SeedSing Classic: Advent Calendar of Awesome Holiday Music: Day 24 - Snoopy's Christmas

ed note: This article was first published on December 24th, 2015

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we are looking back at the great holiday music, movies, television episodes, and food of this great season. Enjoy

Day 24: Snoopy's Christmas by The Royal Guardsman

Opened doors: OneTwoThreeFourFiveSixSevenEightNineTen,

 Eleven Twelve, ThirteenFourteenFifteen,Sixteen,Seventeen,Eighteen,

NineteenTwentyTwenty OneTwenty Two, Twenty Three

The Christmas season can feel like a battle. There are large crowds and everyone seems to have their own agenda. People are constantly fighting each other for parking, space in line, and the hot holiday gift. We move through the malls and hardly acknowledge one another. On Christmas Eve, the holiday season reaches its peak while everyone rushes past one another to complete their individual goals. Christmas Eve is the final struggle we face on the battlefield of the holiday season.

"Snoopy's Christmas" is the 1967 follow up to The Royal Guardsman hit "Snoopy vs The Red Baron". The band made their name by incorporating in their songs the Peanuts character of Snoopy, and his exploits of aerial dog fighting against The Red Baron. "Snoopy's Christmas" reads like a classic tale from Charles Schultz's Peanuts comic strips. The Red Baron is terrorizing the skies, and Snoopy with his trusty Sopwith Camel (his doghouse) must engage in  battle high in the sky. While Snoopy valiantly tries to defeat the German ace, disaster strikes. The Red Baron shoots down the pup in German territory. Snoopy lands and believes that the end is here, then suddenly the bells ring out over the countryside marking the beginning of Christmas. Being inspired by the spirit of the season, the Red Baron offers Snoopy a drink and wishes him a Merry Christmas. The brotherhood of Christmas Day causes the foes to befriend, and they then go on their separate ways. Christmas Eve saw bloodshed, Christmas Day is about peace.

The exciting tale being told in "Snoopy's Christmas" is based on a true event, the 1914 Christmas Truce of World War I. British and German troops were shelling each other on December 24th, suddenly the firing stopped when both sides heard the bells from the countryside ring out for the beginning of Christmas Day. The Germans invited the British troops to cross no man's land and have a peaceful celebration. The enemies shared food and drink, showed pictures of their families, and even played games together. The magic of Christmas stopped sworn enemies from killing each other. The feeling of brotherhood trumps the anger of war. It is a magnificent piece of human history.

Christmas Eve can be a tough day. Many people are frantically trying to get that last must have gift. We have no time to be kind and courteous to our fellow man. If you are not relentless, you will lose the battle of the Christmas Season. Once midnight hits and the bells of the village rings out for Christmas Day, a new feeling takes hold. Our disagreements on religion, geopolitics, and philosophy take a day off. Christmas makes us one family. Enjoy your holiday, and thank you for your eyes this Advent Season. As the Red Baron would say, "Merry Christmas my Friend".

RD Kulik

RD is the Head Editor for SeedSing and the other host of the X Millennial Man podcast. No matter who you are, or what you believe, the bells at midnight will make you the editor's new friend. Join our circle of joy by liking SeedSing on Facebook.  

 

SeedSing Classic: Advent Calendar of Awesome Holiday Music: Day 22 - Patton Oswalt talks about The Christmas Shoes

ed note: This article was originally published on December 22nd, 2015

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we are looking back at the great holiday music, movies, television episodes, and food of this great season. Enjoy.Day 22: Patton Oswalt talks about The Christmas Shoes (language NSFW)

Opened doors: OneTwoThreeFourFiveSixSevenEightNineTen,

 Eleven Twelve, ThirteenFourteenFifteen,Sixteen,Seventeen,Eighteen,

NineteenTwenty, Twenty One

I really love Christmas music. This entire Advent Calendar project is a way to show the people who hate Christmas music that there are great tunes available to the uninitiated. My love for holiday music is directly related to the fact that while I was growing up my parents would regularly take me and my brothers to church. I was never super psyched to go to our little suburban catholic cathedral, except for one time of the year. The Christmas season was the only times of the year I was happy to go to mass, and it was the songs that created my excitement. Many of the best holiday songs come from the religious tunes the congregation would sing. Hope, light, the betterment of mankind. That is the true religious meaning of Christmas, and it sounds beautiful.

A couple of years back I heard the song "The Christmas Shoes" and I was left dumbfounded. I first thought that this "christian" song was some kind of SNL parody. It was atrocious. The basic plot centered on the story of a poor kid who wants to buy shoes for his mom on Christmas. These shoes are very important because the kid's mom is dying, and he wants her to look pretty if she meets Jesus. That plot is dumb enough, but what puts "The Christmas Shoes" into the stratosphere of appalling is that the song is from the point of view of some grumpy dude in line behind the kid. The narrator thinks that "God" sent this kid, and his dying mom, to be in this man's life so he will feel the Christmas spirit. It is a truly disgusting message.

In 2009 comedian Patton Oswalt dedicated part of his stand up set discussing "The Christmas Shoes" Everything he says is spot on. Oswalt talks about how manipulative and downright sinister the message behind "The Christmas Shoes" is. He also imagines a world with a God being pissed about people being grumpy on Christmas and a Jesus who is bitchy about a person's fashion sense. What Patton Oswalt does in the YouTube video attached to this article is take one of the worst Christmas songs ever, and give it a new hilarious life. You can skip the song and get a dose of the Christmas spirit by hearing Patton Oswalt tear this piece of trash apart. His thoughts on "The Christmas Shoes" makes the song listenable, because I hear Patton Oswalt's words behind every horrid verse.

A few weeks back my son was being rude to the checkout person at a store. When we were heading home, my wife and I were scolding him about his behavior. At one point I told him that Christmas is about being nice to your fellow person. My son was not listening and being quite defiant. As I was getting more angry and frustrated I heard the opening notes of "The Christmas Shoes". My wife and I stared at each other and smiled. My son was forgiven. The rest of the car ride was filled with joy and laughter. Patton Oswalt has made "The Christmas Shoes" a holiday tradition. Not the song, it is awful, but his thoughts about the tune's idiotic message is what Christmas means to me. Mr. Oswalt, I owe you a pair of some great Christmas shoes.

RD Kulik

RD is the Head Editor for SeedSing and the host of The X Millennial Man podcast. Every year he tries to buy his wife some ugly shoes for Christmas, but he never has quite enough pennies. Help him buy those shoes by supporting SeedSing.

SeedSing Classic: Advent Calendar of Awesome Holiday Music: Day 20 - Alone on Christmas Day

ed note: This article was originally published on December 20th, 2015

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we are looking back at the great holiday music, movies, television episodes, and food of this great season. Enjoy.

Day 20: Alone on Christmas Day by Phoenix and Special Guest Bill Murray

Opened doors: OneTwoThreeFourFiveSixSevenEightNineTen, Eleven Twelve, ThirteenFourteenFifteen,Sixteen,Seventeen,Eighteen, Nineteen

I have spent many Christmas nights all by my lonesome. I was not alone for the whole day. My Christmas mornings have always been about waking up way earlier than normal and opening tons of presents with my family around. Once the intense excitement of Christmas morning was finished, I would pack up my bounty and head back to my 15th floor studio apartment in downtown St. Louis. Most of these Christmas nights I would stare out at the Gateway Arch on the usually cold evening and decided I would get a drink, at the fancy hotel a few buildings down. I would put on my Christmas sweater, wrap a scarf around my neck, and head to the hotel bar. Once inside I would find a seat in a corner booth and observe all the travelers who were truly spending Christmas alone. I would sip my Manhattan, listen to the piano being played, and was thankful I was not alone on Christmas Day. 

