"Rollerball" and Other Movies Used to Take Their Time. Today's Movies Don't

Recently I watched the original "Rollerball" movie. It's a movie that has been on my list for a while. I like sports movies, I like James Caan's acting and I like sci-fi. It kind of hits every note for me. So I sat down and watched the damn thing.

In the end I think that I liked it. It is definitely one of the weirder movies I have ever watched. It also isn't a "sports" movie. But in the end, after sitting with it for a while, I think I had a good time. I could do a whole review of it today, but I would rather talk about movies from that era.

"Rollerball" was released in 1975. I have been going back and watching movies from that era that many people consider classics. Some may be older, some a little newer. But most of the movies I have been watching were released in the mid 70's, and there's a running theme through all of these that we don't get in modern movies. Movies from the 70's will just let you sit in a scene for what feels like way too long. There were so many scenes in "Rollerball" where nothing was happening. Early on in the movie James Caan goes to the owner of the rollerball team he is on to have a conversation. He is escorted to his office, and this thing is clearly the vision of what the director thought offices would look like in 2018. It is all shiny and white and clear and there are chandeliers everywhere. James Caan even bumps into one, and then cuts his finger on another one. But, as the scene plays out, Caan walks into the room and the owner of the team has his hands over his eyes. And we sat there for a good solid minute with no one conversing. And when the owner finally does speak, he speaks in metaphors that make zero sense. And I walked away from that scene entranced. There is other stuff in "Rollerball" where Caan will turn on his multiple tvs, some classical songs will play and he will say nothing. We sat there and watched Caan watch his tv. Again, this goes on for a full minute. And it is not just "Rollerball" that does this. I recently watched "Rear Window", great movies by the way, and that movie opens with our lead character sitting in a wheelchair just eavesdropping on his neighbors. I understand that this is the point of the movie, because how else would he witness what he witnessed, but Hitchcock lets us live in that moment for a long, long time. "Easy Rider" is another fairly recent watch of mine where we just see dudes riding their motorcycles for endless amounts of time. And it is rad. They also have a full story arc in New Orleans during Mardi Gras, and we get to watch the two main characters and two lady friends go on a drug trip, with little to no dialogue. The director just wanted us to feel like we were on the trip with them I suppose. There's also the whole hippy commune where we watch people swim in a lake. That's it. nothing else really happens for long stretches of time.

I cannot fathom a world where someone would make a movie nowadays where you watch full minute long scenes of nothing really happening. Even directors I really like wouldn't do something like this. Ari Aster has to fill his movies with the wackiest stuff you have ever seen. Also, he is clearly trying to terrify his viewers. Zach Cregger doesn't put things in his movies unless it is going to drive the story along even further. I cannot picture a world where Robert Eggers isn't trying to make you fully pay attention simply due to the dialogue and dialect of his actors. Jordan Peele's movies want to scare you and make you laugh, never "wasting" a second just to show you some cool scenery. The attention span we all have now is so diluted that movie makers simply cannot waste any time on screen. They need to keep everyone's full attention at all times.

It is kind of a bummer to be honest. We all watch videos, myself included, that are Tik Tok or Instagram length now. I will skip some videos if they don't grab my attention within the first 10 seconds. It has become a problem. But sitting back and watching these old classic 60's and 70's movies, I kind of like just staying in a scene for long periods of time. I get a good look at the set and can pick out things I dislike and like within a scene. I get a good look at what the actors are trying to do. I get a better feel for what the director is trying to say. It almost feels like a way for the directors to show off, and I mean that as a compliment.

I will be continuing to check off these classics that I have been watching more frequently now. And I will be looking hard for more of these scenes that just sit and stay for a long period of time. I have grown accustomed to them, and to be frank, I like seeing stuff like this in movies. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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Better Late Than Never on "Easy Rider"

I’m going on vacation next week, and since tomorrow is a holiday, this will be my last blog until I get back. What I want to leave you all with is my first experience seeing “Easy Rider”.

This movie has always been on my list of things to see, I have just never gotten around to it. Last night, at The Arkadin, they had Strange Brew, which is a very cool idea wherein the first of each month they show a cult movie. I fully understand “Easy Rider” is not a cult movie but with the 4th of July being tomorrow and how messed up the US currently is, “Easy Rider” felt like a perfect choice. I have heard a lot about this movie from my folks and my brothers. I’ve heard famous critics sing its praises. I have seen all kinds of memes and spoofs as well. Basically I know this movie without having seen it. Until last night.

First of all, this is considered a classic for good reason. This movie is incredible. From the acting to the directing to some of the things they did in the editing room, it was the first of its kind. There are so many movies since then into today that take from “Easy Rider”. From dissolve shots to lens flare to the color used in certain shots, “Easy Rider” was one of the first movies to ever do it.

“Easy Rider” is also the best, by a wide margin, of the bevy of motorcycle movies that came out in the mid to late 60’s. It has a real story that says something important and is pulled off beautifully. Peter Fonda was transcendent in his role. He had a quiet confidence about him. He knew the mission and stuck to the plan. He knew when and when not to have fun. He carried himself with an air of importance, but was never mean or cocky about it. This is one of my first experiences with Fonda as a leading man, and it was so easy to see why he was so successful for so long. Dennis Hopper pulled double duty, costarring and directing this movie. He was your typical hippy, but he was the first to play this type. He had issues with drugs and alcohol. He was mean. He was loud. He started stuff with almost everyone. But there were times that I felt for him and wanted him to be okay. He was out there just trying to live life as a free person away from the monotony of everyday life. Jack Nicholson was far and away my favorite character in the movie, and I thought it was his best performance. He’s only onscreen for about 15 minutes, but damn are those the best 15 minutes of the whole movie. I was liking the movie before he showed up, but when he got onscreen, that like flipped up love real quick. He brought humor and levity to the movie. His character, who also had issues with alcohol, had chosen a righteous path in his life’s work. He was fighting for things not many did back then. He was siesta smiling, always trying to ease the tension and knew right from wrong. What happened to him was so tragic, and when his character was killed, the movie took an even darker turn. The other actors did a fine enough job, but this movie was about these three and their mission to make it to New Orleans for Mardi Gras.

As for the story, it’s a road trip movie centered on bikes and hippies. The hippies, Fonda and Hopper, and to a lesser extent, Nicholson, are living life as free men, but some people don’t like that and they take out their anger in horrifying ways. The three try to stop and eat at a diner and leave when it gets scary. Hopper and Fonda aren’t allowed to rent hotel or motel rooms. The three men get brutally beaten, fatally in Nicholson’s case, by the patrons at the diner who forced them out. Hopper and Fonda are just simply driving their bikes back to LA, and two southern hillbillies decide to kill them because they have long hair and look like hippies. This is what is happening in our country today. People are being judged simply by looks. Only people with empathy want to get to know these guys, and the same is true today.

The host for last night said the movie might be better off being called “Hard Rider” because of the heavy tone, and I agree. It’s also disturbing how relevant it remains today. “Easy Rider” really needs to be seen by everyone for a myriad of reasons. I’m glad I can finally say that I’ve seen it and I love it. I highly recommend the movie.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.