeting with child protective services, or getting divorced, all before they turned 21. This was fascinating to me because, when I was 21, I was still living at home with my folks and had a dead end job and was going to concerts every weekend. I didn't have a kid to care for. Had I seen "Teen Mom" back then, it would have made me even more secure in my life decisions.

"Teen Mom" did not sugar coat how hard all this stuff is to do. But, what "Teen Mom" did that "16 and Pregnant" couldn't do, they showed all the joy that comes from having kids. These teen parents got to see their child walk, talk and smile for the first time, and so did we as an audience. We got to see many triumphs from the parents. Things like potty training be successful, families reuniting, and so on and so forth.

Look, I'm not one to watch reality TV, it just isn't my thing. But, I will say that shows like "16 and Pregnant" or "Teen Mom" are so much better and they actually show consequences to actions than any piece of garbage that the TLC Network puts on TV. "16 and Pregnant" and "Teen Mom" can also be given a huge thanks to the decreased number in teen pregnancy, so there is a real life correlation that these shows do work. If you are a teen, and you think you can be made famous by getting pregnant, I'd suggest watching "16 and Pregnant" or "Teen Mom", because it is not the quick and easy way to make money. It will alter your entire life.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. After reading Ty's thoughts, it seems like he is not pretending to like the MTV teen mom genre. He will be here all week folks. Follow Ty on twitter @tykulik.

Bill Simmons is Back with "Any Given Wednesday"

There is some new TV in the air

Last night, Bill Simmons new show, "Any Given Wednesday" premiered on HBO. This show was a long time coming for me. I'm a very big Bill Simmons fan. I like his takes. He is one of the most knowledgeable NBA writers on the planet. He isn't afraid to attack morons like Roger Goodell. And he seems like a pretty genuine, cool person.

I watched the show this afternoon, and it was just fine. I don't know why I was expecting it to be like "Real Sports", which is a great show, but I thought it as going to be more like that. "Any Given Wednesday" is the opposite of a show like "Real Sports". "Any Given Wednesday" is sports and pop culture, mixed with elements of comedy. There is no panel on this show. Simmons has people come on and talk, but it is more interview and less talking head type stuff. What the show all boils down to is, it is a live taping of his podcast. The show is very free flowing. There is a looseness to the show that I found refreshing. Simmons looked totally calm and in his element. The show is a perfect way to get his view across.

Last night, he had Charles Barkley come on to talk about LeBron James. Simmons asked, after doing a great opening monologue about why he now thought James belonged in the conversation as the best NBA player ever, and Barkley shut that notion down immediately. Barkley is definitely stuck in his old view of the NBA, but that is one of the many things that makes Charles Barkley so great. I personally agree with Simmons. I think LeBron is a top 5 all time player, but I liked hearing Barkley say he had to win a couple of more championships before he would put him past Kobe Bryant and Tim Duncan. I also enjoyed Barkley letting Simmons, the studio audience and everyone watching know that his top five all time players will never change. He is set in his way. Barkley seemed just as comfortable as Simmons was, even when Simmons pushed him on stuff like Barkley holding Larry Bird's arms back so Dr. J could punch him in the face, or Barkley's many past gambling stories. After the Barkley interview, Simmons did a kind of funny spoof on the Under Armor and Steph Curry commercials. There was some decent humor in it, but it was just okay. The commercial Simmons and his writers created was a very funny closing bit to the joke.

Then, Simmons had another one on one interview with Ben Affleck. They talked about the Batman stuff and what drove Affleck to becoming a director, but when Simmons brought up the Patriots and Tom Brady and "deflategate", Affleck went off. This was at times funny and very revealing. Affleck is a true sports fan and a true Boston fan. This dude loves Tom Brady and thinks, like most of the sports watching public, that "deflategate" is so dumb and so unimportant. His speech was impassioned. I recommend people seeking it out on the internet to watch, it is bizarre and telling. I know that I was enthralled.

Once Affleck has done speaking the truth, Simmons did his first of what I'm sure will be a weekly segment, where he gave the "championship belt" to the best thing of the week. This week was the year 2016 and how it has become so unpredictable. He mentioned the Cavs winning the title, the fact that the Cubs have the best record in baseball and that he now has his own show on HBO, among other things. I very much enjoyed this part of the show. Like I said, it was basically a live taping of his podcast, and that is a good thing, in my opinion.

I will be curious to see how future episodes attack sports and pop culture news. I also hope, at some point, he goes off on ESPN. I know he did that recently in a magazine interview, but I want to see him do it live on his TV show, curse words and all, since it is on HBO. I also hope he brings on some of his recurring guests from his podcast for face to face interviews. I don't think it will happen, but I'd love to see Jalen Rose and Zach Lowe on his show, but they both work for ESPN. He can have his buddy Joe House on, or Chuck Klosterman or even more famous NBA players, like Charles Barkley. Anyway, it was a decent premiere of a show that I will watch every week because I am a Bill Simmons fan. Don't go into "Any Given Wednesday" expecting "Real Sports", it is a totally different show.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. He may not have the slurred passion of Ben Affleck, but Ty is also not a fan of "deflategate". Follow Ty on twitter @tykulik.