Earlier this December, Netflix premiered the Sofia Coppola directed Bill Murray holiday special A Very Murray Christmas. During the course of the program a lonely Bill Murray asks the catering staff at the hotel to play him a song. The staff happens to be french indie rock band Phoenix. The band, with help from Paul Shaffer on piano, Jason Schwartzman on drums, David Johanson (as Buster Poindexter) on martini shaker, and Mr. Bill Murray himself on featured vocals, cover the Beach Boy's rarity "Alone On Christmas Day".

Phoenix and gang take an unknown and discarded Beach Boys tune with "Alone on Christmas Day" and create a new holiday standard. The Beach Boys tune was originally unreleased in 1979, and after Phoenix requested to cover the tune, Mike Love changed some of the lyrics and released his own version. The Phoenix cover is light years better. The tune alludes to the sadness of being by oneself on Christmas, but "Alone on Christmas Day" encourages us to think of the gladness, and to keep moving on. Plus if you listen to the tune, no one is truly alone on Christmas Day. You will still have the bar patrons and employees to sing you a joyful tune.

I was never truly alone on Christmas Day. In the morning I had my family and in the evening I had the travelers and  employees at the hotel bar. We all came to the bar as individuals, but on Christmas evening we were together. The piano played on in the background, our drinks warmed our spirits, and we all got ready to move on, together.

RD Kulik

RD is the Head Editor for SeedSing and the host of the X Millennial Man podcast. He has given up the Christmas Night bar scene and traded it for his family sitting around the fireplace. He did not give up on his yuletide Manhattan. Celebrate the togetherness of Christmas by liking SeedSing on Facebook.

 

SeedSing Classic: Advent Calendar of Awesome Holiday Music: Day 18 - Tree of Life

ed note: This article was first published on December 18th, 2015

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we are looking back at the great holiday music, movies, television episodes, and food of this great season. Enjoy

Day 18: Tree of Life as performed by Princess Leia

Opened doors: OneTwoThreeFourFiveSixSevenEightNineTen, Eleven Twelve, ThirteenFourteenFifteen,Sixteen, Seventeen

I am the father of a young son. One of my primary duties as a father is to teach my boy about being an intelligent, kind, and curious person. During the winter holiday season I have tried my best to introduce my son to the variety of holidays celebrated be different peoples. We put up lights for Diwali, we lit the Menorah for Hanukkah and will light the Kinara for Kwanzaa. I have also made a point of showing the boy all the great holiday entertainment of my youth. Because today is the opening of Star Wars: The Force Awakens, I have been trying get my son excited for some new December entertainment. Yet there is one piece of holiday nostalgia that my kid will not get to celebrate this year. This will be another year without the infamous "Star Wars Holiday Special".

In 1978 Star Wars was a national obsession. People were enthralled by the film, kids were excited to be getting empty figurine boxes as Christmas presents, and CBS aired the only official showing of "The Star Wars Holiday Special". The public was not impressed. The comedy stylings of Bea Arthur, Art Carney, and Harvey Korman were made permanent members of the Star Wars mythos due to their involvement in the special. Disco legend Diahann Carrol gets to be Chewbacca's father's (Itchy) fantasy girl. A certain bounty hunter, who was fond of disintegration, was introduced through an animated short. In fact, the Boba Fett cartoon is the only part of "The Star Wars Holiday Special" that gives anyone fond memories. The only celebration was to be for a paid killer, not our heroes.

Then there was the music. The aforementioned Caroll sings, Jefferson Starship started their downward slide into 80s kitsch with a tune. Bea Arthur gets to sing with the Cantina Band (Figrin D'an and the Modal Nodes). But the topping on this disaster cake was Princess Leia (Carrie Fisher)singing the song "Tree of Life" to the original Star Wars theme. 

Life Day was a Wookie holiday similar to Thanksgiving or Christmas. Like any great holiday, Life Day had it's own kind of carol. "Tree of Life", or also known as "A Day to Celebrate", hits all the important notes of any species celebratory season. Peace, harmony, togetherness, and many more themes are sung off key by an extremely sincere Princess Leia. "Tree of Life" and it's seasonal message has become more famous for being a "what the hell" type of song than one that makes people, or wookies, celebrate. Princess Leia did not ruin "The Star Wars Holiday Special" with the awful song, but she made sure the crash was as explosive as possible.

Today is a great day. We get a new Star Wars movie as an early Christmas present. I am very excited to infect my son's mind with all things Skywalker, Jedi, Solo, and more. I will not infect his mind with Star Wars lore that should be crushed in a trash compactor. "The Star Wars Holiday Special" may be spectacularly bad, and "Tree of Life" may be the rotten cherry on the trash dump, but we still have new Star Wars for the holidays. Today is a day to celebrate, to laugh, to dream, to grow, to trust, to love, to be.

RD Kulik

RD is the Head Editor for SeedSing and the host of the X Millennial Man podcast. He wonders what happened to Chewie's wife Malla, and their kids, between Return of the Jedi and The Force Awakens. Did the Midichlorians get them? Make this a day for SeedSing to celebrate by liking us on Facebook.  

Best of 2019: Top Five Albums

It is getting to be the time of year where everyone is putting out their best of 2019 lists. Hell, some are even doing best of the decade, but RD and I will be doing that a bit later on. But, like everyone else, I to like to do best of lists. This year will be the same as the past few. I will be doing music, movies, tv shows, podcast episodes or shows and sports moments. So, sit back and enjoy a week of "Best of 2019" lists from me. First off, we will do my top 5 albums. Oh, and before I go any further, I will add a few disappointments, for me, for the year. Anyway, lets get to it.

Coming in at number 5 I have "On the Line" from Jenny Lewis. I have really found myself going back to this record a ton lately, and liking it even more with every listen. Jenny Lewis has already proved that she is a wonderful song writer and arranger, but this album puts her on a whole other level. From songs about being in love, to total heart break, she hooked me from the start. She also worked with some great people, including Beck, that take this album to the next level. She has only gotten stronger and the stronger with each new album. "On the Line", to date, is her best record, and has me excited for what she is going to do in the future. Lewis is a star. More people need to recognize that.

At number 4 I have "The Unauthorized Bash Brothers Experience" from The Lonely Island. I feel like this record doesn't get the love it deserves because of the way it was released. There was not a ton of info, then all of the sudden they announced they were putting out a Netflix special and not many people knew if it was a comedy special, a musical or both. It is both, and it rules. The Lonely Island are already very, very funny. But, what people don't recognize is, they can really rap and make beats. This album hits hard. Some of the beats they produced, like the one with the pager sound on "Jose and Mark", or the whole "IHOP" song, those are amazing, super bobbing beats. They are as good as anyone making beats nowadays. Also, I know it may be cliché, but they are the modern day Beastie Boys. They sound like them, they rap like them, the only difference, they all have careers outside of music, in which they thrive in. This record plays so much in my car and my house that my kids know the words to the songs. My daughter calls "Oakland Nights" her jam. That song hits too. This record is so good and ranks right up there with their debut record. I was already a humongous fan, and now, especially with the Netflix special, they have won me over even more. Listen to the record first, then go watch the special. You will not be disappointed.

