2026 Has Alredy Been an Amazing Year for Movies
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Maybe it's just the movie fan in me, but I can't remember the last time I looked at a theater schedule and thought, "I want to see almost everything." For the first time since the pandemic turned Hollywood upside down, it feels like movies are back in a big way.
For years we've heard the same conversation. "Movie theaters are dying." "Streaming is the future." "Hollywood has run out of ideas." And while there have certainly been some great films over the past few years, 2026 feels different. It feels like there's real momentum again.
What's been most exciting isn't just that we've gotten a handful of good movies—it's that we've gotten great movies across almost every genre.
Early in the year, science fiction fans were treated to the incredible Project Hail Mary, a film that reminded audiences why big, intelligent sci-fi adventures belong on the biggest screen possible. It wasn't just another effects showcase. It had heart, humor, and one of the year's most satisfying stories.
Animation has been on a roll, too. The Super Mario Galaxy Movie continued Nintendo's winning streak, proving once again that video game movies can actually be...well...good. Better than good, actually. It captured the fun and imagination that fans hoped for while introducing a whole new generation to Mario's universe.
Then came Toy Story 5.
I'll admit it—I wasn't sure we needed another Toy Story. After Toy Story 3, I thought Pixar had wrapped things up pretty well, yet they still made Toy Story 4. But somehow they found another story worth telling. It reminded us why Woody, Buzz, and the rest of the gang have meant so much to audiences for nearly three decades.
And then there's The Odyssey.
Big, ambitious, epic filmmaking has felt increasingly rare over the last several years. Seeing a classic story brought to life on such a massive scale reminded me why theaters exist in the first place. Some movies just aren't meant to be watched while folding laundry at home. Chistopher Nolan swung for the fences with The Odyssey, and he hot the ball out of the stadium. Go see this movie on the big screen.
Over the weekend the biggest movie opening ever happened. Spider-Man: Brand New Day delivered exactly what fans wanted: heart, humor, exciting action, and a reminder that superhero movies still work when the focus stays on great characters instead of simply setting up the next dozen sequels. Great actors playing characters we love doing cool stuff will always bring box office gold.
But here's what I think has made 2026 really special. It hasn't just been about the giant franchises. Some of the year's biggest surprises have come from smaller films, especially in horror. Obsession and Backrooms became breakout successes not because they had enormous budgets, but because they had fresh ideas, memorable scares, and audiences eager to discover something new. People, twenty somethings in particular, wanted to have a shared moviegoing experience with these films made by people who are their age. The success of these films proves that you don't need a $250 million budget to make an impact—you just need a great concept and strong execution, and an audience that wants to be scared. That's encouraging not only for horror fans but for anyone who wants Hollywood to keep taking creative risks.
Honestly, the best part is that we're not even finished with 2026. The second half of the year still has plenty to look forward to. I'm already counting down the days until Digger, one of the more intriguing original films on the horizon with a must see performance from Tom Cruise. Then there's Avengers: Doomsday, which has the chance to be the biggest superhero event in years if it sticks the landing. And for science fiction fans, Dune 3 promises to continue one of the most visually stunning and ambitious franchises of the modern era. For the first time in a long time, it feels like every few weeks there's another movie worth getting excited about.
The pandemic didn't kill moviegoing, but it definitely changed it. Studios became more cautious, release schedules were constantly shifting, and streaming often overshadowed theatrical releases. For a while, it seemed like every discussion about movies centered on declining ticket sales instead of the films themselves. This year, the conversation has finally changed. People are recommending movies to each other again. They're avoiding spoilers, buying advance tickets, debating favorites online, and making plans to see films together. Going to the movies has started feeling like an event again rather than just another entertainment option.
Will every movie be a classic? Of course not. But that's never been the point.
The point is that 2026 has reminded us what it's like to be genuinely excited about going to the theater. Between smart science fiction, emotional animated films, massive historical epics, crowd-pleasing superhero adventures, and inventive low-budget horror hits, there's been something for just about everyone. After several uneven years, Hollywood finally seems to have found its rhythm again. And if the rest of the release calendar lives up to the promise of Digger, Avengers: Doomsday, and Dune 3, we may end up looking back on 2026 as not just the best movie year since the pandemic—but one of the best blockbuster years in a very long time.
I’m excited. As Roger Ebert and Gene Siskel used to say, “I’ll see you at the movies”.
RD
RD is the founder and Head Editor for SeedSing and the other host of the X Millennial Man Podcast.
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