The Pathetic State of LeBron James Fanboyism at ESPN

Being in the bag for LeBron must be cutting oxygen off to the ESPN anchor's brains

To wrap up my week of NBA talk, I am going to criticize two of ESPN's lead anchors that are completely in the bag for the Cavs, and more specifically, LeBron James.

The first anchor is the loud mouthed piece of garbage known as Stephen A Smith. You'll remember him as the same guy that said that Kevin Durant made an enemy for life when Durant questioned a report that Smith put out about his impending free agency. Durant said that himself and his people didn't, or do they ever, talk to Smith. He called him out on his false report and said he was a liar. Well, instead of owning up to his mistake that he was caught red handed doing, he decided to go into attack mode, making that dumbass "you don't want to get on my bad side" comment. That shit was laughable, and I'm sure Durant and his people had a hearty laugh over his all around nonsense.

Before last night's game one, Smith was on some show saying that LeBron is the most disrespected and one of the most underrated NBA players of all time, and that if Kobe Bryant was the leader of this Cavs team, they'd be favored. All of that is utterly ridiculous. Everything that comes out of Stephen A Smith's mouth is garbage. He is not good at his job and he isn't that smart either. First of all, no one that knows even a little bit about basketball has ever disrespected LeBron James. Sure, some people may not care for him, but we all know that he is one of the 5 best players to ever play in the NBA. He is a legend and an all time great. Second, LeBron is not underrated at all. In fact, he may be the most perfectly rated player to ever step foot on an NBA court. He had high expectations when he entered the league as an 18 year old, and he won rookie of the year. Then, the Cavs got better every year he was there, even making the finals once. Then, he bolted for Miami, won 2 titles and went to the finals four straight years. He did as expected there. He comes back home, takes the Cavs to the finals last year, and they are back this year. LeBron has exceeded expectations everywhere he has been. He is not, not even a little bit, underrated. He may be under appreciated, but he is not underrated.

And the whole Kobe Bryant thing. If this Cavs team had Kobe in his prime, they wouldn't even be able to have this argument because they would be a mid to lower level playoff team. People think Kyrie Irving can be a ball hog, but imagine if he played with Kobe. Kevin Love would barely ever see the ball. Tristan Thompson wouldn't even touch the ball unless it was an offensive rebound. And, they would be even worse on defense than they are now, and they are terrible on defense now. If this Cavs team had Kobe and not LeBron, they'd be lucky to be a 43 or 44 win team. They would be a lot like the Rockets are now.

There, I just disproved all of Stephen A Smith's nonsense in about 500 or 600 words, yet he is a millionaire and he still hasn't lost his job at ESPN. Stephen A Smith is a moron and a jerk and he needs to get his smug face off my TV. I'm sick of hearing his stupid voice. My TV cannot handle it when he starts to yell talk, which is whenever he is on TV.

The next target of my ire is Brian Windhorst. This guy is an absolute joke. Yeah, he is from Cleveland and he has been following LeBron's career since LeBron was in 8th grade, but he is one of the worst journalists I have ever read or seen on TV in my life. He is so in the bag for the Cavs and LeBron, it's almost sad. As I just said, he's been following LeBron since he was a 13 year old, but Windhorst was in college when he started following him. Think about how creepy that is for a second. Windhorst was in his late teens or early 20's and he was following this child around the AAU circuit. First off, he looks like a creep, so if I was a parent of a kid on that team, I would have reported him to the authorities immediately. Second, what kind of college student decides that they are going to follow the career of a child? Yeah, LeBron turned out to be an all time great, but what if he didn't? What if he was just average, or a complete bust? Brian Windhorst wouldn't have a job if that happened. He would be looked at as another vulture that tried to capitalize on a young kids talent. He is so much worse, in my opinion, than any AAU coach or a guy like Sonny Vaccaro. At least those people pushed LeBron to greatness and gave him things, all Windhorst did was show up to his games and write some bull shit columns about a young phenom. And now, he has followed him to the pros, all the while, writing shitty article after shitty article. He even moved to Miami when LeBron went to play there and moved back to Cleveland when LeBron went back. This guy is like the worst possible friend that the group cannot get rid of. He is always there, whether you want him to be there or not.

When Windhorst would go on TV to talk about the Cavs, or the Heat when LeBron was there, he would always put the blame on someone else. It was never LeBron James' fault, it was always his supporting cast or coach. When LeBron did win titles, it was because of his greatness. Never mind the fact that Ray Allen made one of the most improbable shots of all time, or that Dwayne Wade found the fountain of youth during their second title run, or the fact that Chris Bosh completely overhauled his game to fit in with LeBron, none of that mattered to Windhorst because he is so far in the bag for LeBron James that it disgusting.