At number 3 I have "Hyperspace" by Beck. I have recently written about this album, and since that time, I think I have gone through the whole thing about 10 more times and I like it more and more. As I said in my review, the music sounds like it is from the 80's, but with Beck's influence all over it. The music is trippy and bouncy and fun. The lyrics are funky and groovy and quintessential Beck. I also love it when he does love songs, and "Die Waiting" is a great love song. Also, the slide guitar on "Saw Lightening" is rad. Everything Beck does, I am going to be a fan. But sometimes he does a record like "Hyperspace", and his genius blows me away more than it did before. I was talking to RD earlier today, and I told him that, at the current moment, this record is second only to "Midnite Vultures". It has the same feel, but more synth and more of an 80's lean. Even this morning, after speaking to RD, I put the record on because my son had a snow day, and he said he wanted to dance, and he told me "that new Beck record makes me want to dance". I love him so much, my son, and I really, really like "Hyperspace".

At number 2 I have "Cuz I Love You" by Lizzo. From the first moment I heard this record I knew it was going to be on my year end best of list. The title track is the opener, and it totally showcases Lizzo's beautiful voice. From there on out the record is all about empowerment, loving yourself, being good to those that are good to you and blocking out all the noise from the internet trolls. Every song on this album could, and should, be a top 100 hit. All of them are great. Also, the song with Missy Elliot brought me back to my teens, when I listened to a ton of Missy Elliot. She also does a great Erykah Badu esque song, "Jerome", that may be better than Badu. And while being a tremendous singer, Lizzo can rap. She spits man. She is so good on the song with Elliot, she crushes "Truth Hurts", she is phenomenal on "Better in Color", she is flat out amazing. Lizzo is finally getting the fame she deserves, and I love that she is out there being herself, loving herself and empowering young people to do the same. I hadn't listened to her before April of this year, but I haven't stopped since.

At number one I have "IGOR" from Tyler, the Creator. This album is a masterpiece. This is incredible. This shines a whole new light on Tyler, the Creator for me. Seeing him do this record live was such a treat. It is a true achievement. TTC did something totally different, totally out of his comfort zone and made one of the greatest concept records of all time. "IGOR" is also heartbreaking when you really listen to the lyrics. It is all about lost love and trying to deal with that. The way he sings and raps makes this album that much better. I didn't know he could sing like that, and he absolutely crushes it. As far as his rapping goes, he is one of the best in the game right now. Tyler, the Creator is a musical genius, and not of this world in my eyes. He is on a whole other level, or plain of existence. He was put here to make great music, and "IGOR" is his coup de gras. It is amazing. I highly recommend everyone, even people who don't listen to rap, listen to this album. It is that good. Okay, those are my top 5 albums for 2019.

As far as some things that disappointed me, or didn't work out like some may have thought, one, anything Kanye West does now is a joke. He is a farce of himself. He is a sellout. He is a phony. He is a hater. His beats are wack and his rapping has never been good. For anyone to think that this dude is a viable artist, especially the way he has presented himself this past year, is dead wrong. Kanye West needs to just go away quietly because he time was over 6 or 7 years ago. The dude is a poser. I am also appalled that the people behind the Kidz Bop records are still making albums, and trying to turn real songs into anthems for little kids. I let my kids listen to the original version of "Truth Hurts", so they don't have to listen to a crummy version on Kidz Bop. I would so much rather my son listen to Lil Nas X sing "Old Town Road" than some random pre teens. Bruno Mars is an excellent showman, so why let little kids try and sing his songs? The whole Kidz Bop thing needs to be stopped. They need to also stop taking explicit songs and trying to turn them kid friendly. I heard a little kid on one of the Kidz Bop albums doing "Truth Hurts" and saying, "turns out I'm one hundred percent that kid". That, to me, is worse than when basic cable shows movies and says things like "monster joker" or "bull shirt". It is offensive to the people who wrote the original song. Finally, I was so hoping that "RTJ 4" was going to come out in 2019. We still have a chance, albeit slight, that it comes out this year, but probably not. I know they are working on it. I have seen pictures and read lyrics they have posted online, and all of this has made me more and more excited for the record to come out. My fingers are crossed that they do the same thing they did for "RTJ 3", when they released it on Christmas night at midnight, but again, that doesn't seem likely.

There you have it, my best of, and disappointments in music in 2019. Come back tomorrow for my top five movies of 2019.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. The Head Editor fought to get Vampire Weekend’s “Father of the Bride” and Lana Del Rey’s “Norman Fucking Rockwell” on Ty’s list, but it is Ty’s list so those albums sit in the Head Editor’s head as the tops.

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SeedSing Classic: Advent Calendar of Awesome Holiday Music: Day 14 - Fairytale of New York

ed note: This article was originally published on December 14th, 2015

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we are looking back at the great holiday music, movies, television episodes, and food of this great season. Enjoy

Day 14: Fairytale of New York by The Pogues (featuring Kirsty MacColl)

Opened Doors: OneTwoThreeFourFiveSixSevenEightNineTen, Eleven Twelve, Thirteen

I once spent a magical December evening in New York City. My wife and I had an overnight layover in the city on our way for a tropical Christmas vacation. It was bitterly cold that evening. We bundled up and caught the subway to have a nice dinner in Manhattan. The few cold hours we spent in New York City that December were amazing. The city was decked all out for the upcoming holiday. It was magical. On our plane leaving the city I glanced down for one last look. The joys of New York City during Christmas was a memory I will never lose. I am glad I did not stick around to see the hopefulness of Christmas give way to the brutal realities New York City is home to the rest of the year.

"Fairytale of New York" was released by the Irish band The Pogues on their 1987 album If I Should Fall from Grace with God. It is rumored that the song was written based on a bet between Elvis Costello and The Pogues lead singer Shane MacGowan. Costello bet that MacGowan could not write a hit Christmas single. Once the music and lyrics were set, singer songwriter Kirsty MacColl joined MacGowan to sing the song as a duet. Elvis Costello must have lost the bet, because "Fairytale of New York" has spent the last few decades as one of the most popular Christmas songs in the United Kingdom.

"Fairytale of New York" starts off with the magic of New York City during the holidays. MacGowan and McColl are young, in love, and inspired.Being in the drunk tank on Christmas Eve cannot dampen their spirits. They have each other and the wonders of the city. The song treats their ideals as fake as the decorations around town. Love and admiration quickly turns to name calling and regret. Behind the holiday facade of the city lies a brutal, and ugly, reality. The two lovers were embracing the facade, but once the decorations are gone, their hate and despair shows through. They love the imagery and magic, they unfortunately do not really like each other.

The build up to Christmas can make us forget all the unfortunate things that confront us during the year. Our hopes, dreams, and love seem to get amplified in December. Once our holiday drunken stupor turns into a post December 25th hangover, our realities come into sharp focus. I enjoy the magic, and I am trying to prepare for the headaches. Thank goodness I will have the fine Irish ditty "Fairytale of New York" to be my musical companion through the transition.

RD Kulik

RD is the Head Editor for SeedSing. He is embaressed to say that his dinner in New York that night was at Trump Tower. Come and tell your tales of Christmas in the city by writing for SeedSing.

SeedSing Classic: Advent Calendar of Awesome Holiday Music: Day 12 - Have Yourself a Merry Little Christmas

ed note: This article was originally published on December 12th, 2015

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we are looking back at the great holiday music, movies, television episodes, and food of this great season. Enjoy

Day 12: Have Yourself a Merry Little Christmas performed by Judy Garland

Opened Doors: OneTwoThreeFourFiveSixSevenEightNineTen, Eleven

There are a few cultural icons produced by the 1944 film “Meet Me in St. Louis.”  For example, it’s where Judy Garland met Vincente Minelli, thus creating Liza.  I had a film TA in college who theorized that the film inspired “Night of the Living Dead.”  But the one I care about the most is that staple of treacly holiday radio, “Have Yourself a Merry Little Christmas.”

