SeedSing's Advent Calendar of Awesome Holiday Music: Day 2-Baby It's Cold Outside

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ed note: This article was originally published on December 2nd, 2015

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we will present a new awesome holiday song for every day of Advent. This is the greatest music of the season. Enjoy.

Day 2: "Baby It's Cold Outside"

Opened Doors: One

Ed note: I was originally going to write about "Baby It's Cold Outside" and talk about how much I liked the song in spite of the frightening message. There are great renditions of this song always coming out, including the gender reversal version with Joseph Gordon-Levitt and Lady Gaga. Ty wanted to get into the fun so he gets the floor for today,

Continuing the new countdown of holiday music, the "Advent Calendar of Awesome Holiday Music", I'm going to write about a very famous holiday song that has an extremely horrifying scenario proposed throughout its entirety. The song I'm speaking of is "Baby It's Cold Outside".

Everyone knows this song. It was written by Frank Loesser in 1944 and it's been performed by a lot of musicians, most notably, Dean Martin and a female chorus in 1959. Some other notable performers include Sammy Davis Jr and Carmen McRae, Ray Charles and Betty Carter, Robert Palmer and Carnie Wilson and most recently Michael Buble and Idina Menzel. This is a very famous, very popular holiday song, but as I've gotten older and listened to it more and more, it portrays a possible sexual assault.

My wife loves holiday music and I've never been that much of a fan. It's too slow and makes me tired. I also dislike the new fad of playing holiday music before Thanksgiving is over. Let Thanksgiving be its own holiday. But, I'm not going to make my wife listen to only my music, I've stated before that I have very different taste in music from my wife, so it's easier to just let the holiday music play until the holiday is over. With that being said, I've heard "Baby It's Cold Outside" about ten million times in the past nine years. I've heard a lot of holiday songs, but "BICO" is the one that sticks out most to me. I originally thought it was a pretty cool tune.  I never really thought about the song, but the more I heard it, the more I listened and started to make out the lyrics to this song and they are disturbing.

The song opens with the lady saying, "I really can't stay" and the man responds, "But baby it's cold outside". The following lyrics in the first verse are as follows, with the lady singing first, then the man, "I've got to go away", "but baby it's cold outside", "the evening has been", "been hoping you'd drop in", "So very nice", " I'll hold your hand, they're just like ice". Let's break this down. Right off the bat the lady is ready to go. She's stated that she REALLY has to go. She clearly doesn't want to stay. But, the guy insists she stays by telling her it's too cold outside. The lady follows up saying she has got to go away. She is trying anything to get away from this man. The man, once again tells her it's too cold for her to leave. I imagine some creep standing in the doorway, a la Christopher Walken on the SNL skit, "The Continental". Then the lady even pays the man a compliment by saying the evening was nice, but reiterates the fact that she has to go. The man, unrelenting, tells her he will hold her hands to warm her up. In the next verse, the creepiness is ramped up. Throughout the second verse, the lady claims that her parents will worry if she's not home soon. She even claims she has to scurry. But, the man turns on the "charm" and calls her beautiful, asks her what's her hurry, proclaims he has a great fireplace, then makes her a drink. So, she starts out by telling the man that she has to leave because her folks will worry and this creep makes her a drink. This is beyond creepy now, this is sexual assault territory. In the third verse, the lady begins to worry what the neighbors will think if they see her there. The man once again hits her with the fact that it's cold and snowy outside, as if to say that the neighbors will be too preoccupied with the weather to worry about the upcoming sexual assault that most assuredly is going to occur. Then, the most messed up line of the whole song happens. The lady asks, "what's in this drink". Okay, back in the 40's that may have been cute, but in the 60's, 70's, 80's, 90's 2000's and especially now, how is that anything but a roofie in that drink. He's clearly slipped her something to make her inhibitions go away.

So creepy and just wrong.

Go and listen to the Buble and Menzel version and try not to be creeped out when you hear this line. The lady follows that up with "I wish I knew how to break this spell". The guys only response, there are no cabs, her eyes look like star lights and he takes her coat and hat, complementing her hair. What a god damn creep. The lady goes on to say she ought to say no to this man, he decides to move closer. She says that she will tell people at least she tried, almost saying, she tried to get away from him, but she was drugged. The man's response, "What's the sense of hurting my pride". What an asshole. This lady wants nothing to do with him, but he cannot take a hint. The lady then says things like "I simply must go", "the answer is no", the man's reply to this, "baby it's cold outside". So what if it's cold, she can make her way home. She's said no to you multiple times now, let it go, she doesn't want your company. Later, after talking about how her parents would worry, she starts to bring up her brother, sister, aunts and uncles. This lady is really grasping at straws trying to get out of this horrible situation. The creepy guys responds with stuff like, "never such a blizzard before", "waves upon a tropical storm" and the most creepy pick up line of all, "gosh your lips look delicious". What the hell is that! Is this some frat boy that won't take no for an answer? By this point, the lady should say no means no, blow her assault whistle and call the cops because this guy has bad intentions.

Thankfully, the lady finally gets out of the situation by grabbing her coat and saying she will see this man tomorrow. He responds with by asking how could she do this to him and think of his sorrow and even telling her she will get pneumonia and die. This guy is a straight up douchebag. He is what I envision every frat boy that's even been accused of sexual assault acts and looks like. Who gives a shit about your pride and sorrow, you slipped drugs into a lady's drink to try and get laid. You're a monster.