In the ongoing Windhorst shit show, he goes on TV yesterday to talk about how LeBron will never admit to being an underdog because he "has the heart of a champion" and he "will never admit that anyone is better than he is". Yeah, we all agree that he is the best basketball player in the world. Why do guys like Windhorst and Stephen A Smith need to keep bringing up something that we already know? The fact is that LeBron is the underdog in this finals series, no matter how much that may hurt Windhorst to say. The Cavs are playing a 73 win team. No other NBA team has ever won 73 games in a single season. LeBron James is the underdog, deal with it. But Windhorst is just another douchebag that is still on ESPN's payroll and he is one of their lead NBA guys. What a shame. He is a moron with blinders for anything negative that people may say about his beloved LeBron James.

Brian Windhorst, much like Stephen A Smith, is a blow hard and a piece of human garbage. But, this seems to be the down direction that ESPN is heading with their anchors. They want fan boys that are only loyal to their teams. That's not what a journalist should be. They should be non biased, so other people can take them seriously. Well, I don't take anyone seriously that works for that garbage company in Bristol. The sad fact is that Stephen A Smith and Brian Windhorst are the biggest dummies in an office filled with dummies. Pathetic.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. He is going to continue his quest of pointing out overrated pop culture when the X Millennial Man talks about musicians that are not as good as people think. The newest episode will premier tomorrow, wherever your fine podcasts are sold. Also, make sure you follow Ty on twitter @tykulik.

Cloves and Fedoras: Michael Rapaport is one of the best, and hardest working, entertainers out there.

Cloves and Fedoras is Seed Sings reviews for little known pieces of pop culture.  Feel free to contact us with your own submissions of undiscovered gems that must be known.

Today I'm going to give love to another actor/director that seemed to be forgotten, but has now reappeared and is doing some great work. That actor/director I'm speaking of is Michael Rapaport.

This comes about because yesterday, on the Bill Simmons podcast, Rapaport was the guest, for the third time already, and I loved every single second. He is just an angry, yet jovial dude and I love to hear him talk about everything from music to movies to sports, mainly basketball. He is a huge basketball fan and he is extremely knowledgeable on the NBA, especially his beloved Knicks. He knows their history inside and out. He is so passionate about his team. He said on the podcast, that it is nothing but gray skies right now for the Knicks.

That's something I really like about him. He isn't a delusional Knicks fan that thinks, "this is the year we turn it around", every year, he knows that this is a very dark time for his team. They have no picks in the upcoming draft. They will be hard pressed to bring in any big time free agents, unless they trade Carmelo. They are trying to decide between Kurt Rambis and David Blatt as their next head coach. Why is this even a question? Hire Blatt. Rambis is incompetent and has proven that every time he gets a head coaching job. Blatt was in the wrong situation at the wrong time in Cleveland, and he still took that team to the finals last year. Rappaport said the exact same thing. He doesn't see the need for Phil Jackson to interview anyone else if Blatt is available. I couldn't agree more with him, obviously.

This past Tuesday, and the two other times before, he has expounded his vast knowledge of the Knicks and the NBA, and I agree with almost everything he says. I agree that the Knicks are going to be an also ran for the next three, four or even five years. I agree that the NBA is in a golden age, but it will be bad in a couple of years because of the "one and dones", he said this the last time he was on the podcast. I agree that the Knicks of the 90's were incredibly dominant, but also underachievers, because they never won a title with Ewing, Mark Jackson and John Starks. I agree with him when he says he wants the Cavs to lose the finals again because LeBron is kind of becoming whiny since he isn't the top story in the NBA anymore, it's the Warriors. I agree when he says that Russell Westbrook is a lunatic on the floor. I agree that he says there will never be another player like Kevin Durant, a guy that's 7 feet tall and can handle and shoot like a guard. Rapaport is very, very smart when it comes to all things NBA.

Rapaport's hobbies and the things that he likes goes beyond just the NBA. He is a successful podcast host himself. His podcast is very popular and he gets some big time people to appear. He was/is a very decent actor. I personally think that he is a really good actor that can play many different roles and genres. For example, look at his role in "Next Friday", next to "Cop Land". "Next Friday" he had such a throw away part, but he nailed it. He was a mildly racist mailman delivering mail to Craig's uncle's house in the suburbs. Rapaport was surprised to see a young black man answer the door and he acted like a guy that doesn't think he is racist, but there is definitely some racism in him. He was rude and ignorant and funny. And Ice Cube played off of him perfectly. "Next Friday" isn't good or bad, it's just blah, but that one scene with Rapaport and Cube is very funny and worth your time. In "Cop Land", he played a young, out of his league cop. He got to act with Harvey Keitel, who is a wonderful and legendary actor. I feel like Rapaport one hundred percent held his own. He also got to act with Sylvester Stallone in that movie as well. "Cop Land" is star studded and Rapaport does an excellent job among all the big time stars in that movie. But, nothing compares to how awesome he was in the wildly underrated "Beautiful Girls". First of all, that movie is so good and it totally holds up. The list of actors and actresses in that movie is incredible and Rapaport is so damn good in the movie. He gets to act opposite Mira Sorvino and Uma Thurman and he does a wonderful job. If you haven't seen "Beautiful Girls", do yourself a favor and watch it because it is great.