A great many BAD versions of this song have been produced.  James Taylor has brought his special brand of anodyne blandness to it.  I once heard a bowdlerized version of it that replaced the word “fates” with “Lord.”  I guess the original line is just too pagan.  I’m sure it’s only a matter of time until Taylor Swift yell-sings her way through with her trademark lack of vocal subtlety.  (To whomever decides these things, I would happily pay $1.29 to hear Josh Groban do it.)  But Judy Garland’s lovely, heartfelt original is one of the finest pieces of Christmas music ever produced.

A great many of our holiday standards are unabashedly joyful.  Those are fine, I’m happy to hear “Silver Bells” and “This Christmas.”  But my favorite pieces of holiday art are the ones with a touch of melancholy about them, like A Charlie Brown Christmas.  To me, as a non-religious person, the holiday season is about finding light during the darkest time of year.  Most religions have a similar holiday, usually around the winter solstice.  Christmas, Hanukah, and Diwali, for example, are all about miracles and triumphs that chase away the darkness (metaphorical and otherwise).  Whether it’s baby Jesus born to bring hope, or lighting the way for Rama after his defeat of evil, it’s basically the same idea.

In Meet Me in St. Louis, the song “Have Yourself a Merry Little Christmas” is sung by Esther to her youngest sister Tootie after they learn they are leaving their St. Louis home for New York.  The song is Esther ostensibly trying to comfort Tootie by assuring her they will always have Christmastime to come with their loved ones, in person or in spirit.  But Esther is really singing about her own sense of loss at moving, and trying to remind herself that there will be joyful times in the future, even if all is bleak right now.  We can all use that reminder some years.

A very merry whatever to all!

Tina S

Tina is a sometime contributor to SeedSing and occasional guest of the X Millennial Man podcast. One time we even let her host the show.

 

The Greatest American Music: Fleetwood Mac's "Landslide"

I go through phases of what style of music I want to listen to all the time. I’ll go with hip hop for a good long time, then switch to rock. I’ll listen to the blues, then transition to folk. I’ll do some prog rock and that will shift to classic rock. Lately I’ve been on a classic rock kick.

It all started about a week ago when I decided I wanted to revisit Jimi Hendrix. He’s one of my all time favorites, and I hadn’t listened to him for quite some time. So, I have been listening to him pretty much nonstop, with some ELO, Beatles, Rolling Stones and The Band, among others, peppered in. Spotify has recognized this, and they’ve made a mix for me that is focused on this genre, or generation, of music. It’s a bit scary, because AI is definitely taking over, but also cool because it reintroduces, and sometimes, introduces me to people and songs I haven’t heard of, or heard in awhile. That very thing happened this morning.

My wife is a big Fleetwood Mac fan, and she’s turned me into somewhat of a fan. I enjoy, and respect the hell out of Lindsay Buckingham’s guitar playing. I think Stevie Nicks is a wonderful singer and I appreciate the music they made going through all the stuff they went through. Look up Fleetwood Mac’s history, it’s intense. Anyway, while on my way to run this morning the song “Landslide” came on and I was moved.

Now, this song has a whole new meaning to me since my wedding. Most people, I assume, when they get married, one of the people that got married dances with their mother, with the mother picking the song. I did this, and my mom picked “Landslide”. At the time I didn’t listen to Fleetwood Mac. I knew of them, but never listened to their music. When we danced to this song, with our family and friends watching, we were both very emotional. It was happy emotions, but I was crying, as was my mom. The lyrics moved me. The way Nicks sings is amazing. The guitar was beautiful. I immediately loved the song. I listened to it a ton on my honeymoon, and when we got home, I listened even more. I really started to indulge in Fleetwood Mac after my mom picked that song. Then I just kind of stopped listening to them. Sure, “Rumours” would be played here and there, but I didn’t hear a ton of Fleetwood Mac or “Landslide”.

Then it came on today. I turned the song up right away and let myself get lost. I returned to my wedding. I let the song totally wash over me, and it was magical. I most definitely teared up. I found myself not even singing along, just simply listening. As I said, I returned to my wedding and dancing to this song with my mom. We didn’t know it at the time, but she was going through some medical stuff, and thinking about that made me tear up as well. When Nicks sings, and it’s so simple, but so true, “children get older, and I’m getting older too”, or, “cause I’ve built my life around you, but time makes you bolder”, I mean come on, that’s moving. My mom did build her life around me and my brothers after we were born. She did it all for us. My dad did too, but I didn’t dance to “Landslide” with him. This was for my mom. I think she was trying to tell me these things through the song. Well mom, I get it now and I adore that this was the song you picked. This song is so important in my life now that, my wife and I performed it for my mom for her birthday a few years back. And yes, tears were shed again.

“Landslide” was already a great song, and now, being older, being married and having kids of my own, it means so, so much more to me. I love you mom and I thank you Fleetwood Mac for making such a meaningful song. It’s truly wonderful.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

Follow Ty on instagram and twitter.

SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.

SeedSing Classic: Advent Calendar of Awesome Holiday Television Programs: Day 7 - "The Late Show with David Letterman - December 19th, 2014 "

ed note: This article was originally published on December 7th, 2016

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we are looking back at the great holiday music, movies, television episodes, and food of this great season. Enjoy

Day 7: "The Late Show with David Letterman - December 19th 2014"

Original air date - it is right there in the title.

Opened Doors: OneTwoThreeFourFive, Six

Every year around Christmas we listen to the same songs and watch the same television shows. We all have our traditions, and there is absolutely nothing wrong with that. These little bits of holiday pop culture sometimes get us into the right mood during a cold December night. These annual traditions help us look back to other pleasant times we experienced during the holiday season. There is a comfort in looking forward to that one thing that makes our holiday season extra special.

David Letterman once famously said that it is not the Christmas until he hears Darlene Love sing that song. The song in question is the new standard (Christmas) Baby Please Come Home. Vanity Fair has a great oral history of how Darlene Love ended up on Letterman for almost thirty years singing her iconic song. That first appearance in 1986 was simple, and without pomp, but a beloved holiday tradition was born.

The small band, and ugly holiday sweaters, had nothing on Phil Spector's iconic Wall of Sound, but Darlene Love still slayed with her vocals. Since that appearance, Darlene Love, Paul Shaffer, and David Letterman made (Christmas) Baby Please Come Home a fixture on Late Night, and then The Late Show. Only a writers strike would stop the trio from letting Letterman start Christmas. Many even believe that Love's Late Show appearances helped her finally, rightfully so, get into the Rock and Roll Hall of Fame.

On December 19th, 2014, Darlene Love performed (Christmas) Baby Please Come Home for the last time on The Late Show. In May of 2015, David Letterman retired from the late night game. Everyone knew that the December 19th performance was going to be the last, and nothing was held back. The four-piece backing band of 1986 was replaced by a horn section, strings, backup singers, and Paul Shaffer on a grand piano. Love even decided to belt out the last few lines on top of the piano because she was afraid of breaking down when Letterman came to give her a hug. The 2014 performance of (Christmas) Baby Please Come Home was an epic curtain call for a singer, a talk show host who was a fan, and the viewers that counted on Darlene Love to usher in the holidays every year on late night television.

Our holiday traditions are something to be celebrated. Listening to the same songs, or watching the same tv specials, is what makes December a great time. We all have that one special pop culture thing that gets us in the right Christmas mood. David Letterman had Darlene Love sing that song. We were truly lucky to share this tradition with Mr. Letterman.

RD

RD Kulik is the Head Editor for SeedSing and the other host of the X Millennial Man Podcast. The holidays do not start for him until he hears Linus and Lucy.