I CANNOT believe that this is a classic holiday song. It is the Christmas version of "Blurred Lines". Next time you hear "Baby It's Cold Outside", think about how disturbing this song truly is. I cannot hear it the same anymore. The creepiness has been burned into my brain. The fact that it's still performed and beloved is astounding, especially in the new PC culture we live in. I thought the song was ok before, but now I hate it since I understand how disturbing it is.

It's frightening.

Ty

Ty is the Pop Culture Editor for SeedSing and the other host of the X Millennial Man podcast. He doesn't care how cold outside it is, if Michigan Football is on he is going home. Follow Ty on twitter @tykulik.

The Greatest American Band Debate: Rick Rubin and Brian Burton

SeedSing is filled with music lovers. We can not agree on who is the best band from the States. The Greatest American Band Debate will be a regular feature where we discuss and compare bands who started in the good old USA. If you have any suggestions of bands we should debate Contact us seedsing.rdk@gmail.com

In lieu of talking about another band today for the greatest American band debate, I'm going to talk about two producers. These guys are legends in the music business and without them, we would never have gotten some of the greatest bands of all time. They're both mainly producers, but one also doubles as a pretty good musician. The two people I'm going to talk about today are Rick Rubin and Brian Burton, AKA Danger Mouse.

Let's first start with Brian Burton. Danger Mouse bust onto the music scene with the legendary "Grey Album". This was a "mashup" of the Beatles "White Album" and Jay Z's "Black Album". This record was incredible. He perfectly blended Beatles with Jay Z. We had never heard anything like this before. Now, it's commonplace for DJ's and producers to do "mashups", but Danger Mouse was one of the first. This record was also impossible to come by. He didn't get permission from the powers that be to make it, so the few that got released were hard to get your hands on. You had to know someone who knew someone that had a copy just so you could get one. It's a masterpiece.

With the acclaim that followed "The Grey Album", Danger Mouse was in high demand. He began to work with a lot of artists. He, along with Cee Lo Green started the band Gnarls Barkley. An awesome concept for this band. Green did the vocals and Danger Mouse did everything else. They put out two awesome albums. The way he met Green was working with him on the "Danger Doom" album. This was Danger Mouse and MF Doom. MF Doom is an awesome, but under appreciated rapper. Their "Danger Doom" record is an excellent concept album. They used Adult Swim cartoons as their base and wrote rap songs to go along with it. Some Adult Swim people that appear are Master Shake, Harvey Birdman and Meatwad, to name a few.

Later on, Danger Mouse was called upon by the Black Keys, one of my all time favorite bands, to be the first outsider to produce one of their albums. He came to work with them on "Attack and Release", their first real ambitious album. He's since worked almost exclusively with them, making their sound more complete. He's added bass where needed and piano as a cherry on top of their unique sound. He was one of the driving forces behind their most recent and most ambitious record, "Turn Blue", and I will be forever grateful to him for making the Black Keys take some much needed steps to further their sound and push the limits.

Danger Mouse also has the band Broken Bells. This is him and Shins frontman James Mercer's side project. This is a great platform for Mercer to step away from the indie rock sound and really take some big vocal chances. He has to hit so many high notes with Broken Bells and he does great. That's something he would have never done in the Shins. Broken Bells is great.

Danger Mouse has also done work with a lot of other famous artists, Jack White, Norah Jones and Sparklehorse among many, many others. Danger Mouse is probably the second most in demand producer right now, and everything he's done so far has been pretty great. He's a top of the line producer.

The only guy that may be more in demand than Danger Mouse has got to be Rick Rubin. I mean, the dude co created Def Jam Records first of all. Just google Def Jam and look at all the ultra famous people that have been on that label, it's astonishing. He and Russell Simmons created an empire. They both created probably the best rap label of all time. Bands like Public Enemy, the Beastie Boys and Run DMC owe their fame to Simmons and Rubin. Even a guy like LL Cool J they made famous. Rubin is a total recluse, but when he emerges from his cocoon to work, this guy never disappoints. He was the producer on the "Black Album", Jay Z's best in my opinion.

Rubin has worked outside of rap music as well. His clientele includes  the Red Hot Chili Peppers, Johnny Cash, the Avett Brothers, the Dixie Chicks, Adele, Rage Against the Machine, Slayer, Mars Volta, Mick Jagger, the list could go on for days and days. He's even done stuff with Lady Gaga, Shakira and Ed Sheerhan. He has definitely expanded his grasp on all music.

The one thing you hear when people talk about working with Rubin is what a great professional he truly is. He has a knack for hearing and knowing great music. Before him, the Avett Brothers were just another run of the mill folk group. Rubin made them great. Same thing can be said about the Dixie Chicks. He produced their only listenable record. Rage Against the Machine knew they were working with a legend and let him do his thing, ending with great results. Lady Ga Ga, Shakira and Ed Sheerhan should thank their lucky stars that Rubin agreed to work with them. That's a huge compliment. Slayer and Mars Volta made their best stuff with Rubin on board. He's a genius, there's no other word that better describes him. Rubin's talent was on full display when he  got the absolute best out of an almost dead Johnny Cash. Those last two albums of his are masterpieces and a lot of that has to do with Rick Rubin being the producer.

They may not be a band, but we cannot talk great American music without mentioning these two guys that have helped produce so much of it. I can't wait to see what Danger Mouse and Rick Rubin do next.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man podcast. As a kid he thought Puff Daddy was the only producer in music. He has since become aware of others. Follow Ty on twitter @tykulik.