He is also a pretty good actor on the small screen too. He plays a cop a lot, he kind of looks like one, in shows like "Public Morals" and "Justified", and he is very good, but nothing compares to his outstanding, one episode feature he did on the last season of "Louie". He was so god damn good as a down on his luck security guard. He was kind of a downer and a mean guy that punched people and talked over people all the time, but it was because he was a lonely guy. His character was even more lonely than Louis CK. He was such a wannabe and such a meathead, but he was also, to be frank, a loser. Louie always wanted to be left alone, and he could be a jerk about it sometimes, but in this episode with Rapaport, you side with Louie. Louie shouldn't have to hang out with someone always talking over him, punching him and taking him to a basketball game that he doesn't want to go to, no one should have to go through all of that. But, at the end, when he loses his gun and Louie eventually finds it, his cries of agony turn into cries of joy and Rapaport is so awesome in this tiny role. He should have been nominated for an Emmy for that one episode.

Recently, Rapaport has taken his talents to directing with a ton of success. He directed a great "30 For 30" about the Big East at it's height. It is an awesome documentary and one of "30 For 30"'s best efforts. But, nothing will ever compare to the wonderful work he did on the Tribe Called Quest documentary, "Beats, Rhymes and Life, The Trails and Tribulations of A Tribe Called Quest". That doc is a masterpiece about one of the greatest hip hop groups of all time. Rapaport told every side of every story. He gave everyone a voice, even Jarobi and Ali Shaheed Mohammed. That movie is absolutely awesome. It's even more timely and wonderful and sad due to the untimely death of Phife Dawg. That was the last we really ever saw of Phife at his healthiest. It will go down as classic now that Phife has passed away. Rapaport was clearly a fan, but he wasn't afraid to talk about and bring up the bad stuff that happened to everyone in ATCQ. It's his best work by far.

I'm a big, big fan of most of Rapaport's work. I know he may come off as coarse, but if you actually listen to him, I think you will feel the same way as I do. Rapaport is a wonderful actor, director and a great, and very knowledgeable sports fan, especially when it comes to basketball. I'm a fan.

Ty

Ty is the Pop Culture Editor for SeedSing and the other host of the X Millennial Man Podcast. He agrees with almost everything Rapaport says about the Knicks, except for the fact they will be bad for four to five years. They will be bad for decades. Ty is on twitter, go follow him @tykulik.

The Final Days of ESPN

ESPN headquarters circa 2020

ESPN headquarters circa 2020

I think I need to take a moment today to talk about the mass exodus that is happening at ESPN right now.

I've been known to bash on ESPN on this site, but that's because they are an incompetent network that hires stupid people. They also act like they are the biggest and best thing since sliced bread. That was true about 25 years ago, but times have changed and ESPN refuses to keep up with that. They have barely changed anything about themselves since the internet has basically taken over the world. The only big difference that I have noticed, yes I still watch, but it's an anger watch, is the new set. They also have people hosting their own versions of "SportsCenter", but it's still pretty much the same. The higher ups at the company are either oblivious, or they just don't care, about the changing culture.

Nowadays, almost everything is done on the internet. I wouldn't be able to write if it weren't for the internet. In fact, a lot of people wouldn't have made it without the internet. But, ESPN doesn't seem to care. I wonder if they think it is a fad, or something that will just disappear. Sorry to break the news, but being the millennial writer and podcaster on this site, the internet is no fad and it will only continue to get bigger and bigger. I can't even fathom what it will be like when my kids are my age.

That's another thing, ESPN refuses to get with the times, what with live streaming now. Hell, if I want to watch a Michigan football, basketball or even a baseball game, I can see it in real time on the BTN2Go app. ESPN claims to have a live stream, but you have to pay for the stream, or they just have the "live" stream that is just some random person writing down what happens on each play, waiting what seems like an hour to write it, and the game is so far behind when they finally give you the info. For example, after my daughter was born, I had to watch a Michigan-Northwestern football game on my phone and I started with the ESPN "live stream". It was incredibly bad. I was getting zero updates. I couldn't find out which team had the ball or what they were doing. My dad asked me how the game was going and I could not give him a proper answer. After dealing with this nonsense for almost a half an hour, my older brother told me to go to the BTN2Go app. I downloaded it, searched the game, found it immediately, and was even able to watch it on my iPhone in a hospital room. Side note, Michigan thumped Northwestern that day. When I finally got to see the game, the first quarter was just about over and they were up 21-0. So, why does a channel, BTN, that has only been around for about 15 years have a better app and better internet capabilities that a company, ESPN, that's been around for 35 plus years? That is absolutely insane.