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SeedSing Classic: Advent Calendar of Awesome Holiday Music: Day 5 - I Wish it was Christmas Today

ed note: This article was originally published on December 5th, 2015

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we are looking back at the great holiday music, movies, television episodes, and food of this great season. Enjoy

Day 5: "I Wish it Was Christmas Today" by Julian Casablancas

Opened Doors: OneTwoThree, Four

The conventional wisdom tells us that the winter holiday shopping season peaks on Black Friday. Once the day after Thanksgiving doorbusters are exhausted, the general public falls into a slower holiday shopping pattern. I disagree with this theory. Black Friday does have a large mob of people looking to score off brand electronics for ultra low prices, but the majority of sane people save their holiday shopping for after the mayhem. The first weekend of December is when the holiday shopping season really kicks into high gear. This is when the Christmas spirit starts its full invasion into our culture.

"I Wish it Was Christmas Today" started out as a simple SNL sketch featuring Horatio Sanz seemingly playing a novelty guitar and singing, Chris Kattan head turning and holding a very large keyboard, Jimmy Fallon providing backing vocals and very rarely playing the keyboard, and lastly Tracy Morgan awesomely dancing in place. Every few years the quartet would add a few lyrics, but the singing and dancing remained the same. Tracy Morgan is great in nearly everything he does, but I do think this is the funniest skit that Sanz, Fallon, and Kattan have ever done. Every year I would look forward to hearing "I Wish it Was Christmas Today" on SNL. The simple tune immediately put me into the holiday spirit.

In 2009 The Strokes lead singer Julian Casablancas released a cover of "I Wish it Was Christmas Today". The simplicity of the SNL version was replaced by a hyper kinetic ultra joyful new song to celebrate the holiday season. Casablancas version of the song starts at the top and never relents. For just under 4 minutes, the holiday season gets the positive excitement it so truly deserves.

Both the SNL and Casablancas versions of "I Wish it Was Christmas Today" celebrate the happiness of Christmastime. There are endless stories on the news of people complaining about the length and commercialism Christmas. Fox News invented the moronic War On Christmas to continue their agenda of splitting the country and feeding the idea of white christian victim-hood. "I Wish it Was Christmas Today" leaves all the negativity behind and says that Christmas kicks ass.

Today I will be out starting my holiday shopping. My house is decorated. my spirit is getting into high gear, and "I Wish it Was Christmas Today" will be on my playlist. The crowds at the stores, the idiots at Fox News, and all the naysayers will not dampen my holiday spirit. I love the awesomeness of the holiday season.  I do't care what anybody says, I wish it was Christmas today.

RD Kulik

RD is the Head Editor for SeedSing. He is hungry right now and really wishes it was Thanksgiving today. Tell us about your favorite time of year by writing for SeedSing.

 

SeedSing Classic: Advent Calendar of Awesome Holiday Music: Day 1 - Linus and Lucy

ed note: This article was originally published on December 1st, 2015

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we are looking back at the great holiday music, movies, television episodes, and food of this great season. Enjoy

Day 1: Linus and Lucy By The Vince Guaraldi Trio 

Every year my wife and I throw a big winter holiday party. One of my duties is to create the background music. In the first few years we held the party I purchased a few sets of generic Christmas music cd sets. Many of the pieces were from the public domain, and almost all of the songs were jazz. I really dislike jazz. 

A few years back I decided to create a custom playlist from the holiday songs I loved. I wanted the music to reflect the whole season, and I wanted to use songs not widely available. The one song I salvaged from those awful jazz standards was "Linus and Lucy" by the Vince Guaraldi Trio. This was the one and only jazz song I needed for my holiday spirit. This was the song that kicked off my carefully curated holiday playlist. "Linus and Lucy" is the best way to start the season.

"Linus and Lucy" is not exactly a Christmas song. It was originally released by the Vince Guaraldi Trio on the 1964 album Jazz Impressions of a Boy Named Charlie Brown. The upbeat guitar and drums represent the excitement of the holiday season. There is pure joy and excitement throughout "Linus and Lucy". Once December 1st hits, the holiday season starts moving at a hectic pace. Crowded roads, overpopulated shopping centers, and disorganized homes filled with unwrapped gifts. "Linus and Lucy" embrace this chaos, and makes it joyful. 

The Christmas popularity for "Linus and Lucy" started when A Charlie Brown Christmas debuted in December of 1965. The upbeat tune was used as the music for the greatest dancing scene in television history. Many people will automatically think of the Charlie Brown Christmas pageant dancing when they hear "Linus and Lucy". This scene was shot in 1965 and we have voguing, the zombie, the twin girls doing the same dance, and a variety of incredible dance moves. When I hear "Linus and Lucy" I immediately break out into Linus's thrust movement, even if I am out in public (that does get awkward at times).

Since the debut of A Charlie Brown Christmas "Linus and Lucy" has become the unofficial Peanuts anthem. Most of the Peanuts cartoon specials have used the song, including the 2015 film The Peanuts Movie. The song receives the large majority of its airplay during the holiday season. The popularity of A Charlie Brown Christmas has programmed our culture to associate "Linus and Lucy" with the holidays. The song kicks off It's the Great Pumpkin Charlie Brown, yet "Linus and Lucy" makes our mind think of the December holiday extravaganza.

"Linus and Lucy" is the perfect first door to open on our Awesome Holiday Music Advent Calendar. This is the tune that will get your holiday spirit ready. It is chaotic, joyful, and demands to be danced to. If you start your day with "Linus and Lucy" your holiday spirit will never dim.

RD Kulik

RD is the Head Editor for SeedSing. His wife has asked him to stop the Linus out in public, the Shermie is ok though. Tell us all about your favorite holiday tune - write for SeedSing.

Ty Listens to Beck's "Hyperspace"

Much to my surprise when RD and I recorded our last podcast, he pointed out that Beck had put out a new record. I didn't even know that he was in the studio, let alone putting out a full LP.

So, after he told me this, and I found some free time, I sat down and listened to the new record, "Hyperspace". And, I adore it. I like the sound and feel and music and pretty much everything involved with this new record. Beck has always been the type of musician that does something different on each new record, and that rings completely true with "Hyperspace". Beck's last record was a bit more rock heavy, with some hip hop lean. I really enjoyed that album, and I saw him tour on that record. So, I was curious as to what direction Beck would go in with "Hyperspace". Well, he does a synth heavy, almost new electronic, with vocals, style record. He sounds like so many bands that were one hit wonders in the 80's, think the song "Here in my Car", or anything from Blue Oyster Cult, and that is what "Hyperspace" sounds like, except it is Beck, so it is a thousand times better. Each song on the album is good, fun and sounds like Beck, but this time he uses a ton of synth. The single, "Saw Lightening", is the only song that deviates from the new age rock sound, but not that much. Beck plays slide guitar, and the song is a bit more rock forward, but that is the only real difference. Also, the song rules. But the rest of the record goes everywhere, and only a guy like Beck can pull this off. There are some slower songs, but they never drag because that is not what Beck does. His songs are never more than 4 minutes long, and that is how this album is. The faster songs are super fun on the new album too. They are groovy and synthy and dancy and they sound cool as hell. I never thought of myself as a fan of synth heavy dance rock, but after listening to this record, and then listening to some of the music I compared it to earlier, I think I do like this type of music. I love the song "Here in my Car". I legit enjoy Blue Oyster Cult. I like a good portion of the 80's rock. I enjoy a one hit wonder as much as the next guy. But, when you take someone as talented as Beck, and he decides to go this route, it makes me respect this style of music even more. He takes that popular sound and makes it better because he knows exactly what to do with it. He can transcend the one hit wonder sound. He can make this type of music palatable for everyone. He makes it fun. He makes it cool. He makes it enjoyable. I used to say that synth was a guilty pleasure for me, but after "Hyperspace", it is just a pleasure. I am a fan of this style of music from now on, and I am not ashamed to admit it.

