2022 Top Five - Music

We have 12 days until the new year. 2023 is upon us. Since we are close to the new year I'm going to spend this week doing my best of lists. I'll do music, movies, tv, podcasts and sports. I will do a top 5 like I do every year as well. Take it or leave it, but these are my top 5 in all the listed categories. Today we will start with music.

Music has been different this year for me. I am getting into a territory where I am stuck. I listen to the same stuff over and over. I like what I like. I need to branch out, and that is a goal for 2023 in music for me, but as of now, I am stuck in my ways. My top 5 this year will be different than in the past, but it is still music based.

At number 5 I have my refound love for bands I listened to 20 years ago and stopped for some unknown reason. I may have let my music snobbery get in the way or moved on to something else, who knows. But this year I have found that I like a good amount of the bands from my past. Franz Ferdinand is back in my life. They are rad. They play cool pop music. I saw them in the "Sparks Brothers" movie and that reinvigorated my want to listen to them. I am dabbling with the band Clutch again. They play older blues songs with a heavier sound. They use lots of reverb and distortion while playing classic tunes. They are great. I also got very much back into The Strokes. They are a good band. They are what The Ramones wished they could have been. The Strokes are a much more talented Ramones. I am happy that I let my snobbish ways go and rediscovered these bands. That makes me happy.

At number 4 I got to see Nas and Wu Tang Clan perform live this summer. Busta Rhymes was there as well. This is the perfect concert for me. I feel like they asked 15 year old Ty what he would want to see live. These 3 artists would have been very high on my list. Wu Tang Clan was great. This is one of the best collections of rappers to ever be assembled. Even without some original members, I still got to see Raekwon, RZA and Inspectah Deck. It rules. Nas was amazing. He crushed the venue. The whole crowd was vibing to him when he stepped on stage. He had this incredible presence. It's a show I won't soon forget. And to see Busta, he showed up at the end, that was the cherry on top. It was a dream. I loved this show. I'm glad I went. Now to the album portion of my list.

At number 3 I have "Dropout Boogie" by The Black Keys. The Black Keys are one of my all time favorite bands. I have been in love with their music since I first heard them in 2001. Their sound is unique to only them. People have tried to replicate it, but they cannot do it as well as The Black Keys. That is why I love "Dropout Boogie" so much. It is a return to form. They are going back to their roots on this album. They are more bluesy and rock forward. The reverb and distortion is back. The album is fast and it flows wonderfully. I really enjoy it. I was a little taken aback when I didn't see it on anyone else's best of lists, but that is neither here nor there. "Dropout Boogie" is like going back in time for me in the best possible way.

At number 2 I have "Cheat Codes" by Danger Mouse and Blackthought. This record rips. It is such a good hip hop album. Danger Mouse is continuing to show that he is the best and most versatile producer in the game. He is at the top of the mountain on this record. The production, the beats, the sound, the extra instruments, it all works and blends so perfectly. He is a master of his craft. Speaking of masters in their craft, Blackthought shreds on this album. His rapping is pitch perfect. Verse for verse he is the best one on the record, and this record has a ton of big time cameos. Artists like Raekwon. Michael Kiwaunka and the last known recording of MF Doom. These are heavy hitters, and they are all great. But Blackthought blows them all out of the water. I have these weird feelings where I don't think Blackthought is good anymore, and then I hear something like this. It makes me feel like a dummy. But then I sit back and enjoy it. Balckthought is an amazing artist and "Cheat Codes" further proves that point.

My number 1 album of the year is "Mr Morale and the Bigsteppers" by Kendrick Lamar. This is a masterpiece. Kendrick further proves why he is the best in the game on this album. This record is deep and introspective and overwhelmingly wonderful. This is like an hour long therapy session and Kendrick bares his soul on the album. I must have listened to this record dozens of times but I still find something new and different that I love with each new listen. This is a work of art. This is a masterclass in recording an album. There are no bad tracks. Everything works. The flow of the album, the tracklisting, it is all perfect. The accolades are very, very well deserved. I got to see him while he toured with this album and that was an amazing experience. Kendrick Lamar is the GOAT. "Mr Morale and the Bigsteppers" further hammers that home.

That is it for music. Come back tomorrow for my top 5 movies of 2022. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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Ty Listens to The Black Keys "Dropout Boogie"

A few new albums I have been anticipating came out last Friday. I will be taking the next two days to write about each one. The first one I want to talk about is "Dropout Boogie" from The Black Keys. I waited an entire weekend before writing about the albums because I wanted multiple listens before writing down my thoughts. So, let's get to

"Dropout Boogie". This is a return to form. I adore this album. I have listened to it fully four times now. It is short and sweet and to the point. There are 10 songs, it is a stripped down band, the focus is solely on Carney and Auerbach's talent, it is 34 minutes long and it packs a punch. It reminds me a lot of their last record, "Delta Kream". That was a covers album, but it was just the guys with a few other, older blues musicians on the album. "Dropout Boogie" is like a rock version of that. I like The Black Keys' other stuff, their previous stuff. But I was the typical, "I like their older stuff better" fan. I enjoy "El Camino", "Brothers", "Let's Rock" and "Turn Blue". But I was way more in the bag for "Attack and Release", "Magic Potion", "The Big Come Up", and most of all, "Rubber Factory" and my all time favorite, "Thickfreakness". Those albums are raw and have the feel of a band finding a totally unique sound unto them. That is not to say those other albums don't have that feel. They do, but The Black Keys were clearly trying some other, newer stuff. And it worked. Those are good records. But they never lived up to a record like "Thickfreakness", at least not for me. Then "Delta Kream" came out a year ago. I devoured that album. I loved the direction. I loved the idea. I am drawn to old blues music with a new sound, and the boys nailed it. I wish I could have seen them perform that album live. I bet those shows ruled. And now we get another very good, older sounding record from them in "Dropout Boogie".

Everything seems right on this album. The guitar is crunchy and grimy and filled with reverb. It is like going back in time. The guitar on this album reminds me of a more refined "Rubber Factory". There is no denying Auerbach's greatness on a record like this. He is a one of a kind guitar player. He will go down as one of the greatest. Carney's drumming is just as ferocious and wild and awesome as it has ever been. I feel like he has never really strayed from the original sound they were going for back in the early 2000's. He has stayed true all the way to today. I adore that about him. I also like his manic drum playing, and that is on full display here. He gets to hammer away at his unusual kit and he does a bang up job. His fills and solos and everything work so well. I think when he and Auerbach decided to make a record like this he just smiled and was instantly on board. He feels like the type of guy that never wanted to stray from the main reason they got into this business. And add on the fact that this album comes at you fast, only slows down once and sounds like they are having a hell of a time making it, and it all works. They are cohesive. They have the same idea. They clearly wanted to make an album like this. I think they missed doing music mostly just the two of them. I am now contemplating seeing them this summer in STL. The show is outdoors and the lawn seats are cheap. And I want to see them perform these particular songs.

I like this record a lot. I highly recommend people give “Dropout Boogie” a listen.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

Come and support Ty and the podcast on Patreon.

Follow Ty on instagram and twitter.

SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.