I think the "talent" at ESPN is starting to realize that the company will not get with the times and they have no chance of advancing any further than they already have. Sure, they fired Bill Simmons after he deservedly crushed Roger Goodell, but I guarantee that, had HBO came in and made an offer before he was let go, he would have left in a heart beat. Simmons outgrew that place, so instead of letting him leave on his own terms, they decided they would save face and fire him. That completely backfired on ESPN. Simmons has throngs of fans, me included, that will follow him to whatever network he goes to. They also decided, after letting Simmons go, it was time to shut down Grantland. Another huge mistake from ESPN. They lost a ton of great writers after doing this. Most of those writers are back with Simmons now. Grantland was huge for ESPN, but they wanted to rid themselves of everything Bill Simmons, and that was idiotic. Simmons and his staff write for the younger generation and, as I've said, we will follow him and his writers anywhere. I'm pumped for his show on HBO, I'm an avid listener of his podcast and I have subscribed to and follow The Ringer, his new site, on Twitter. 

Then, there was the news that Mike Tirico was leaving to go to NBC. This is a huge problem for ESPN. While Mike Tirico may not be the nicest, most pleasant person to be around, he was a crucial member of their staff. He was the co anchor on "Monday Night Football". He called big time college football games. He called NBA games. He was huge in college basketball. I mean, the guy is a jack of all trades. And the people at ESPN just lost him. I was legitimately shocked when I read that he was leaving. I don't know who they will replace him with, but I will bet it will someone who is incredibly under qualified.

Hell, they are even losing "journalist" that are not even mediocre, they are terrible. Last year they lost the racist piece of human garbage, Colin Cowherd. And now, the most moronic, nonsensical, I think I'm right because I'm the loudest, idiot Skip Bayless is leaving to join Cowherd at Fox Sports. This gives me a newfound hatred for Fox Sports, but damn, they can't even keep terrible people over at ESPN. Skip Bayless is a flat out dummy. The guy says some of the dumbest things I've ever heard on TV. Some, wait, everything he says is filled with stupidity and an arrogance that he should never, ever have. He is so dumb and so out of his mind. This is a guy that has said that Tim Tebow is an all time great QB, if you need a reference at how truly moronic he is. But, he too is leaving ESPN. I cannot believe they couldn't keep him on board. I wouldn't be shocked if the equally stupid and equally loud Stephen A Smith is the next to go. Yeah, they let Lou Holtz go, but he is about a million years old, so not a very big deal. Sure, they let Mark May go a year ago, but he is so much better off where he is now. They let Robert Smith go, but he was pretty good on TV and I'm sure he will find a job soon. And, after repeated racial slurs and racially insensitive things he put on the internet, they finally let Curt Schilling go.

Therein lies a huge problem for ESPN. If you bad mouth the NFL, a la Bill Simmons calling out Goodell, you get fired immediately. But, it took Schilling being incredibly racist, homophobic and mysoginistic many times before they actually fired him. Bill Simmons says one bad thing about the NFL, boom, he's gone. But, it's not until Schilling takes the side of the backwards ass people in North Carolina, he agreed with them that transgender people shouldn't be able to use the bathroom with the gender they now identify with, to fire him. Schilling is a horrible excuse for a human being. It's a travesty that it took ESPN that long to fire him. And what a crock from people that claim to be forward thinking.

It's just a matter of time now before everyone leaves ESPN, or they just shut down because they refuse to keep up with the change in the world. ESPN is an inept network and that ineptness will soon catch up to them.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. He does not remember the early days of ESPN, but he sure remembers the last days. The network ended in 2006 if he recalls correctly. Ty is on the internet, follow him on twitter @tykulik.

Better Late Than Never to Catch Up and Enjoy the Great "Orphan Black"

Dolly would have loved the show about other clones

Dolly would have loved the show about other clones

My wife and I just recently got caught up on the television show "Orphan Black". The show is absolutely phenomenal. They do action, suspense, drama and even a little comedy to perfection. There is some of the best action sequences I've ever seen on TV on the show. Car chases, shootouts, fights, every action thing you could want, they deliver. The show is also very quiet in their suspense. That's how I like my suspense. Quiet moments that build and deliver. It's perfect. Even the few moments of comedy are gold. Every time they throw a joke in there, or even a whole scene based on comedy, it works.