I like that Beck does stuff like this. I like that he wants to try every style of music, and he is usually very successful when trying it out. "Hyperspace" is no different. Of course I recommend the record, as I would with anything Beck releases.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. Minor correction. The song “Here in My Car” by Gary Numan is just called “Cars”. A little knowledge for Ty.

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The 2020 Grammy Nominations Make Me Feel Old

Yesterday after the 2020 Grammy nominees were announced, and I checked the categories that interested me, I came to two pretty grim realizations about myself.

So, I like to think that I know a good amount about music. I have done a whole series of who I consider to be some of the greatest American bands, I go to tons of live shows, I listen to lots of different music, I play guitar and I feel like I know a good amount about music in general. So, when I first saw the nominees, my first realization was, I had no idea who about 60 to 70 percent of the people nominated were. I simply had not heard of a good amount of the people. I know who Lizzo is, I really like her music. I am aware of Billie Ellish because my nieces listen to her. I know who Vampire Wekend is, much to my chagrin thanks to RD. And I am aware of other, bigger names that got nominations. But, when I scrolled down to the categories that I actually kind of care about, I just found that I had no idea who some of these artists were. That was when it hit me. I am older now. I am closer to 40 than 30. I am going to be 37 on less than a month. It is bizarre that something as trivial as Grammy nominations hit me this hard. I have known that I am getting older. We all do everyday. But, when I checked out this list, I just had no idea. I had no connection with some of these artists that are deemed worthy of a Grammy nomination. I listen to tons and tons of hip hop music, and I only know of one of the people nominated for best rap album, Tyler, the Creator. I don't know anything about any of the other nominees. When looking at rock and alternative nominees, it was nearly the same thing. I know Brittany Howard and Gary Clark Jr, but who in the hell are these other people? I have never heard of them. I know nothing about them, and I have no interest in finding out about them.

That leads me into my second realization, which I feel like I have had a few times prior to this, but it finally sunk in, and I accept it now. That realization, I am a music snob. A lot of the people nominated that I don't know, it is simply because I feel that modern pop, rock and alternative music is not very good. There is no musician or solo artist right now that I feel like has any staying power, and the bands and solo artists I listen to, I feel like most of them do. I think a band like The Black Keys, or a solo artist like Frank Ocean is going to be remembered for a long, long time. I don't think a band like, say Vampire Weekend, again, sorry RD, or a solo artist like Ariana Grande is going to be talked about in less than a decade. I think they will just be talked about in passing, like someone may say, "remember that one Vampire Weekend record, it was good. What are they up to now". It is not like they have real staying power. The Black Keys are prolific. They kept putting out good, solid records and tour with regularity. People wait and wait and wait for new Frank Ocean records, and when he puts one out, it is worth the wait, but it leaves you wanting more. Can you say that about most of the current Grammy nominees? I don't know. I love Lizzo, and I listen to her record "Cuz I Love You" on repeat, but can she do it again? What about the country rap guy Lil Nas X? Is he ever going to reach the heights that "Old Town Road" has led him to. Or Billie Ellish. Is she going to be the newer, hipper Lorde, or is she more in the vain of a one record wonder like Natalie Imbruglia or Crash Test Dummies. I simply don't know, but if asked, I would say they are more in the one record/hit wonder category.

Look, the Grammy's are simply nominating who is popular at the moment, and I understand that, but that is the problem with modern music. No one really tries to make profound, everlasting music, they just make music to get clicks and to get people to buy singles online. That is a problem with the modern music industry too. No one buys records anymore, or almost no one. Most people just want earworms that sit with you for a couple months, then you move on to the next hit song.

So, yes I am old and I like what I like, but that is okay. I'm sure the people that are nominated are happy, and I even bet that a few will stick around for awhile. But, most want. And I think that says all you need to know about Grammy nominees.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. On Grammy night, you can find Ty outside yelling at a cloud.

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Ty Listens to "Closer Than Together"

Yesterday I mentioned that I was going to write about the new Avett Brothers record, and today I will fulfill that promise.

I need to say right off, I am a big fan of the Avett Brothers. I got heavily involved when they started to work with Rick Rubin, and really haven't ever looked back. Hell, I am even on board with them going electric on some songs. With that being said, I cannot figure out how I feel about their newest record, "Closer than Together". I do want to say, I think it is extremely well written, and when it comes to playing an instruments, the Avett Brothers are top notch. And, I enjoy most of the songs. But, there are some songs on the album that I just can't decide if I like it, or if it should even be on the record.

Lets get to the stuff I like first. The first three opening tracks are very good. They are quintessential Avett Brothers. The songs are acoustic heavy, they are about great topics and they fit. I especially love the message in "We Americans". It is a profound song, and I hope it gets played and talked about for years to come. And while I said the first three songs are acoustic heavy, the opening track has some great electric guitar playing right at the top. I really like "C Sections and Railway Trestles". It is a very poignant and true song about having a kid. The stuff that is written and sung is damn near perfect and poetic. The song is really about the ups and downs of having a newborn. I am also a fan of the single, "High Steppin". This is a departure from what they normally do, and while it does have a talking portion, more on that later, I find the song catchy and easy to dance to. My kids like it as well. I respect, and agree with the message on "Bang Bang" and "New Woman's World". "Bang Bang" is a great tune about our country's obsession with guns. And "New Woman's World" is right. We need to let the ladies take over because men have screwed stuff up big time, especially lately. "Better Here" is a nice, slow burn of a song that has some tremendous piano work all over it. "Who Will I Hold" has that banjo sound I have come to associate with the Avett Brothers, especially when Scott Avett sings. He is the better singer of the two, they are both great though, in my opinion. And I feel like "Locked Up" should be the closer. It has that feel. It is a sped up acoustic tune that would have been perfect to end on.

Now to the stuff I am a bit more confused on. I like the song "Long Story Short", but it is a total Bob Dylan rip off. Hell, I even compared it to my dad and wife as a Dewey Cox rip off. It just goes on and on and on with three chords seeming to be the only instrumental part. Still, it is a solid song. And then there are a few songs that are just slow. "When You Learn" feels like filler, and they could have made this a B side. And the actual closer, "It's Raining Today" is just not for me. When I listen I actually find myself checking the run time. I usually just skip it and start the record over. But, if these are my only real "qualms" with the record, I have to say, this is another, in a long line, of very good Avett Brothers records. I do wish that Scott Avett sang on more of the songs, at least lead vocals, but as I said, both brothers are very strong singers.

Overall, I like "Closer than Together". You can hear growth, yet there is the comfort of their reliable sound from past records. Any Avett Brothers fan will enjoy this record, and I think it may even convert some people that are yet to give them a chance.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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Ty Listens to "U Know What I'm Saying?"

I know that I am a bit late to the party, but today I finally listened to Danny Brown's new record, "uknowwhatimsayin?", and it is absolutely dynamite. I didn't really know what to expect. I am a late convert to Brown's music. I have heard him on Run the Jewels stuff, his song on the latest Gorillaz record is my favorite one, he has a very funny TV show and his older music is intense, at least what I have heard.

Yet this new record feels different. It starts out, not slower, but not as intense. It has a bit of a lighter feel to it. It is almost as if Brown is doing a newer character, a la what Tyler, the Creator did on "IGOR". Brown, much like Tyler, the Creator, seems to like performance art, and I feel like "uknowwhatimsayin?" is a new choice from him, and I love it. Like I said, it starts out lighter, and I was immediately intrigued. Brown seems almost subdued on this record, and I mean that in the best way possible. He is such a great emcee, and to hear him like this, where he is almost totally understandable, is awesome. I have listened to the record twice since this morning, and with each listen, I get more and more into the album. This record is right up there with "IGOR", or the new Black Keys or the new Avett Brothers record which I will be writing about tomorrow. Hell, I like it as much as "Cuz I love You", and that record might be the record of the year so far.

