The Advent Calendar of Great Holiday Movies: Day 17 "American Psycho"

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The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we will present a great movie associated with the holiday season. Many will be awesome, some will be extra awesome. Enjoy.

Day 17: “American Psycho”

Opened Doors: Day 1, Day 2, Day 3, Day 4, Day 5, Day 6, Day 7, Day 8, Day 9, Day 10, Day 11, Day 12, Day 13, Day 14, Day 15, Day 16

The holiday season feels like a competition. We want to to one up our friends and family with better gifts. We want to impress our neighbors with superior outdoor decorations. We want to be the most stylish, and the most recognizable, at our office holiday parties. The competition of the holiday season is not only annoying, it is also dehumanizing. It is not a shock that some of us have fantasies about murder and mayhem on all of those around us when the competition hits a little to close to our own neurosis.

At the Sundance Film festival in 2000 writer director Mary Harron premiered her film adaptation of the novel “American Psycho”. The film was a hit and featured future Oscar winners Jared Leto, Reese Witherspoon, and in a star making role, Christian Bale as Patrick Bateman. “American Psycho” revived interest in author Brett Easton Ellis’s work, and became one of the definitive films of the early 21st century.

Early in the film, Patrick Bateman is at a Christmas party with a fiance he does not love, work friends he loathes, and massive insecurity about his place in the world. Drugs and alcohol are no help. The banality of 1980’s pop music is helping him get by a little bit, but Bateman needs more. He needs to destroy what feeds his insecurity. At the Christmas party, Bateman convinces Jared Leto’s Paul Allen to have dinner. The dinner is a disaster, and the evening ends with Bateman murdering Allen with a shiny ax while the dulcet tones of Huey Lewis and the News tell us all that it is hip to be square.

The weeks following Christmas find Bateman destroying anyone he sees as artificial. The false commercialism of the holidays have broken the young Wall Street worker. In the end, Bateman’s own artificial nature saves him from any punishment. He is free to wreck havoc on the poor yuppies of Manhattan next Christmas time.

The commercialism of Christmas is dehumanizing. We do not want the latest, expensive, gift, but we must participate. We really do not care about the fashionable holiday getaway, but we still make sure to book the trip. The fanciest business card from one of our office mate drones, who cares? You better damn well believe though that we are going to one up Brad from marketing. If we can not do better this holiday season, we may just go insane. In our insanity it is important to remember that ATM’s do not eat cats.


RD is the Head Editor for SeedSing. Sometimes we go crazy during the holiday’s we discover something dark from Christmases past. The gang knows this all too well in “A Very Sunny Christmas”.

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