Fans already know how good of a show "Orphan Black" is. It's currently airing it's fourth season on BBC America, they're only two episodes in, with the third coming this Thursday. But, my blog today will focus on how great of an actress and the many, many roles that Tatiana Maslany plays and portrays on "Orphan Black". Everyone on the show is wonderful, but Maslany does all the heavy lifting, and then some. She is a powerhouse, and she should be so much more well known than she actually is. In fact, I only knew her as the doctor that played Tom Haverford's girlfriend for a couple of episodes on "Parks and Rec" before I started watching "Orphan Black". She is incredible on the show.

So, as most of you know, if you watch the show, it's all about clones. There's a lot of science talk and romance talk and all the stuff I mentioned before, but the bare bones of the show deals with all these clones. And they are all played by Maslany. In the very first episode, we meet Sarah Manning. She is kind of a street punk that steals from people. She's basically a petty thief. Then, one night she sees a lady step in front of a train and take her own life. This is all shocking to her, but what is more shocking, after she takes her wallet, the lady who just committed suicide looks exactly like her. We go down a rabbit hole from here for the next three seasons. We meet so many other clones throughout the course of each season. There's Sarah Manning, the aforementioned petty thief and mom. Clones are not supposed to be able to bear children, but she did. She is an anomaly in the world this show has created. It's pretty cool that she is the "indestructible" one. She is also the most simple, but in a good way, looking one. She is what Maslany would be, if she were English, minus the stealing. Manning is my favorite clone. But, we also get a housewife in Canada named Alison. She is bored and tired and fed up with her husband and suburban lifestyle, until she finds out that she is a clone. She also looks like a housewife. She has very sharp bangs and dresses like a mom. Lots of sweaters and pleated pants. But, Alison also has a drinking problem and she is a pill dealer. Alison comes on strong at first, but you grow to really like her in the middle of season two. Alison is my wife's favorite. Then there's the dread head, glasses wearing scientist, Cosima. She is the most down to Earth one. She is cool and hip and very well read and incredibly smart. She helps all her "sisters" understand what is going on and why they are clones. She is also very sick and needs to find help anyway possible. Cosima is the clone that I would hang out with and want to be friends with. She is very, very cool. And then there's Helena. She is the Russian bad ass of the crew. She is a stone cold murderer, but she might be the most sympathetic character of all the clones. She had a miserable childhood. She has brutally murdered hundreds of people. Sarah, spoiler alert, tried to kill her in season one. She gets caught up in a weird religion that's a mix of Mormon and Catholic. She gets thrown in a war prison. I mean, Helena has it rough. But, she is a fighter and she fights for the ones she truly loves. She grows to love her "sestras" and she becomes a huge part of the show and a pretty big deal in seasons two and three. Helena has seen and been through some pretty gruesome things, but she is an excellent character. Sarah is my favorite, but Helena is the best clone, and it's not even close. There have been some other clones as well. There's the leader of DYAD, the science company that controls the clones, Rachel. She is pretty mean, but she also has to deal with some rough stuff. There's another German/Russian clone that gets shot when she and Sarah are trying to escape. There's a ditsy spa worker named Crystal they introduced in season three. And I'm sure there's many more to come.

Sarah, Cosima, Alison and Helena are the main ones, with a decent amount of Rachel thrown in there. And, they are all played by Maslany. I cannot imagine how tough that must be. She has to know different dialects. She has to walk and carry herself differently with each character. She has to give each clone their own persona. She has to memorize the most lines. She has to spend more time in make up than anyone else on the show. She has to spend the most time filming. And she is absolutely fantastic at doing all of this. She is just an absolute treasure and this show lets her showcase her incredible talent. It is no surprise that I enjoy strong female leads and "Orphan Black" is right up there with Furiosa in "Mad Max: Fury Road". Maslany, much like Theron, is the driving force and everything revolves around her. I love it. One of the best things about all the clones she plays, they all look similar, but they are all extremely different. That's a testament to how well Maslany does all of these roles.

I love "Orphan Black" and I love Maslany's acting on the show. Like I said before, everyone on the show is great, but they all pale in comparison to the absolute top notch work from Tatiana Maslany. It's a powerhouse role. Everyone should watch "Orphan Black" and be amazed at the great work Maslany and everyone involved does.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. His love of female action heroes started when his three older brothers forced him to watch Aliens on repeat for days. Follow Ty on twitter @tykulik.

"Hell's Kitchen" is Still Trashy, and Still Awesome

I have seen this donkey make a better risotto than the "Hell's Kitchen" chefs

I have seen this donkey make a better risotto than the "Hell's Kitchen" chefs

I watch a lot of cooking shows. I've blogged about some, Ina Garten's and "Top Chef" to name a few. But, my wife and I have recently been watching the trashiest, sleaziest and downright most hilarious cooking competition show I think has ever been created. We have been watching "Hell's Kitchen" on demand.