What Brown is doing on this album is so cool and different from what he has done in the past. His rhyming is so in sync with the beats on the record. And the beats, they are fantastic. They aren't bass thumping, near head banging like on previous records. But, they work so well with his new approach. He has some of the best producers and beat makers working with him on this album as well. Featured on a song is Run the Jewels, and I am sure, since they are very good friends, Brown and El-P made some beats together. Also, that song with RTJ is so god damn good. Even El-P is a bit subdued on the song, but then Killer Mike comes in at the end to close it out, and he crushes, as usual. He also has jpegmafia credited on a few tracks, and while I don't know too much about jpegmafia, I've been told, and read, that that is a good thing. The songs that feature jpegmafia are pretty awesome as well. This whole record is totally unique and totally different from anything Brown has done before, and I am all here for it. I am totally in. I want more and more music like this from Brown. This is a new direction for him, and I love it.

I cannot recommend this record enough. I'm sure I am going to listen to it a few more times today, and probably on repeat for a few weeks. Brown is fast becoming one of my favorite rappers, and I want more and more music from him, especially if it is going to sound like the songs on "uknowwhatimsayin?". Well done Mr. Brown. My hat is off to you and your new album.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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Tyler the Creator Delivers in a Great St. Louis Show

I wanted to tell you all about a show I went to last Friday quickly. I know I have been doing all basketball, but I did promise to do reviews of other stuff, and last week I saw Tyler, the Creator in concert.

I am fairly new to his music, although I have been listening to Odd Future for about 5 years. But, when the OF crew went out on their own, Tyler was one of the guys I waited to check out.

That was a mistake. I love his beats and the way he rhymes. He is so fierce and vicious and the beats are pure hip hop. Also, as you all know, I am a big time fan of his last 2 records, "Flower Boy", and even more, "IGOR". And boy did he do some "IGOR" on Friday night.

He came out on stage in a blue suit and a blonde wig, buying fully into this Igor persona. It was almost like performance art added to a really kick ass show. And man did this show kick ass. I didn't know what to expect, but I was blown away. Tyler was on point and on fire all night long. I also loved the show within the show. The lights were great. The big screen behind him totally ruled. The effects, like fire and fireworks, were so god damn loud and perfect. I have nothing but great things to say about what I witnessed. And the tip in the cap of the night, he covered a good amount of his catalog. He played a ton of stuff off "IGOR", as expected, and it was great. He opened the show with "IGOR's Theme", and stood like a statue until he decided to rap along, and it was great. He did a piano intro to "EARFQUAKE", let the crowd sing it, then did an acapella version of it which was awesome. My favorite, "NEW MAGIC WAND" was, what the kids would say, a true banger. The bass was so heavy I could feel it in my chest, the lights were very strobe heavy and he crushed the song.

Even when he decided to do his older stuff, it worked so well. "IGOR" is such a different album, so to hear him do his older stuff, I really dug it. It showed how good of a rapper he is. Even while performing a song, he said he rapped too fast, slowed it down and then got right back into it and slayed again. Even in full Igor regalia, he did his old music justice. It was awesome. I also liked, when he decided to break character, his interactions with the audience. He wanted us all up and grooving with him. He asked for help on songs. He wanted us to be involved in a good way. And when people got too involved, he shut it down. There was also a guy that was just standing there, hands in pocket, and Tyler called him out. I loved it. He wanted that dude to have fun, and if I had to bet, that dude loosened up and had a good time.

This concert was such a pleasant surprise and I am so glad that I went to see him. If you have a chance, go see Tyler, the Creator. He is one of the more underrated rappers out there right now, but he is so, so good. And this whole Igor character is super fun to watch live. What a solid, and super fun show. I cannot recommend it enough.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. Ty was not the man with his hands in his pocket. Ty waves his hands in the air like he has no cares.

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The Black Keys Deliver Another Great Live Show

Last night I went to see Modest Mouse and the Black Keys on the “Let’s Rock” tour. I want to say this was the second or third night of this tour, and I liked that because I like to see the very beginning. I like to be one of the first group of people to see these songs live first. It also shows me how much of a pro these musicians are, especially this early on. And, one of the bands seems like they need some work, and the other is set. They know what they are doing.

The band that seems like they need a bit more work is Modest Mouse. I had some problems with their set. It needs to be said that they are the “featured guest”, or even the opener. I don’t know if that hurts their ego, and they’re letting it out on stage, but still, they should have been better. Also, I do not know much about them, so maybe this is more on me, but still, they weren’t great. The sound mix was weird. The instruments drowned out the singers voice. I didn’t know any of the songs. They seemed almost disinterested on stage. Needless to say, I was unimpressed, and feared it might be a sign of a poor overall show.

Luckily, the Black Keys got on stage and reset the mojo. They were great. They were reliable. And they are god damn pros. What I loved, and appreciated most though, their set list covered almost all of their records. They didn’t just play their new stuff, they ran the gamut. They opened with “I Got Mine”, and that is a great song, and one I know how to play. Any hope I lost with Modest Mouse, the Keys picked it back up right off the bat. After that, the songs spammed their career spectacularly. They played a good amount of tunes off “Brothers”, and it was all the good stuff. They did the hits like “Next Girl” and “Tighten Up” and “Howlin For You”, but they also did “Everlasting Light” and “10 Cent Pistol”. And they were all great. “Next Girl” had super cool visuals attached as well. So did “Everlasting Light”. And the way they did “10 Cent Pistol”, kind of slowed down and more bluesy, was cool and unique. I was super stoked because I got to hear “Thickfreakness”, and that is my favorite song, and they nailed it. It was loud and filled with reverb and distortion and it was expertly played by both Dan Auerbach and Patrick Carney. They played “10am Automatic” off “Rubber Factory”, and that is such a fun song to hear live. I loved that they played “Strange Times” because we are truly living in some strange times right now. It was a great choice, and they crushed it. “Fever” off “Turn Blue” was a nice little, slower detour from all the rock. They slowed it down and both the Keys slayed their instruments. Even “Your Touch”, off “Magic Potion” was very well done. And, of course they played some new tunes. I loved that I got to hear “Walk Across the Water”. That is my favorite song off the new record, and it was sublime live. “Fire Walk With Me” was amazing. It was a song I kind of forgot about, but after hearing it last night, I’m fully on board with it now. Even when they played the singles, “Lo/Hi”, “Go” and “Eagle Birds”, they played them excellently.

This was a solid show despite Modest Mouse’s poor effort. The Black Keys are a great band, and always do solid live shows. All I know is, once the Keys took the stage, it was great. Another successful live Black Keys show.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. Ty is not familiar with any songs by Modest Mouse. He just seems to “Float On” by their pop hits.

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Daniel Johnson, An Original Like None Other

Yesterday I heard the news that Daniel Johnston had passed away.

This made me pretty sad. I became a fan of his about 10 years ago when my brother showed me the documentary "The Devil and Daniel Johnston". Seeing this movie intrigued me so very much because of how odd he was, yet how much I could not take my eyes off the screen when he was talking or performing. Daniel Johnston is most definitely an acquired taste, but I acquired it immediately.

After seeing the movie I dove deep into his music catalog. And it was as oddly intriguing as I was hoping it would be. Johnston, as stated in the movie, was a self taught musician, and it showed. While not super proficient on guitar, he could play enough to write a song, and man could he write. His lyrics were so profound and sad and emotional and relatable and weird and just flat out good, at least for me. His music was something I had never heard before, and his voice, and upon hearing it in the movie, I found myself very much into.