We have caught up on all our regular shows, so when we eat dinner we like to watch something light. We found "Hell's Kitchen" on Fox on demand, and we have fallen back in love with the show. We used to watch it when it was first on TV, maybe 7 or 8 years ago, but we didn't enjoy or understand the campiness of it back then. Now, we cannot get enough of the camp. Gordon Ramsey, who is a world renowned chef and restaurant owner has to be in on the joke that this show is. I love Gordon Ramsey. He is a very loud and boisterous guy, but even he has to know how ridiculous "Hell's Kitchen" truly is. I've ragged on "Top Chef" before, and I don't usually care for cooking competition shows, but at least most of the chefs on other shows are James Beard winners or nominees, or they have their own restaurants, or they're executive chefs, basically, they are well established.

What makes "Hell's Kitchen" so great is the contestants are competing to become a head chef at one of Ramsey's throw away restaurants in Las Vegas. They don't win money or a spread in a cooking magazine, they just get to go work long, tedious hours at a new, fancier restaurant than they worked at before, and it's in Las Vegas. That's so hilarious to me. What puts "Hell's Kitchen" over the top is the contestants. They are the most ignorant, grossest, shady, back stabbing, ugly in personality people that the executives at Fox could find. They are all line cooks for the most part. Now, I'm not denigrating line cooks, I tried it and I failed tremendously, but line cook is just one step above dishwasher in the restaurant industry. I know "Top Chef" is pompous and pretentious, but they wouldn't take a line cook if that was the last chef available. Hell, most cooking competition shows on the Food Network or the Cooking Channel would never take a line cook. They all want well established chefs that know what in the hell they are doing and chefs that can create new, exciting dishes.

That's another thing that I think is funny about "Hell's Kitchen", they still have the exact same menu as when my wife and I first watched it almost a decade ago. We turned it on the other night and I said, "I wonder if they are still making beef wellington", and wouldn't you know it, Chef Ramsey was yelling at someone for under cooking a beef wellington! I was cracking up! This caused my wife to say, "well, I bet they don't do snapper or risotto anymore, I'm sure they've gotten better fish and newer appetizers". Nope. The chefs are still under cooking risotto and burning the skin on snapper. The only thing they have really mixed up or done differently is the challenges. Sometimes, with the newer challenges, the chefs get to be a tad creative, but these chefs are so green, they never stray to far, and they end up doing something safe and easy.

The "chefs" are the absolute best. As I stated before, they are gross, both inside and out, but mainly on the inside. Even the "nice" people are total assholes. There is one nice guy, I think his name is Jarrad, and he just totally screwed over his only friend in the competition recently. The things these people say, on national television mind you, is appalling. They are constantly cursing each other out, constantly back stabbing one another, constantly blaming one another and never taking blame when they are clearly at fault. It's a whole show of people saying, "I did this because so and so was screwing up on something else, so I only messed up because this other person messed up. It's not my fault Chef Ramsey". A bunch of spineless competitors. The men on this show are the worst representation of meat heads that I've seen on TV. There was one guy in this particular season, his name is Frank, who always bad mouthed and talked down to any female competitor. He said, on way more than one occasion, "this is why you can't have women in the kitchen. They're terrible listeners and impossible to work with". I mean, how crazy and how sexist is that?! And Fox put in on the air! WTF! The women are not much better though, They talk behind each others backs. I've seen two girls get into a fist fight on the show. I've seen girls spit into another girls face. It's just all around gross, from both the men and the women.

This show is entertaining as hell. You know why it's entertaining? It's not the chefs and it's not the competition and it's not the back stabbing and double crossing, it's Chef Ramsey. He is so god damn good on the show. He knows that these chefs are the bottom of the barrel and he treats them that way. But, he also gives the winners of the challenges, and the whole thing, some very great gifts. Stuff I would love to have, he hands over with a smile. But, he also yells and berates and screams and calls people failures and tells them he's ready for them to quit at the drop of the hat. You under cook a wellington, Chef Ramsey will call you a donkey. You don't have his veggies ready in time, he calls you an imbecile. You burn his fish, he will curse you out. He has no patience for slacking chefs, yet he takes on a dozen of them each season of this show. I don't know that any winner of "Hell's Kitchen" has gone on to be a famous chef or restaurant owner. I haven't dug that deep. But, I know Chef Ramsey will keep doing this show because it's easy money for him.

I'm glad my wife and I rediscovered this ridiculous cooking show. It's fun to watch and make fun of and I don't have to take it seriously. Go watch "Hell's Kitchen" if you like trashy reality show, because it's one of the best.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. He never heard of Beef Weelington until "Hell's Kitchen". Ty is not interested in food that fance people ate 100 years ago. Ty is on twitter, go follow him @tykulik.

You and Your Kids Should watch "Wally Kazaam"

No invaders, no dragons, no trolls. No I'm serious, those things terrify me

No invaders, no dragons, no trolls. No I'm serious, those things terrify me

I've noticed recently that my blog I did on the children's show "PJ Masks" has been getting read a lot and there has even been some comments. There's one good one, but for the most part, people seem to think that I don't have an imagination. While that may be true when it comes to "PJ Masks", I mean, why are there no parents involved anywhere, It's insane, but, I do like a couple of shows that my four year old watches. I loved "Yo Gabba Gabba". I thought that show was super weird and really cool. I loved the lessons it taught and I thoroughly enjoyed all the musicians and bands that would make guest appearances. I also like older kids shows like "Sesame Street". Basically, I like shows that teach children some kind of practical skill that they will need when they start school. All "PJ Masks" teaches is to not go against your friends wishes. It's a veiled, and very poor attempt at lesson learning if you ask me. That show is lazy.

There is one children's show that I want to point out, that my four year old still watches and loves, that I too love, "Wally Kazaam". "Wally Kazaam" has about one thousand times more imagination than any episode of "PJ Masks", and they teach your children how to sound out letters and, eventually, how to spell. From watching "Wally Kazaam", my son knows the sound to every letter in the alphabet and he is even in the very early stages of spelling. He can spell his name, and with a little help, he can spell easy words like cat and dog. Some of that has come from my wife and I helping him and some has come from school, but a lot of it has come from "Wally Kazaam". My son gets amped when he hears the theme song for the show, and I do to. I know that both him and I are going to enjoy ourselves for the next 25 minutes, much more so than an episode of "PJ Masks". Where my son likes the colors and the animation and the goofy way the characters talk, I enjoy the joke writing and the story telling on the show.

First of all, we know we are in a fantasy world the moment the show opens on a troll finding a magical stick that helps him spell. "Wally Kazaam" doesn't try to hide that it's a possible real world situation, the kids are supposed to be real kids on "PJ Masks", they are openly letting you know that this is a cartoon. The main character is Wally Trollman, the troll with the magic stick that helps them spell and get out of sticky situations. But, we also get some great tertiary characters. Characters like Norvel, Wally's pet dinosaur. There's also Gina Giant, Wally's friend that is literally a giant, and she is the nicest person in the fake universe they've created. There's Ogre Doug, a big, but very friendly ogre that helps out the crew. There's a little singing fairy named Libby Lightsprite that is adorable. There's Stan, the old swamp creature that dislikes anything that's clean. He will only take mud baths to give you some perspective.

There are a lot of great characters on "Wally Kazaam, but the best character not named Wally is the wonderful Bob Goblin. Bob Goblin is the troublemaker, but he is also a good guy. He will get the crew in trouble, or try to get things from them, but in the end, he just wants to be part of the group, and like the good trolls and ogres and fairies and giants that they are, they always find a place for Bob Goblin. Bob Goblin is also always the best character in the episodes that feature him. There's been one when he wants to be in a rock band, but Libby Lightsprite loses her singing voice, due to something Bob goblin did, so they have to go through all these loopholes that Bob Goblin has setup, to get her voice back. They get through everything, with the help of Bob Goblin, and at the end of the episode, Bob Goblin gets a great drum solo. I love it. My favorite Bob Goblin episode is when he takes over the castle that Wally made out of magic for Norvel. He kind of walks in, plays with everything, then claims the castle as his own. It's so funny and so well animated and so well written. The episode centers around sharing and the way they talk about it, it's magnificent. The lessons learned and the spelling that goes along with the episode is great. But, the highlight is the song that Bob Goblin and Wally sing about the castle. It's so catchy, so imaginative and so well sung by the voice actors. To this day, I still walk around the house singing the song. My wife does too. So does my son. We all adore the song. I believe it's called "My Friend the King", and it's supposed to be about Norvel, but Bob Goblin turns it into his song. Wally sings about building the castle, loading it with pillows and toys for Norvel and letting Norvel stay there. But, after Bob Goblin takes over, he turns every chorus into his song. Wally will sing, then Bob Goblin will come in with the best line in a children's song, "no invaders, no dragons, no trolls". He doesn't want Gina Giant, the invader, Norvel, the dragon and Wally, the troll to get in. The end of the song even has Bob Goblin saying "and no cakes", because Wally thought he could trick him by giving him sweets, but Bob Goblin does not fall for it. As with most kids shows, they resolve the conflict and everyone gets to play and live in the castle.

Basically, "Wally Kazaam" is, by far, the best, most innovative and most imaginative children's show since "Yo Gabba Gabba". It's also the best written. It's so much better than "Paw Patrol", "Blaze and the Monster Machines" and, of course, "PJ Masks". So no, I'm not some curmudgeon with no sense of imagination or whimsy or wonder, I have all of that ten fold. I just prefer kids shows that don't talk down to the adults watching with their children and "Wally Kazaam" does not do that. The creators and writers of that show speak to both children and adults alike. I will take "Wally Kazaam" any day before I watch another episode of "PJ Masks".

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. Does Ty lack imagination, you ask? Find out for yourself by following him on twitter @tykulik.