When listening to all of his music, I started to learn more and more about him and how influential he was to many musicians that I was listening to at the time, and that I still listen to today. I was a big time Conor Oberst and Bright Eyes fan, and Johnston was a big time influence on him. I have been known to listen to Wilco and Jeff Tweedy, although sometimes I feel like a punk when I do, and Johnston was humongous to them. Even a band like TV on the Radio, who I adore, appeared on a cover record of his, and claim him as someone that gave them the courage to go out and perform.

That was the main thing about Johnston. Any short comings other may have perceived him to have, he didn't care. He would go out and perform constantly. He didn't care what people said, he just went out and played. That takes courage. And, as I said, he was one of the first people from the Austin scene in the early 90's to go out and do his thing. He even got himself a spot on MTV, when they still showed music videos, and that was a big time boon to his career. With this success came problems, but I feel like he had these problems all his life. If you listen to his music, you can hear the pain and fear and schizophrenia that he fought his whole life. Sure, he spent time in a mental hospital, but after coming out, he made some of his best music. And that was the thing, he was always writing. He never stopped. He had so much to say, and when he found his platform, he used it to the best of his ability.

Daniel Johnston was a true original. He was one of a kind. He made so much music, and I am grateful that I have it to listen to for the rest of my life. The only thing that personally bums me out, I had a chance to see him on his last tour, but family stuff came up and I had to miss it. Now I will never have that chance again. I wish I could have gone, but family comes first. As for now, I will miss Johnston and his seemingly never ending writing and music. I have been listening to him ever since I heard the news, and I feel like I will be listening to it for a good long time. I will miss Daniel Johnston, and a lot of other people will too. The music world has lost a true original artist. RIP

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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Let's Revisit the Underrated Black Keys Album "Attack and Release"

In preparations for The Black Keys show I’m going to in less than a month, I have been listening to their older records to reacquaint myself with some songs I used to love. “Thickfreakness” still rules, “The Big Come Up” is a great debut and “Rubber Factory” shows real growth.

Today I listened to “Attack and Release”, and I have to say, I think this is their most underrated record. I remember liking it a good deal when it came out. Listening to it this morning, I love it. This was when The Black Keys started to try something a little different. I love that they were just a guitar and drums duo at first, and when I heard that they were going to work with Danger Mouse, who I adore, and add bass and keys, I was skeptical. Well, I was dead wrong. That really rang true to me today. Their sound on “Attack and Release” is so full, yet still theirs and theirs alone. They still have that raw duo feeling, just spruced up a bit. I also should have never doubted Danger Mouse. He’s worked with tons of different artists, and pretty much everything he touches is great. The same can be said for “Attack and Release”. His influence is right there at the very beginning. The first track, “All You Ever Wanted” features him on the keys, and Dan Auerbach singing like he hadn’t to that point. It’s a beautiful song, and instantly took away any worry I may have had. They then follow it up with “I Got Mine” which is beautifully typical Black Keys. It was also one of the first songs I learned on guitar. It rocks and rolls and Auerbach growls the lyrics and Carney hammers away at his kit. From there on out, the rest of the record is filled with classic Black Keys and them trying out new stuff. They do the same song, “Remember When”, but it’s 2 different styles. The first is slow and filled with instruments they never used before. It’s great. They then play it as a straight up rock song, and it hits like a rock. It’s so cool. After “I Got Mine”, they follow that with the single, “Strange Times”, and that is a great, classic Black Keys song. The next song though, “Psychotic Girl”, has a banjo and Auerbach trying a new singing style and kick ass guitar solos. I love this song. “Lies” is a great peek into the future. It has that slower, soulful sound. It’s a quality song. “Same Old Thing” takes you back to grimy garage rock. “Oceans and Streams” is an interesting, in a good way, amalgamation of their old and new sound. And the final track, “Things Ain’t Like They Used to Be”, is another slower, and sad song. It also introduced me to Jessica Lea Mayfield, and she is an amazing singer.

What makes this record so good is how transitional it is for The Black Keys. It marks their first step towards change and growth, yet gives you their usual sound. It’s great. It’s a sneak peek for what future records would sound like. Without “Attack and Release”, and working with Danger Mouse, I don’t know if they would’ve grown as much as they have as a band. This record is now in my top three of their records, and I’d put it in my top 25 all time. It’s that good. I’m glad I revisited it today. It made me so happy that I follow this band and consume all of their music.

Seriously, if you’re a Black Keys fan, give “Attack and Release” a listen today, and think of how it has influenced their current sound. This record was the jump off point, and I hope they play some tunes off it when I see them live. What a great, unheralded record.

Ty

Ty Listens to "IGOR"

In anticipation of seeing him live in a few months, I have been devouring Tyler the Creator's most recent album "IGOR", and I have to say, I really, really like it.

I was a bit on the fence at first because it is such a departure from what I am used to from him. On his other records he has some, how do I say this, nasty or, at times, scary things he talks about. Don't get me wrong, I am a fan of all his stuff, but when he was with Odd Future, and when he first went off on his own, he had some shocking lyrics. That was how he made his name as a solo artist. Then, a few years ago, he released “Boy Fuck Girl", which I like, but it showed a little growth from him. It was still akin to his older style, but he did have a few songs that kind of ventured out of his norm. On "IGOR", it is all different, and I love it.

When I first heard the album, I was stunned. I didn't expect it. In fact, my first thought was, why? But, as I listened to it more and more, I started to like it more and more. Now, I feel like I listen to it front to back once a day. I listen to it in the car, on runs, while mowing my grass, pretty much anytime I am driving, or exercising, I find myself picking "IGOR" as my choice.

First of all, I love the opener, which is pretty much all instrumental. There are a few lyrics here and there, but for the most part, it is like a pump up song. It gets you ready for what you will be listening to from there on out. The very next song, "EARFQUAKE" shows how much of a difference Tyler the Creator is making on this album. This song is, by far, his most accessible. It has a great hook, a nice beat and there is a few verses from Tyler himself that are excellent. The video for the song is awesome too. Check it out. But in "EARFQUAKE" Tyler even sings, and I have to say, he pulls it off.

From there on out, the record shows a total and tonal change from him. The album is, in essence, a love record. It seems like he has someone, or had someone, in his life that gave him the influence to put this type of record out. The music is softer and nicer and different in a very good way. And don't get me wrong, this is still a rap record, it is just different from what Tyler the Creator has done before. For example, "NEW MAGIC WAND" is a straight up rap song, but it doesn't have any shock lyrics, or stuff that makes me take a step back. He crushes the song, but it is just different. I also appreciate that he recorded himself saying some pretty deep stuff in between songs. I like that he kept it on the record too. It's great.

So while it took me a few listens to get into it, I now have a newfound love for this album. I have stated many times that I like when artists take chances, and Tyler the Creator is taking a big chance, and nailing it, on "IGOR". The newfound love also has me very hype to see him do this record live. I cannot wait to see what the show is like, and to hear these songs live. I have never seen him live either, and I feel like this is a great entrance into a live Tyler the Creator show. If you are a fan, you will love this record because Tyler the Creator is awesome. But I feel like people that may not listen to him would enjoy this record too. It really is for music fans of all kinds. There is still cursing on it, so maybe don't listen to it with the kids, although I still do listen with my kids. But, other than that, "IGOR" rules.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. He is glad to find some new exciting music. All the Weird Al has not been getting Ty pumped to mow the grass.

Follow Ty on instagram and twitter.

SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.